• Journal of Navigation and Port Research
• /
• v.38 no.4
• /
• pp.335-341
• /
• 2014

Faced with global agenda of greenhouse abatement program including regulations and $CO_2$ emission trading scheme, shipping companies are enforced to a high level of efficiency in fuel consumption. Accordingly shipbuilding companies worldwide are required to develop fuel-efficient ships which otherwise traditionally consume a great amount of fossil fuels. In this dissertation, relevant to the improvement of fuel efficiency for commercial ships, design methodology through the numerical simulations are intensively described. This work consists of derivation of effective hydrodynamic design practice based on the application of longitudinal grooves to effectively improve the pressure distribution around ship hull. The primary objective of the present study is to improve ship resistance performance using longitudinal grooves which originate from long strips on the abdomen of humpback whale. Several groove shapes have been extensively investigated and the proposed shape efficiently controlled the variation of pressure distributions acting on the hull surface.

• Journal of the Institute of Convergence Signal Processing
• /
• v.18 no.2
• /
• pp.43-48
• /
• 2017

The underwater transients signals contain the characteristics of complexity, time varying, nonlinear, and short duration. So it is very hard to model for these signals with reference patterns. In this paper we separate the whole length of signals into some short duration of constant length with overlapping frame by frame. The 20th LPC(Linear Predictive Coding) coefficients are extracted from the original signals using Durbin algorithm and applied to neural network. The 65% of whole signals were learned and 35% of the signals were tested in the neural network with two hidden layers. The types of the whales for sound classification are Blue whale, Dulsae whale, Gray whale, Humpback whale, Minke whale, and Northern Right whale. Finally, we could obtain more than 83% of classification rate from the test signals.

• Journal of the Institute of Convergence Signal Processing
• /
• v.19 no.4
• /
• pp.147-152
• /
• 2018

Underwater transient signals are complex, variable and nonlinear, resulting in a difficulty in accurate modeling with reference patterns. We analyze one type of underwater transient signals, in the form of whale sounds, using the MFCC(Mel-Frequency Cepstral Constant) and synthesize them from the MFCC and the weighted $L_2$-norm minimization techniques. The whales in this experiments are Humpback whales, Right whales, Blue whales, Gray whales, Minke whales. The 20th MFCC coefficients are extracted from the original signals using the MATLAB programming and reconstructed using the weighted $L_2$-norm minimization with the inverse MFCC. Finally, we could find the optimum weighted factor, 3~4 for reconstruction of whale sounds.

• The Sea:JOURNAL OF THE KOREAN SOCIETY OF OCEANOGRAPHY
• /
• v.24 no.3
• /
• pp.475-482
• /
• 2019

Over 3,200 large baleen whales including 3,173 fin whales, 7 blue whales and 28 humpback whales were hunted by Japanese whaling companies in the Yellow Sea during Japanese colonial period (1916~1944). As a result, these large baleen whales are under the endangered state in the Yellow Sea. The Yellow Sea had good living conditions for large baleen whales in the water temperature ($4{\sim}26^{\circ}C$) and food supply. The whaling on the large baleen whales was carried out mainly from early winter to late spring. The possibility of large scale whaling was caused by the migration of these baleen whales from other areas for the feeding on abundances of Euphausia pacifica in the surface layer during these seasons. During summer and autumn season, the baleen whales moved to other areas (good feeding ground as Woolsan offshore waters), because Euphausia pacifica stayed below the strong themocline which was formed from June to October in the Yellow Sea.

• Journal of Popular Narrative
• /
• v.25 no.1
• /
• pp.165-191
• /
• 2019

The purpose of this article is to elucidate why the motif of time travel is repeated in the science fiction narrative by examining the functions of this motif in the SF movie series of Star Trek in its narrative and non-narrative aspects. Star Trek IV: The Voyage Home (1986) aims to attract the audience's interest in the story through the use of plausible time travel in the form of the slingshot effect which causes the spacecraft to fly at very fast speeds around an astronomical object. The movie also touches upon the predestination paradox that arises from a change of history in which it describes a formula of transparent aluminum that did not exist at the time. The film also serves as an evocation of the ideology of ecology by including humpback whales in the central narrative and responding to the real issue of the whale protection movement of the times. Star Track VIII: First Contact (1996) intends to interest the audience in the narrative with the warp drive, a virtual device that enables travel at speeds faster than that of light and a signature visual of Star Trek, at the time of its birth through time travel. The film emphasizes the continuation of peaceful efforts by warning the destruction of humanity that nuclear war can bring. It tackles with the view of pacifism and idealism by stressing the importance of cooperation between countries in the real world by making the audience anticipate the creation of the United Federation of Planets through encounters with the extraterrestrial. Star Trek: The Beginning (2009) improves interest through the idea of time travel to the past, this time using a black hole and the parallel universe created thereby. The parallel universe functions as a reboot, allowing a new story to be created on an alternate timeline while maintaining the original storyline. In addition, this film repeats the themes pacifism and idealism shown in the 1996 film through the confrontation between Spock (and the Starfleet) and Nero, the destruction of the Vulcan and the Romulus, and the cooperation of humans and Vulcans. Eventually, time travel in three Star Trek films has the function of maximizing the audience's interest in the story and allowing it to develop freely as a narrative tool. It also functions as an ideal solution for commenting on current problems in the non-narrative aspect. The significance of this paper is to stress the possibility that the motif of time travel in SF narrative will evolve as it continues to repeat in different forms as mentioned above.