• 열린충남
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• s.34
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• pp.2-3
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• 2006

• Proceedings of the KSLP Conference
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• 1998.11a
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• pp.201-207
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• 1998

현악기의 대표격 악기라고 할 수 있는 바이올린이나 기타는 소리(음원)를 만들어 내는 역할을 하는 줄(현)과 공명통이 합쳐져 있는 모양을 하고 있다. 활로 바이올린 줄은 긁거나 기타줄을 손으로 튕겨서 소리를 만들어 내면, 이 소리는 공명통을 울려서 크고 아름다운 소리가 발생되는 것이다. 사람의 목소리도 이러한 현악기와 비슷한 구조를 가지고 있어서, 두 개의 줄모양을 하고 있는 성대에서 성대음(glottal sound)을 만들어 내며 이 성대음이 성도(성도, vocal tract)를 통과하면서 여과(filtration) 되고 성도의 모양에 따른 특성에 따라 공명(resonance) 현상을 일으켜서 입술이나 콧구멍 바깥으로 방출되어 말소리(speech sound)를 만들어내는 것이다. (중략)

• The Journal of the Acoustical Society of Korea
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• v.20 no.1
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• pp.3-12
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• 2001

In physical modeling of plucked string instruments, the vibration of a string is typically simulated by the linear system. Currently the Digital Waveguides of J.O.Smith[1] are widely used to get a high quality sound of the plucked string instrument. He used the wave equation to derive the Digital Waveguides and emphasized the time variable. In this thesis, new model of plucked string is proposed to improve the sound quality emphasizing the spatial variable of the wave equation. In our model, we used the fixed sampling interval which is not dependent on the speed of the wave. So we could get more detailed description of wave movement by the time variable. As a result, the new model could produce a higher quality sound of plucked string instrument.

• (The) Research of the performance art and culture
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• no.32
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• pp.701-738
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• 2016

The Geomungo(거문고) is a instrument of Gogureoy(高句麗). The instrument had covered a lot of Korea, so it have become a important musical instrument in Korea. Hayasi Genjo(林謙三), Japanese scholar, had maintained his opinion that the Geomungo of Gogureoy is the Wagonghu(臥??), and the Geomungo was formed later, the record of Kimbusik, wrighter of the History of Three Kingdom(三國史記), was incredible. Lee-Hyegu refuted his hypothesis because the introduction on the Wagonghu of Japan have been inaccurate. Since then, many scholars of Korea have studed on the Geomungo of Gogureoy. But their study of the Geomungo was inclined to the topic, relation of the Geomungo and the Wagonghu, or the Wagonghu, the origin of the Geomungo. And They have thought that the record of Kimbusik's was truth. Kimbusik had recorded that Wangsanak(王山岳) had made the Geomungo from the Chilheoyn-Geum(七絃琴, Seven stringed Zither. 古琴). But the Geomungo was different from Geum(琴), but similar to Wagonghu. Many ancient tomb have been unearthed in the old land of Gogureoy, and the were many tomb painting of Gogureoy Geomungo. They were many different style, the form, the size, the number of strings and the position of the musician. So I think that many various type of the Geomungo had been exsited in Gogureoy they had become a prestyle of the Geomungo. The Geomungo was originated from the Wagonghu, its form was similar to the Geomungo. The many scholars considered that it is truth, the Wagonghu was handed down from China, and was spreded to Japan. But there were the Wagonghu in the early Joseon(古朝鮮), The song of the early Joseon, Gongmudohaga(公無渡河歌). The song was accompanied by the Wagonghu. We can read off, at the Song, the Wagonghu had exsisted in the early Joseon. So I think cautiously on that point, the Wagonghu of the Early Joseon was old than that of China, and thd Geomungo of Gogureoy was originated from the Wagonghu of the Early Joseon.

• The Journal of the Acoustical Society of Korea
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• v.27 no.8
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• pp.395-402
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• 2008

In viol family string instruments vibration of string is transmitted to the front plate through bridge to cause resonance of the instrument body. Therefore, the vibration of string is the source of sound and the properties, the structure, and the boundary conditions of string are expected to have significant effect on the sound. In this study the vibration of strings in cello when one end is fixed and the other end is pressed with finger tip is studied and compared with the case of the fixed-fixed ends. The result of analysis and experiment shows that the vibration of the string that is fixed at one end and pressed with finger tip at the other end is significantly influenced by the contact condition of the string with the finger tip and also quite different from that of the fixed-fixed string, It also suggests that the sound of a cello can be significantly influenced by the contact condition between the string and the finger tip in the fingered string.

• The Journal of the Acoustical Society of Korea
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• v.30 no.5
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• pp.281-294
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• 2011

Physics-based sound synthesis usually requires high computational costs and this results in a restriction of its use in real-time applications. This motivates us to implement the sound synthesis algorithm of plucked-string instruments using multi-core processor architectures and determine the optimal processing element (PE) configuration for the target instruments. To determine the optimal PE configuration, we evaluate the impacts of a sample-per-processing element (SPE) ratio that is defined as the amount of sample data directly mapped to each PE on system performance and both area and energy efficiencies using architectural and workload simulations. For the acoustic guitar, the highest area and energy efficiencies are achieved at a SPE ratio of 5,513 and 2,756, respectively, for the synthesis of musical sounds sampled at 44.1 kHz. In the case of the classical guitar, the maximum area and energy efficiencies are achieved at a SPE ratio of 22,050 and 5,513, respectively. In addition, the synthetic sounds were very similar to original sounds in their spectra. Furthermore, we conducted MUSHRA subjective listening test with ten subjects including nine graduate students and one professor from the University of Ulsan, and the evaluation of the synthetic sounds was excellent.

• Proceedings of the Korean Society of Computer Information Conference
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• 2014.01a
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• pp.243-244
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• 2014

Kinect는 인체의 동작을 인식하는 3D 인터페이스 장비로 가상현실, 증강현실 등 많은 분야에 사용된다. 본 연구에서는 Kinect의 3차원 영상데이터를 이용하여 효율적으로 손가락 움직임을 검출하는 방법을 제안하고 이 정보와 MIDI 인터페이스를 더해 PC기반 가상 바이올린 연주시스템을 구현하였다.

• Proceedings of the Korea Contents Association Conference
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• 2009.05a
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• pp.185-190
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• 2009

Recent performing-art has a trend to be new cultural contents style which mixes various genre not just traditional way. Especially in stage performance, unique performance is playing using high technology and image. In sound performance, one of technology, a new experiment is trying which re-analyze the sound and mixes the result with image. But in public performance we have a technical difficulty with making visualization regarding the sound in realtime. Because we can not make visualization with instant sound from performers and audience it is difficult to interact smoothly between performer and audience. To resolve this kind of restriction, this paper suggests Real-time sound visualization. And we use string music instrument for sound source. Using the MaxMSP/Jitter based the Midi, we build image control system then we test and control the image with Korg Nano Kontrol. With above experiment we can verify verious emotion, feeling and rhythm of performer according to performance environment and also we can verify the real time interactive image which can be changed momently by performer's action.

• Journal of the Korean Wood Science and Technology
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• v.34 no.1
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• pp.32-39
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• 2006

The acoustic properties of various coatings for stringed musical instruments made were investigated. The applied coatings were urethane topcoat, oil stain and UV-curable epoxy coating. Acoustic properties of coatings inferred from the elastic modulus and the shear modulus that ware calculated from a resonance frequency and a damping measured by FFT analyzer. The relationship between elastic modulus and density and the relationship between elastic modulus and shear modulus of coatings for stringed musical instruments ware investigated as a function of coating thickness.

• The Journal of the Acoustical Society of Korea
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• v.28 no.6
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• pp.526-533
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• 2009

This paper proposes a formant synthesis method of Haegeum sounds using cepstral envelope for spectral modeling. Spectral modeling synthesis (SMS) is a technique that models time-varying spectra as a combination of sinusoids (the "deterministic" part), and a time-varying filtered noise component (the "stochastic" part). SMS is appropriate for synthesizing sounds of string and wind instruments whose harmonics are evenly distributed over whole frequency band. Formants extracted from cepstral envelope are parameterized for synthesis of sinusoids. A resonator by Impulse Invariant Transform (IIT) is applied to synthesize sinusoids and the results are bandpass filtered to adjust magnitude. The noise is calculated by first generating the sinusoids with formant synthesis, subtracting them from the original sound, and then removing some harmonics remained. Linear interpolation is used to model noise. The synthesized sounds are made by summing sinusoids, which are shown to be similar to the original Haegeum sounds.