• 한국콘텐츠학회논문지
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• 제13권7호
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• pp.91-101
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• 2013

불확실성의 시대에 현대건축은 다양한 미디어의 발전으로 인해 표현 양상과 전개 및 방법론에 있어 과거에 비해 훨씬 자유로워지면서 건축의 표현 양상에도 많은 변화가 시도되고 있다. 특히 현상학이 대두되면서 건축공간에 현상학적 표현의 방법이 다각도로 진행되고 있으며 건축의 형태에서 벗어나 본질적이며 인간과 상호 소통하고 체험할 수 있는 공간에 대한 탐색이 활발히 진행되고 있다. 본 연구는 건축적 형태(Figure)와 공간(Space)을 지각하고 인식하게 되는 방법으로써의 현상학적 이해를 통해 기존의 물적 구조체로서의 건축에 대한 이해를 현상을 품은 콘텐츠의 주체로써 이해하여 다각적인 공간 디자인의 방법을 모색하고 적용하는데 있다. 건축의 표현양식에 있어서 현상적적 접근은 빛을 건축공간에 접목하여 발표한 건축들을 중심으로 살펴보았다.

• 한국산학기술학회논문지
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• 제19권3호
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• pp.46-51
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• 2018

본 이 연구는 제주 건축에 있어서 지역성을 탐구하는 일련의 연구 중 하나이다. 본 연구에서는 외국 저명 건축가가 아닌 국내 건축가의 작품들을 중심으로 제주 건축의 지역성을 살펴보았다. 또한 개념적 측면이 아니라 현상적 측면에서의 지역성에 집중함으로써 현재적 상황에서의 지역성을 드러내고자 했다. 연구 분석 결과, 건축가들이 생각하는 제주의 지역성은 첫째, 해석학적 지역성으로서 제주 전통 건축의 재해석을 통한 건축적 적용이며, 둘째, 현상학적 지역성으로 제주가 가진 독특한 자연경관이나 풍경을 자신의 건축에 담아내려고 하는 것이었다. 이와 같이 건축가들이 생각하는 지역성을 구현하는 방식은 크게 두 가지로 분석되었다. 해석학적 지역성의 특징은 제주 전통 민가를 재해석하여 자신의 건축에 적용하는 경우로, 주로 공간구성이나 배치를 통해 민가의 요소를 건축으로 구현하고자 하였다. 현상학적 지역성의 특징은 제주의 경관과 풍경을 존중하여 이를 건축으로 구현하는 방식이었으며, 이 경우 경관이나 풍경요소를 그대로 건축에 차용하거나, 건축물이 제주 고유의 경관이나 풍경을 존중하여 이를 건축적으로 담아내는 경우에 해당하였다.

• 한국디지털건축인테리어학회논문집
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• 제13권4호
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• pp.13-23
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• 2013

Steven Holl is outstanding architect who has been applied his phenomenological thinking to his works. he has been reported that he had adhered to focus his interest on coherent phenomenological theme and sublimated his architectural concept succesfully. This study focuses on relationship how phenomenological concept has common ground with architectural parts and with the study on phenomenological application methodology of architectonics of Steven Holl. In the case of Holl, with the theme of sense and flesh, he molds phenomenologically sensitive space. His works contains coherent phenomenolgical concepts such as distrust of rationality, synthesis of consciousness, and qeustions of perception. The Methodologies of connection with environment(nature or bridge), regional values, placeness, light and time are considered in his works(books and architectural works) as anchoring, interwining and parallax for phenomenological process in his concepts. His methodologies of enlisted works contain many valuable concepts of phenomenological intuition and would be applicable to contemporary and future architecture for humanism.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2010년도 춘계 종합학술대회 논문집
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• pp.469-471
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• 2010

본 연구는 한국전통건축 중 한옥을 중심으로 건축설계물 내부의 기류현상을 분석하여 전통건축의 설계에 있어서 에너지 효율을 높이기 위한 방안을 과학적으로 검증하고자 하는 것이다. 이를 위해서 전통 건축물의 주요부재에 관한 열역학적 물성치를 대표 값으로 설정하고 물성치의 변화를 실험 결과를 활용하여 보정하여 한옥 내부의 유동장과 온도분포 예측하여 그 결과를 제시한다. 이를 통해 건축 부재의 열역학적 특성이 현대의 다양한 기능재료에 비해 열악할지라도 이를 부재간의 배치와 조합을 통해 소정의 에너지 효율을 달성한 사례를 규명할 것이다.

• 건축사
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• 1호통권321호
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• pp.102-113
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• 1996

남서울역사는 경기도의 서부 중앙에 위치하여 서울시청에서 남서쪽으로 17km, 광명시청에서 남쪽으로 6.7km 떨어져 있으며, 인천, 시흥, 안산, 수원을 비롯하여 평촌, 산본, 과천 등 수도권 신도시들로 이루어지는 위성도시군의 기하학적인 중심에 놓인다. 또한 인천-성남, 서북부수도권-서남부수도권 지역을 잇는 광역 도시화벨트가 교차하는 광역생활권 교통의 요충지로 지난 95년 5월 10일 현상설계경기공고를 하여 총 14개 작품이 접수된 결과 95년 8월 22일 무영건축(대표 손광민)안을 당선작으로 선정, 발표했다.

• 한국실내디자인학회논문집
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• 제23권3호
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• pp.75-82
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• 2014

The aim of this study is to review phenomenological characteristics in Alvaro Siza's works through his design intention, methods and results. As a Portuguese architect, his personal and local background as well as pursuing the essence of architecture made phenomenological characteristics of his works. The emphasis of the placeness of site and the existence of architecture has close relationship with Heidegger's concept of dwelling and the role of architecture. Although Siza has maintained white plat plane of interior space which is one of features of modern architecture, he provides dramatic and dynamic experiences of space using curved and acute angle of plane in his latter part of works. Another his phenomenological nature of buildings is a striking display of space and light which is remarkable especially in his museum designs. He made this character in adopting various shapes of double ceilings, openings and their combination with natural light which he always emphasizes. As a result, Alvaro Siza's phenomenological characteristics comes not from clear architectural or philosophical theory but from continuous practice based on pursuing the essence of architecture.

• 한국실내디자인학회논문집
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• 제21권4호
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• pp.12-20
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• 2012

The aim of this study is to review phenomenological characteristics in Steven Holl's architecture through his design of St. Ignatius Chapel at Seattle University. To obtain this purpose, an analytical frame based on Holl's theory of phenomenological architecture is suggested to have a systematic study for St. Ignatius chapel. This chapel can be a good example of phenomenological architecture in that it is based on the concept of 'A Gathering of Different Lights' related to phenomenology and considered perception including multi sensory (as well as vision) as primary factors from site and program interpretation to spatial configuration. Unprecedented exterior of St. Ignatius chapel reflected on characteristics and function of rooms to magnify user's spatial experiences through inducing natural light and spatial effect. Holl used various openings and screen for natural light with colors to invoke religious inspiration. He also try to give spatial depth and multi foci for experiencing space through various ceiling forms. These phenomenological features originated in client's strong will as well as appropriateness of the function of facility's religious experiences through building to the purpose of phenomenological architecture.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.88-95
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• 2013

The purpose of this study is to analyze the phenomenological approaches in Holl's architecture centered on his Nelson-Atkins Art Museum. This study mainly deals with concrete and practical architectural contents based on his recent works rather than existing studies about philosophical point of views to his architecture. Because Holl has had turning point from theoretical research to practical application and development stage. Therefore, this study aims to find out Holl's phenomenological approaches that were different from his early works. Nelson-Atkins art museum shows effect of luminosity as well as inflow of light in the phenomenological experiences of light and space. Holl gave new addition building that he designed contrasts of massing, transparency of material, colors to enhance existence of new building through phenomenological experiences. Narrow and long circulation and various focal points provide multi-view points and overlapped spaces in body experiences As a result, Holl shows shifts from theoretical application to architectural utilization. Nelson-Atkins art museum is important in that this project is one of stating points about this shift.

• 한국실내디자인학회논문집
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• 제15권2호
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• pp.56-64
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• 2006

From ancient times to today the formation of centrality in architecture has taken very important role as an organizing device. However after 19th century modem architecture focused on the universal aspect and homogeneity of space, and developed its own vocabulary through de-centralization. Since 1960's the reflections on de-humanized space of modem space have been evloved. As those movement has been understood seriously, the centrality can be changed to phenomenological one. And The phenomenological centrality maintains organic balance with its surroundings not trying to form a hierarchic system. So it shows human-oriented tendency and facilitates experiential movements of human body. And it also gives a sense of being. The phenomenological centrality is comprised of center, boundary, and two types of axis. The characteristics of phenomenological centrality can be analyzed as practical and meaningful center, visible boundary, experiential movement, and unexpectable encounters with spaces and nature.

• 건축역사연구
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• 제11권1호
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• pp.33-48
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• 2002

The purpose of this study is to analyze the Daniel Libeskind' spatial concept in view of the Merleau-Ponty's Phenomenology. After the coming of postmodern architecture, the concept of space ceased to be discussed between architects. Instead a sign and a form were supposed as much more important subject to define architectural discipline. But after 1980, the new concept of architectural space was experimented by the architects like Frank Gehry, Peter Eisenman, Steven Hall, and Bernard Tschumi, which was clearly distinguished from modern spatial concept. By the Daniel Libeskind' architecture, this study are to make clear this tendency. For this, we accept as an important instrument Meleau-Ponty's phenomenology and the spatial concept of Minimalism, which stress the relationship of inter-subjectivity between space and human body. Consequently, Daniel Libeskind' spatial concept is characterized by fragmental, accidental, heterogeneous space by accidental events which is occurred by movement of human, which was indentified with Merleau-Ponty's spatial concept.