• Proceedings of the KAIS Fall Conference
• /
• 2010.11b
• /
• pp.624-627
• /
• 2010

20세기 재즈의 흐름에서 특히 주목할 만한 인물은 마일즈 데이비스로 그의 독창적인 시도와 새로운 접근방식은 현대 음악에도 많은 영향력을 발휘하고 있다. 어느 분야에서건 그 흐름을 주도하는 인물들은 시대적 배경과 무관하지 않다. 흐름을 주도한다는 것은 현재 없던 것을 새로이 선보인다는 개념이 아니라 과거에 있었던 것을 다르게 접근, 발전시킨다는 것이 타당할 것이다. 이 연구에서는 마일즈 데이비스가 보여주었던 수많은 시도 중에서 Nefertiti 라는 특정 곡을 중심으로 20세기 초에 에즈라 파운드를 중심으로 영국과 미국에서 형성되었던 이미지즘과의 연관성을 논하고자 한다. 음악과 문학은 항상 그 시대의 흐름과 무관하지 않았고 독창적인 예술가와 작가의 세계를 연결시켜보는 것 또한 커다란 의미가 있으리라 본다.

• (The)Study of the Eastern Classic
• /
• no.49
• /
• pp.261-295
• /
• 2012

In the past, 'Samcheong-Dong'(三淸洞) was the most beautiful place in Seoul. So this place appealed to everyone. Regardless of their position, people of all age and both sexes wanted to go Samcheong-Dong. And in Samcheong-Dong, the temple of Taoism(道敎) that named Sokeokseou(昭格署) hold ritual to Heaven. Many poets wrote poem about this temple. As a result, Samcheong-Dong has the aura of the sacred mood. Because of the breathtaking landscapes, many people meet in Samcheong-Dong, and hold the poetry club. Not only the upper ten, but also the middle class people composed poems and published many books of poem. The image of Samcheng-Dong that our contemporaries must remember is the next three distinctive qualities. In the first, the Korean unique temple of Taoism was located in Samcheong-Dong. Secondly, the house of royal family and the upper ten was adjacent to Samcheong-Dong, so this place has the aura of high culture. Thirdly, many poem was created in Samcheong-Dong, so this place leave a masterpiece of middle class that will go down in literary history.

• Journal of the Korea Convergence Society
• /
• v.12 no.4
• /
• pp.151-159
• /
• 2021

The purpose of this study is to attempt a convergent study by analyzing modern funk ceramic artworks through 'Irony', which was mainly used in rhetoric and literature. The irony has come to modern times and has embraced the type of irony by Jung Keut-Byul, a literary critic who has discovered that the classifications and definitions are different from each other, and who has solved these problems and has newly classified the irony (the irony of oxymoron, the irony as a counterstatement, the irony of dramatic turn, the irony as a poetic truth) as a framework for analyzing the works of 20th century punk potters. As a result, the formative language found in funk ceramic art had many similarities with the irony of duality of surface and reality, and its humorous and comic character was more prominent than the heavy, melodramatic tone shown in literature. It was also found that the media characteristics and craft properties of ceramic art, such as clay and glaze, have become the drivers for ceramic sculptors to draw attention in funk art.

• Sijohaknonchong
• /
• v.30
• /
• pp.219-240
• /
• 2009

Jasan An Whak did research on the essence of Sijo to show that Sijo has some features as a literature. I tried to show the formation process of Sijo theory in 1930s through Jasan's Sijo theory. As a preparatory step for it, I introduced Jasan's Sijo theory released in early 1930s and examined the characteristic aspects of it. Jasan recognized a literature as a directing post that reveals the history of our national spirit. He thought a literature as a foundation for satisfying new age. Also, he recognized the essence of a literature as a emotional expression. He emphasized that a new literature in Joseon age should have not only particularity of Joseon literature but also universality of modern literature. Jasan studied style of Sijo. Because he was at the time of modernization, he used the term, 'style', instead of 'poongkyeok', which had used before modern time. He tried to show linguistic artistry of Sijo through the series of his works about the style of Sijo. Jasan tried to find formal beauty of Sijo in the aspect of rhythm instead of rhyme. And he claimed that poetic words can be lengthened or shortened to be harmonious with the melody of Sijo. In other words, it is possible to change the words of Sijo for harmonizing with a tune. Jasan recognized that the words of Sijo have a musical function as well as a semantic function.

• The Journal of the Convergence on Culture Technology
• /
• v.8 no.4
• /
• pp.143-150
• /
• 2022

The folk language that lives and breathes in modern works does not just come from old stories, but it is a personal narrative which is based on the experiences of the narrator. Like many genres in oral literature, most of these personal narratives occur from the impulse of communicating and reinventing rather than from the impulse of creating. Compared to traditional folktales, stories about an individual's experiences, such as personal narratives are often performed by adding the individual tendencies of the narrator. In so doing, the phenomenon of "processing the experience by estimating it and reinterpreting the memories roughly" occurs, and this is a significant factor in making the oral literature. However, the question that arises here is: How can we deal with these significant elements that are inevitably captured when performed orally? Text linguistics, the main methodology of this paper, implies the possibility of expressing the impromptu elements of oral literature. Also, textual linguistic analysis of personal narratives provides the possibility of discussing oral characteristics from various angles which have been difficult to analyze, such as on-site atmosphere, speaker mistakes, contradictions in stories, and audience reactions. Hence, it is possible to effectively discuss oral-poetics in oral literature which are based on the one-off of 'words', the 'roughness' of the on-site atmosphere, and the stackability of the 'wisdom of crowds'. Furthermore, it is expected to contribute to the study of personal narrative storytelling that plays an important part in Veabal art in community culture.

• The Science & Technology
• /
• v.33 no.11 s.378
• /
• pp.88-90
• /
• 2000

이 책은 생물학ㆍ정치학ㆍ철학ㆍ물리학ㆍ진화심리학ㆍ언어학ㆍ정신분석학ㆍ경제학ㆍ인류학ㆍ기호학ㆍ문학평론ㆍ인공두뇌 등 각 분야의 세계적인 석학 30인들의 21세기 전망서다. 그들은 2100년까지 어떤 학문적인 돌파구가 마련되며 그것이 우리 사회에 어떤 영향을 미칠 것인가에 화두의 초점을 맞춰 대부분 구체적인 예를 들어 정확한 언어로 먼 미래를 예측하였다. 내용이 방대하기 때문에 이미 현대생활에 큰 영향을 미치고 있는 정보기술, 생명과학분야를 요약한다.

• Korean Institute of Interior Design Journal
• /
• v.19 no.2
• /
• pp.54-65
• /
• 2010

이 연구의 목적은 카를로 몰리노(1905~1973)의 복합적인 특징을 그의 초현실적 공간구성 방식을 특별히 고려하여 분석하는 것에 있다. 몰리노는 가장 독창적인 현대 이탈리아 건축가들 중 한 명이다. 그는 생애동안 그의 작품들은 비평가들에게는 인정을 받지 못했다. 그의 반 순응적인 성격과 극심한 개인주의도 일조를 하였지만 가장 큰 이유는 그의 작품들이 그의 전문적인 활동과 다양한 개인적인 관심사 사이에서의 강박적인 상호작용에 기반을 두었기 때문이다. 그의 독창성은 그의 능력에 있는 것으로, 항공학, 자동차, 스키, 무대 디자인, 패션, 예로티즘, 문학 그리고 그 외 수많은 다양한 분야에서 얻었던 지식을 디자인하고 건축으로 변형하려는 그의 초현실주의 배경에서부터 나온다. 개인적인 집착으로 그의 작품을 키워가면서 몰리노는 당시 현대 건축의 모든 관습들을 깨고 전문적인 능숙함과 독특한 예술적 시야 사이에 걸려있는 독특한 디자인 표현을 보여주었다. 이 연구는 몰리노의 독특한 공간 구성 방식을 벗겨내기 위해 그의 배경, 즉 그가 열정적으로 탐구했던 연구 분야들과 전문적인 생산물 사이의 연결고리를 분석한다.

• Journal of the Korean Institute of Landscape Architecture
• /
• v.32 no.2
• /
• pp.68-77
• /
• 2004

안계복과 한성미(2003)는 한국 전통공간 가운데 비교적 잘 보존되어 있는 곳을 중심으로, 해 학적 요소와 의미에 대해 사례 중심적으로 분석하였다. 본 논문에서는 한국 해학에 관한 기존 연구들을 검토하는 문헌고찰과 한국전통 유머의 특성에 대하여 고찰하였으며, 또한 전편의 사례연구에서 조사된 사례들을 유형화하여 그 특성을 파악하고자 하였다. 해학은 우리 민족이 지닌, 여유를 바탕으로 한 독특한 정서이며 이러한 해학성은 전통 예술이나 문학에서 쉽게 찾아볼 수 있다. 그러나 조경분야에서 이 한국의 해학성에 대한 연구는 아직까지 없었으며, 해학이 반영된 현대전통조경 설계사례도 찾아보기 어렵다. 한국 전통 공간에 나타난 해학은 서양의 그것과는 달리 간접적, 은유적이다. 이러한 해학은 삶의 지혜요 웃음이요 화해이다. 한편, 디자인으로서의 해학은 공간에 친근감을 부여함으로써 특정 공간의 경직성을 완화하고, 독특한 공간감을 조성하며, 보는 이들을 끌어들이는 매력을 지닌다. 이러한 공간적 특성을 현대에도 계승해 나아가는 것이 중요할 것이다. 이번 논문에서 분석하지 못한 공간 구조적 특징, 설계원칙 등은 추후 과제로 돌린다.

• Sijohaknonchong
• /
• v.24
• /
• pp.173-197
• /
• 2006

Works recreated modernly succeeding classics often appear in novels, plays and movies. Observing 'modern succession and transfiguration of classics', 1 became curious about 'recreation of classics' in Sijo genre, and in that interest this thesis begins the argument. I identified that many Sijo are recreations of classics, and also classical literature are continually being transformed into modern Sijo. Especially Sijo of Lee Guang-Soo in 1920s and Sijo of Cho Un In 1940s are pioneering works. Thereafter modern Sijo have been continuously recreated from classics. This paper is about what are the meanings of modern Sijo in this category, and how should they advance. Also this argument will indicate how Sijo will be created in the future. Transforming classics into modern works is a valuable task, because it succeeds traditional culture and connects the classics' age to the modem age. For example, the Sijo of Lee Guang-Soo and Cho Un have significance in terms of literature history. The problem lies in modern Sijo that is creatively experimenting with classics succeeding those. Many modem Sijo are created attaching too much importance to the technique of contents, not comprehending the structural principles and formal aesthetics of Sijo. Thus, Sijo that adopt classics modernly reveals the limit of creation. Furthermore, recreating Sijo with the original contents untouched has no meaning at all. From this standpoint, modern Sijo recreated from classics can be reasonable only when they reflect the life, culture. and reality of present and comprehend the formal aesthetics of Sijo.

• Proceedings of the Korea Contents Association Conference
• /
• 2009.05a
• /
• pp.141-145
• /
• 2009

Lee Sang, a poet and a architect, made new experimental poems that was influenced by quantum mechanics and theory of relativity that were published in the early 1900's, and he showed his new view of the world that transcended time and space limit through his poems. In this essay, I studied and analyzed on the links between his view of the world and modern design view with as the central figure his text, 'A Written Promise of The Line' The result is that he fellow the cyclic world view which the world consisted of cycles within cycles, of immense duration and the scientific view of the world which the universe and me are one flesh.