• Proceedings of the Korea Information Processing Society Conference
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• 2005.05a
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• pp.751-754
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• 2005

본 논문에서는 음악 수사법에 기초한 악곡의 주제선율 추출법을 제시한다. 이는 음향학적 신호처리 기술을 이용하는 기존의 수리적인 방법과는 구별된다. 본 방법을 이용한다면 주어진 곡에서 두 마디 정도의 주제선율을 추출해 낼 수 있어, 원하는 곡을 짧은 시간 안에 선별하거나 특정 곡의 전체적인 분위기를 미리 추측해 보는 것이 가능할 것이다.

• (The) Research of the performance art and culture
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• no.34
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• pp.383-421
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• 2017

Because the Jitsori and the Hotsori of the Beompae(the Korean Budhhist chant) has no meter and no Jangdan(a Rhythmic cycle of the Korean Music), so it is hard to analyze the melody of the Beompae. Also the melody of the Beompae is different from that of the other Korean traditional music, so studying of the Beompae has been out of the limelight of many scholars, studying the Korean music. But the melody of Beompae had been handed down for thousands of years in Korea, it and other Korean trditional music, had exchanged the impacts each other for a longtime. So I thinks that the Korean Beomapae have shared the similarity of the musical features with the other Korean traditional music. Because the Beompae of the Bulmosan Yeongsanjae on the Geongsangnamdo province has also no meters and no Jangdan, it is difficult to understand, too. But because the Onghoge of Bulmosan Yeongsanjae have a well-regulated melodic structure in comparison with the Beompae of the Seoul province, so called Geongjae Beompae, it seem to be easy to analyze its melody. So I will analyze the melody of Bulmosan Yeongsanjae Onghoge. This analyze should be contribute to investigate the rule of the melodic progress method on the convoluted Beompae melody. Onghoge has been sung on the procedure for Siryeon, Samsiniun(Goebuliun), Jojeonjeoman, Sinjungjakbeop. And the monk for the ritual has sung the chant first to purify the ritual place and to protect the soul. They has called the song, Onghoge a Jitsori at the Bulmosan Yeongsanjae preservation society of the Gyeongnam province. Commonly, there were Jitsori and Hotsori in the Beompae melody, and the melody of Jitsori is longer than that of the Hotsori. So, the melody of Onghoge is lengthened. In other word, the melody of the Onghoge show the lengthened and curved melodic feture of the Beompae very well. Hahn Manyeong, who had studied on the Beompae, Budhhist chant, said that the Hotsori has five letters in a phrase, and there were 4 phrases in a song. And he had insisted that the form of the song, Hotsori, is ABAB. I analyze the melody of the Onghoge by the Hahn's method. I will extract the Wonjeom(a primary tone of a skeletal melodic structure) from the melody of Onghoge, and in the progress of the Wonjeom of Onghoge melodies, I will arrange the repeat of the Wonjeom melody. It is a structural melody of Onghoge. The first phrase of Bulmosan Yeongsanjae Onghoge, 'Pal bu geum gang ho do ryang(八部金剛護道場)' have 4 structural melodies, the second phrase 'Gong sin sog bu bo cheon wang(空神速赴報天王)', the third phrase 'Sam gye je cheon ham le jip(三界諸天咸來集)', the firth phrase 'Yeo geum bul chal bo jeong sang(如今佛刹補禎祥)' have 2 structural melodies each. The structural melodies of Onghoge are 10 in total. And the structural melody of the Onghoge is formed the shape of 'Mi - La - do - La - Mi'. All of the Onghoge melodies is repeated 10 times by the melodic shape. The form of the Onghoge is not ABAB by Hahn, but is 10 times repeat of the shape.

• The Journal of Information Technology and Database
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• v.4 no.2
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• pp.97-104
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• 1998

본 논문은 디지털 오디오 도서관에 대규모 선율 데이터베이스로부터 임의의 곡을 효율적으로 탐색하기 위하여 음정곡선을 색인키로 사용하는 방법에 대해 기술했다. 사용자가 검색하고자 하는 음악의 일부 선율을 노래하면 입력된 음신호를 인식하여 음높이 정보를 추출한다. 그리고, 음표간의 음정을 계산하여 음표순으로 배열함으로써 음정 곡선을 만든다. 제안한 은표열 탐색 알고리즘에 생성된 음정 곡선을 탐색 패턴으로 입력하여 선율 데이터베이스의 음표열을 비교 조사한다. 그러면 근사 음정 곡선을 가진 후보곡을 탐색할 수 있다. 제안한 음표열 탐색 알고리즘은 실험을 통해 동적 프로그래밍 및 상태 대조 알고리즘과 비교한 결과 탐색 시간이 2배이상 향상되었다.

• (The) Research of the performance art and culture
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• no.39
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• pp.701-748
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• 2019

Gwanak-yeongsanhoesang, called as Samhyeon-yeongsanhoesang or Pyojeongmanbangjigok, is played by the musical instrumental organization, Samhyeonyukgak or by a large scale wind ensemble added Sogeum and Ajaeng. This study aims to analyze the structure and form of Piri melody which plays major melody of Sangnyeongsan in Gwanak-yeongsanhoesang, and to examine the relationship between Piri melody and Daegeum yeoneum grasping the structure and function of yeoneum. In Sangnyeongsan of Gwanak-yeongsanhoesang, the criterion for grouping the phrases of Piri melody is yeoneum. Especially, Daegeum yeoneum carries out the function of finishing the phrase of Piri playing the major melody by ornamenting or extending it, and presenting the motives or motive elements of the next phrase while Piri rests. The types of a, b, g, and i in the various shapes of the minimum melodic fragment of Piri are important motive elements that constitute a phrase of Piri melody. Especially, main motive a-type (仲→無) contrasts with b type (林→潢) which forms a strong tension by transposing 2 degrees upward. In addition, a-type gradually descends towards the end of music by changing to g-type (仲→林) or to i-type (太→林) which is 3 degrees below, which is related to the gradual descent cadence of Korean traditional music. A phrase of Piri melody of Sangnyeongsan in Gwanak-yeongsanhoesang consists of a combination of the types a, b, g, i, and cadence (x-type), and each phrase is structured in the repeating tension-relaxation. Looking at the structure of Piri phrases by similar types, each phrase has a logical variation structure through the methods such as omission and addition of notes, and crossing of melodies. The shape of the minimum melodic fragment of Daegeum yeoneum can be divided into a back-yeoneum of a~b types and a front-yeoneum of x1~x3. The x-types ornament Jungnyeo (仲), the cadence tone of Piri melody or are simply used as the extending back-yeoneum, and types a and b have the function of a front-yeoneum that prepares the beginning of the next phrase of Piri melody. The combination types of the minimum melodic fragment of Daegeum yeoneum appear mostly as the shape of back-yeoneum + front-yeoneum. In addition, the front-yeoneum of the type a and b appears independently without back-yeoneum, and the x3 type has a shape of the back-yeoneum without the front-yeoneum. Looking at the structure of Daegeum yeoneum by similar types, it can be seen that Daegeum yeoneum is also composed of a variation structure of omission and addition of notes like Piri melody.

• Journal of Korea Port Economic Association
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• v.37 no.4
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• pp.161-173
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• 2021

The shipping industry plummeted and was depressed due to the global economic crisis caused by the bankruptcy of Lehman Brothers in the US in 2008. In 2020, the shipping market also suffered from a collapse in the unstable global economic situation due to the COVID-19 pandemic, but unexpectedly, it changed to an upward trend from the end of 2020, and in 2021, it exceeded the market of the boom period of 2008. According to the Clarksons report published in May 2021, the decrease in cargo volume due to the COVID-19 pandemic in 2020 has returned to the pre-corona level by the end of 2020, and the tramper bulk carrier capacity of 103~104% of the Panamax has been in the ports due to congestion. Earnings across the bulker segments have risen to ten-year highs in recent months. In this study, as factors affecting BDI, the capacity and congestion ratio of Cape and Panamax ships on the supply side, iron ore and coal seaborne tonnge on the demand side and Granger causality test, IRF(Impulse Response Function) and FEVD(Forecast Error Variance Decomposition) were performed using VAR model to analyze the impact on BDI by congestion caused by strengthen quarantine at the port due to the COVID-19 pandemic and the loading and discharging operation delay due to the infection of the stevedore, etc and to predict the shipping market after the pandemic. As a result of the Granger causality test of variables and BDI using time series data from January 2016 to July 2021, causality was found in the Fleet and Congestion variables, and as a result of the Impulse Response Function, Congestion variable was found to have significant at both upper and lower limit of the confidence interval. As a result of the Forecast Error Variance Decomposition, Congestion variable showed an explanatory power upto 25% for the change in BDI. If the congestion in ports decreases after With Corona, it is expected that there is down-risk in the shipping market. The COVID-19 pandemic occurred not from economic factors but from an ecological factor by the pandemic is different from the past economic crisis. It is necessary to analyze from a different point of view than the past economic crisis. This study has meaningful to analyze the causality and explanatory power of Congestion factor by pandemic.

• Journal of Digital Convergence
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• v.19 no.6
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• pp.273-280
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• 2021

The purpose of this study is to analyze the music of the Moombaton genre and to find out the characteristics of Jamaican music in it. I analyzed Lewis Poncy's and BTS's rhythmically, melodically and instrumentally to find the characteristics of Jamaican music. As a result, the rhythm features a Dembow rhythm and reggae rhythm derived from traditional Jamaican music. and As a feature of the melody, toasting, a unique Jamaican expression method, was used. Instrumental features include Latin American percussion, South American melodic instruments, and the use of tr-808. This study is meaningful in creating another fusion genre by finding the elements of Jamaican music in the current popular genre of EDM.

• Journal of the Korea Society of Computer and Information
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• v.11 no.4 s.42
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• pp.137-145
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• 2006

A user remembers a melody as not the combination of pitch and duration which is written in score but the contour which is composed of the relative pitch and duration. Because of the way of remembering a melody the previous Music Information Retrieval Systems which uses keyboard Playing or score as the main input melody are not easily acceptable in Query By Humming Systems. In this paper, we mention about the considerable checkpoints for Query By Humming System and previous researches. And we propose the feature extraction which is similar with the way of remembering a melody and similarity computation algorithms between melody in humming and melody in music. The proposed similarity computation algorithms solves the problem which can be happened when only uses the relative pitches by using relative durations.

• Proceedings of the Korea Information Processing Society Conference
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• 2003.05c
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• pp.1603-1606
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• 2003

음악에서 동기는 독립성을 지니는 최소 단위이며, 저작권 검사의 단위로 이용된다 따라서, 한 음악에서 약간의 변화를 가지고 반복되는 주제선율을 추출하거나, 다른 음악간의 유사도를 측정하는데 유사도 계산은 필요하다. 본 논문에서는 비교되는 동기의 선율정보를 음 길이와 음높이가 함께 고려되는 시계열 데이타로 변환하고, cosine measure를 이용하여 동기간의 유사도를 계산한다. 시계열 데이타에서 유사도 계산으로 사용되는 유클리드 거리함수 대신 cosine measure를 이용한 경우, 공간상의 거리 합대신 변화 방향이 반영됨으로써 비교되는 동기간의 유사도를 정확하게 계산한다. 본 논문에서 제안된 동기간의 유사도 계산은 내용 기반 음악 검색에서 색인으로 사용되는 주제선율을 추출하거나, 다른 음악의 동기간의 유사성을 비교하는데 이용될 수 있다.

• Proceedings of the Korea Information Processing Society Conference
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• 2001.04a
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• pp.3-6
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• 2001

오늘날, 웹과 네트???p의 발달로 인하여 많은 멀티미디어 정보들이 쏟아지고 있고 이에 따라 멀티미디어 정보에 대한 검색 시스템이 활발히 연구중에 있다. 아직까지 음악정보 검색에 대한 연구는 미비한데 최근 XML이 인터넷상에서 정보교환의 표준으로 자리잡으면서 서양음악을 표현하기 위한 방법으로서 MusicXML, ScoreML과 같은 포맷이 고안되었다. 기존의 음악검색기법들이 음악파일에 대해 선율 정보를 검색한 것에 비해 본 논문은 음악을 텍스트로 표현한 XML문서에 대해 멜로디만을 동기 단위로 추출하여 이동도법으로 변환하여 저장함으로서 효율적인 선율 검색이 되도록 데이터베이스 저장소를 설계한다.

• Proceedings of the KAIS Fall Conference
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• 2011.05b
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• pp.629-631
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• 2011

본 논문에서는 현재 Jazz에서 사용되어지는 화성기법을 Pat Metheny의 작품인 "Bright Size Life"를 통해서 알아보았다. D Major Scale이 선율에 주로 사용된 본 작품은 A 부분에서는 선율이 완전 5도의 음정으로 발전 되었고 B부분에서는 장7도의 음정을 이용하였다. 화성은 중간에 D Minor Scale의 Bb/A가 사용되어서 Modal InterChange기법도 나타나고 있다. B부분에서는 G/A, F/G의 Constant Structure가 나오고 있다.