• Title/Summary/Keyword: 하양

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도시와 인근지역의 수평면 일사량 비교 관측 - 대구 기상대와 대구가톨릭 대학교-

  • Lee, Bu-Young;Park, Byung-Yoon;Kim, Hyun-Chul
    • Proceedings of the Korean Environmental Sciences Society Conference
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    • 2005.11a
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    • pp.54-57
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    • 2005
  • 본 연구를 진행함에 있어 도심지역과 인근지역에서 태양 복사에너지 감쇠 효과와 특징에 대하여 보다 면밀히 연구할 필요성을 느낄 수 있었으며, 겨울과 여름 두 계절을 통해 대구 가톨릭대학교 옥상과 대구기상대에서 관측된 수평면 일사량을 비교한 결과 다음과 같은 결과를 얻을 수 있었다. 1) 대구 도심은 인근 하양 지역에 겨울철에 비해 여름철에 태양 복사에너지의 감쇠가 더 크다. 2) 대구 도심은 인근 하양 지역에 비해 맑은 날 보다는 여름철 흐린 날에 태양 복사에너지의 감쇠가 더 크다. 3) 겨울철은 인근 하양지역과 대구 도심에서 태양 복사에너지 차이가 거의 나타나지 않았다. 4) 여름철 오후 대구 도심 지역 대기는 인근 하양 지역에 비해 태양복사에너지 대기투과율이 감소하였다.

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$^{40}Ar^{/39}Ar$ Age of the Volcanic Pebbles Within the Silla Conglomerate and the Deposition Timing of the Hayang Group (백악기 신라역암 내 화산암력의 $^{40}Ar^{/39}Ar$ 연대 및 하양층군의 퇴적시기에 대한 고찰)

  • Kim Chan-Soo;Park Kye-Hun;Paik In-Sung
    • The Journal of the Petrological Society of Korea
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    • v.14 no.1
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    • pp.38-44
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    • 2005
  • Hornblende $^{40}Ar/^{39}Ar$ age of $113.4{\pm}2.4(2{\sigma})$ Ma was determined from the volcanic pebble of the Silla Conglomerate which belongs to the Hayang Group of the Cretaceous Gyeongsang Supergroup. This age corresponds to the top of Aptian. Based on the reported age information, onset and duration of deposition of the constituting formations of the Hayang Group are constrained as follows; deposition of the Jindong Formation started from ca. 96~97 Ma and lasted for about 15 Ma. Therefore, Jindong Formation was deposited since Cenomanian to Santonian and it is likely to be extended to the early Campanian. We propose 81~80 Ma, which is in early Campanian, as the boundary between Hayang and Yucheon Groups. We suggest that the Silla Conglomerate was deposited during the early Albian and the Haman Formation was deposited during the rest of the Albian and also during the Cenomanian. The Chilgok Formation seems to be deposited during the late Aptian.

A Study on Sensibility Image of Necktie according to Width and Color Combination of Checked Pattern (체크패턴의 폭과 색채조합에 따른 넥타이의 감성이미지 연구)

  • Choi, Su-Koung;Jung, Su-Jin;Sung, Nam-Suk
    • Science of Emotion and Sensibility
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    • v.12 no.4
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    • pp.545-556
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    • 2009
  • The purpose of this study was to investigate the sensibility image of necktie according to width and color combination of checked pattern. The experimental materials developed for this study were a set of stimulus and response scales. The stimuli were 18 color pictures, in which the width(small: 0.2cm, medium: 1cm, large: 2cm), tone combination(similar, contrast), and hue combination(WR: white+red, WB: white+blue, WG: white+gray) were manipulated. The 7-point scale was used for evaluation of sensibility image. The subjects of this research were 216 female college students living in Gyeongnam. The investigation was carried out at September 2009. The data were analyzed by using SPSS program. Analysis methods were ANOVA and Duncan-test. The results of this study were as follows.; The analyses of sensibility for necktie according to width and color combination of checked pattern revealed that the concerned factors are five characteristic dimensions of attractiveness, youth, appeal, elegance, and warmness. Width showed an independent effect on appeal. Tone combination showed an independent effect on attractiveness, appeal, elegance, and warmness. Interaction effects of width and tone combination on attractiveness were found. Hue combination showed an independent effect on all dimensions. In addition, significant interaction effects of width and hue combination on attractiveness, youth, appeal, and elegance were found. Significant interaction effects of tone combination and hue combination on attractiveness, youth, and appeal were found.

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Comparative Sedimentology for the Lacustrine Deposits of the Upper Gyeongsang Supergroup in the Southeastern Gyeongsang Basin, Korea (경상분지 동남부의 상부 경상누층군에 발달한 호성퇴적층에 대한 비교퇴적학적 연구)

  • Paik, In-Sung;Kim, Hyun-Joo;Lee, Joon-Dong;Kim, In-Soo;Kim, Jin-Seop;Moon, Byoung-Chan
    • Journal of the Korean earth science society
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    • v.21 no.4
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    • pp.423-436
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    • 2000
  • The lithofacies, biofacies, and paleosol development of the Jindong Formation, the Geoncheonri Formation, and the lacustrine deposits of Mt. Hwangryeong at Pusan, which occur in the southeastern part of the Gyeongsang Basin, were analyzed in comparative sedimentology and in stratigraphy. The common features of these lacustrine deposits are: 1) clastic deposits are prevailing, 2) deltaic deposits are not associated, 3) mudflat deposits are common, and 4) stromatolites are absent. The distinct differences among these deposits are: 1) in the Jindong Formation, the mudflat deposits are predominant, pedogenic calcretes are commonly present, and dinosaur tracks frequently occur, compared with other two lacustrine deposits, and 2) in the Geoncheonri Formation, invertebrate fossils are relatively common and storm deposits are not recognized, compared with other deposits, and 3) evaporite mineral casts and tuffaceous turbidite deposits are common in the Mt. Hwangryeong lacustrine deposits. In stratigraphy, the Geoncheonri Formation is correlated with the lower part of the Jindong Formation, and the Mt. Hwangryeong lacutsrine deposits are deemed to overlie the Jindong Formation. On the basis of comparative sedimentology and stratigraphic relationship among these lacustrine deposits, general paleoenvironements of the southeastern part of the Gyeongsang Basin from the late Hayang time to the early Yucheon time are interpreted as follows. During the late Hayang time, tectonic and volcanic activities were generally inacitive in the Gyeongsang Basin, and lacustrine environments expanded since the paleoclimatic condition became less arid compared with the middle Hayang time. In general, however, paleoclimate during the late Hayang time was still arid, and wetting and drying periods were alternated. The occasional occurrences of severe droughts were also characteristic of the late Hayang time. Mudflats existed in wide area in the southeastern part of the Gyeongsang Basin during the late Hayang time, and sedimentation rate was accordingly low. The sedimentation rate became relatively high during the latest Hayang time and the early Yucheon time since tectonic and volcanic activities had been active. Generally arid climate continued for the early Yucheon time, enough for evaporite minerals to precipate occasionally.

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The Style and Cultural Significance of Film Color White (영화색채 하양의 활용 양상과 문화적 의미)

  • Kim, Jong-Guk
    • Journal of Korea Entertainment Industry Association
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    • v.14 no.4
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    • pp.187-198
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    • 2020
  • With the cultural background of whiteness I did examine the universal meaning of absolute good, the special of psychosis, and the fantastic of femininity and memory/record. As an example I analyzed the symbolic meaning of white used in Korean films. Unconditional goodness, white as a generality: White color in all the films of good-evil confrontation falls into this category. The most obvious and the simplest configuration are the black-white dichotomy. In Nameless Gangster: Rules of Time(2011), The Merciless(2016), Asura: The City of Madness(2016) and The Bad Guys: Reign of Chaos(2019), white is the absolute good but it is not limited to a fair key figure. Paradoxically, black is not given only to the side of absolute evil. White is used to be a flexible visual device that reflects the socio-political situation without changing the meaning of the general good. Psychosis and pills, white as a peculiarity: The visual function that emphasizes sado-masochism in the absolute good and the universal symbol of white extends to psychotic specificities such as hysteria. In all the films creating horror, white symbolizes the mentally disabled and the pill for healing. Femininity and haunted white: White of absolute good is expressed by the socio-cultural tendency of femininity and the black-white contrast of vision is applied to the gender difference. In general the women's sexuality is emphasized in color red, but white is arranged in the background. In TaeGukGi: Brotherhood Of War(2004), 71: Into The Fire(2010), My Way(2011), The Front Line(2011), Roaring Currents(2014), Northern Limit Line(2015), The Battle: Roar to Victory(2019) and Battle of Jangsari(2019), white given to female figures sticks to the traditional femininity such as motherhood, sacrifice and weakness. The concept of specters is applied to desires, memories/records, history, fantasy, virtual/reality and social media images. The film history capturing to list memories and moments brings up the specters of socio-political genealogy. Most of films aiming for socio-political change are its examples and white constituting Mise-en-scene records to remember a historical event in Peppermint Candy(2000), The Attorney(2013) and A Taxi Driver(2017).