• The Journal of the Korea Contents Association
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• v.16 no.6
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• pp.103-113
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• 2016

The suspense will be realized as various techniques influenced the perception of audience organically each other. These varied techniques induce isolation as well as a restricted space as formal system. Moreover, it could intensify emotional experience of audience that they will not escape in addition to the depth.. This study chose a movie (2010) and <127 hours> (2010) which used the limited space as the material as the analysis target to examine. It is the goal of this study to analyze the conversion of careful viewpoint and the flashback, and to raise the meaning of the suspense expression through this. The researcher would consider how the suspense is expressed based on the conversion of viewpoint and how the flashback delivers the psychology and emotion.

• Proceedings of the Korean Information Science Society Conference
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• 2012.06c
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• pp.16-18
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• 2012

플래시메모리는 빠른 성능 및 저전력 등 여러 가지 장점 덕분에 저장장치 시장에서 최근 빠른 속도로 하드디스크를 대체해 가고 있다. 특히, 엔터프라이즈 데이터베이스 분야에서 가격 대비 성능 면에서 효과가 높기 때문에 더 주목을 받고 있다. 데이터베이스 분야에서 조인은 가장 자주 사용되는 연산으로 그 성능 개선이 중요한데, 본 논문에서는 플래시메모리를 위한 새로운 조인 처리의 한 방법으로 정렬 인덱스 스캔 방식을 활용하는 방안은 제시한다. 정렬 인덱스 스캔은 최근 플래시메모리 상에서 테이블에 대한 접근 방식의 하나로, 조인결과의 정렬을 고려할 경우, 기존의 전체 테이블 스캔에 기반을 둔 해시조인이나 정렬합병조인과 비교했을 때 상당한 성능 개선을 보장한다.

• Proceedings of the Korea Institute of Fire Science and Engineering Conference
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• 2007.04a
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• pp.264-269
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• 2007

• The Journal of the Korea Contents Association
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• v.16 no.2
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• pp.106-116
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• 2016

What made stand out among these police procedurals was its focus on the importance of history to understand both the past and contemporary society and culture. Many of the cases involve aspects of history that are not part of mainstream narratives and constitute the unfinished business of America. The flashback sequences throughout the show visually and affectively transport the viewer back to an earlier historical moment. What all the victims have in common is that they refused to be silent or passive in the face of circumstances they believed were wrong, or they refused to conform to dehumanising and destructive social and cultural expectation. Those promoting these lies have the power to establish their version as the power to establish their version as the "truth" of what happened in context, but viewers are positioned to see the truth as the victims experienced it and to identify with them and against the power abusers. The Cold Case detectives pursue the ghosts of American history, restoring to our view stories of lives and experiences rendered invisible and unspeakable by dominant forms of knowledge and power. The series invites viewrs to empathize with the victim and to develop an ethical commitment to social justice in the future.

• Journal of Popular Narrative
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• v.25 no.1
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• pp.393-425
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• 2019

This paper focuses on Alain Resnais's representative works (1955), (1959), and (1963), and analyzes how he implements a representation of memory though cinematic apparatus. These three films deal with horrific memories that seem impossible to reproduce aesthetically such as the Holocaust, the Hiroshima Atomic Bomb, World War II, and the war in Algeria. The reappearance of events that stripped humans of even their minimum dignity can naturally be associated with ethical issues. These events can never be reproduced because they cannot be explained in the human language. It is also impossible to reproduce in a way that doesn't invade other peoples' sufferings, nor displays the pain of others as spectacles. Alain Resnais was a director who realized that if factual representation was not possible from the beginning, truthfulness would have to be approached through cinematic form. Therefore, he tries to overcome these problems through cinematic forms. First, he shifts to action films to avoid the obscenity of documentary. shows the records of camps captured by German forces in the past, while shows the pain of others in a fictional form of representation. Next, he describes how the trauma affects the identity of the main character through a flashback in , but also shows a main character who is experiencing trauma without a flashback in Flashbacks have the effect of showing the effects of trauma on the main character, but at the same time they involve the obscenity of enjoying the suffering of others. Nonetheless, the absence of flashbacks highlights the impossibility of representation. This is because it is not silent in the impossibility of representation but is constantly approaching. The attitude that repeatedly circles around impossibility is an ethical form that maximizes the impossibility of representation. In conclusion, this is the ethics of representation that Alain Resnais showed in his films.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.25 no.2
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• pp.301-307
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• 2021

In addition to the revival of the Internet of Things, embedded systems, which are at the core of the Internet of Things, require intelligent control as things change. Embedded systems, however, are heavily constrained by resources such as hardware, memory, time and power. When changes are needed to firmware in an embedded system, flash Memory must be initialized and the entire firmware must be uploaded again. Therefore, it is time- and energy-efficient in that areas that do not need to be modified must also be initialized and rewritten. In this paper, we propose how to upload firmware in installments to each sector of flash memory so that only firmware can be replace the firmware in the parts that need to be modified when the firmware needs to be modified. In this paper, the proposed method was evaluated using real target board, and as a result, the time was reduced by about half.

• Proceedings of the Korea Information Processing Society Conference
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• 2014.11a
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• pp.794-797
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• 2014

스마트 디바이스의 사용량 증가와 더불어 각종 가전기기의 스마트화로 인하여 임베디드 시스템에서 주로 사용되는 SQLite 데이터베이스에 대한 동시적 접근 제어의 중요성이 증가하였다. 플래시 메모리 저장장치 단계에서 트랜잭션의 원자성올 제공하는 X-FTL 은 SQLite 의 저널링 모드에서 발생하는 쓰기 연산으로 인한 성능 저하를 해결하였다. 또한 페이지 단위로 트랜잭션의 원자성을 관리하는 X-FTL 의 특징을 이용한다면 동시성 제어 측면의 성능 향상을 기대할 수 있다. 본 논문에서는 X-FTL 을 사용할 때 발생할 수 있는 동시성 제어 성능의 한계를 밝히고, X-FTL 의 X-L2P 테이블에 SCN 을 추가하여 SQLite 의 동시성 제어 성능을 향상할 수 있는 새로운 구조를 제안한다.

• Journal of the Society of Disaster Information
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• v.12 no.4
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• pp.381-388
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• 2016

In this study, we surveyed the supply and perception of Personal Protective Equipments for firefighters. As a result, most of the respondents answered that they were paid in accordance with the supply standard, but 12% of the respondents said that there were insufficient equipment. Also, satisfaction with the performance of the equipment is mostly satisfied, but the safety gloves are more than 50% dissatisfied. In summing up the results of the survey, it is urgently necessary to improve the current supply standard, which is determined by the life of PPE, to the replacement period according to the using time or frequency. Also, a new standard should be prepared through the follow - up study.

• Journal of Digital Convergence
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• v.18 no.6
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• pp.435-441
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• 2020

This study attempts to analyze by the gender political point of view of the recent film, 'A Special Lady', focusing on the case of setting up women as the main characters in the 2000s Korean film noir genre. Concretely, this study conducted a narrative analysis focusing on the three elements of genre film, the identity of the characters and their family relationships, and the Oedipal trajectory. The film, 'A Special Lady', has the narrative about the maternal love assigned to female protagonist, and that emphasizes male pure love. And the film shows the flashbacks concerning to motherhood that prove the biological identity of the female protagonist, and signs that weaken the castration fear resulting from male voyeurism. Further, the film depicts the fragmentation of identity and the cracking of family relationships, revealing the confusion of gender identity and the narrative degeneration into family melodrama. Meanwhile, the film fails to complete the feminine Oedipal trajectory by reducing the female character's motherhood to a biological one instead of expanding it into an alternative quality embracing the other. These findings suggest that the korean gangster is closely related to gender politics and is not completely out of gender bias.

• The Journal of the Korea Contents Association
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• v.13 no.6
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• pp.125-136
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• 2013

Director Choi Donghoon is the most famous director in Korea as a box office successor, especially (2102) has gained No. 1 box office attraction in Korean film history. However some critics have criticised the works of Dr. Choi because of their plebeianness. This paper focused on the reason of interaction with audiences through the theory of carnival of Mikhail M. Bakhtin. Because the theory of carnival is not only the adapted method to account for the power of popular culture to M. Baktin but also the useful method to understand the keys of interaction of Dr. Choi's films. It's not difficult to find the esthetic elements of carnival theory example for 'dethronement & coronation', 'overturn & ridicule', 'image of feast', 'language of square' in the films of Choi which are The Big Swindle(2004), Tazza: The High Rollers(2006), Woochi(2009), The Thieves(2012). Therefore this paper has endeavored that the box office attraction and success of communication with audiences is due to the realistic attitude and social reflection of Choi's films.