• 제목/요약/키워드: 패션디자인요소

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의복구성요소에 표현된 비쉬반카 자수의 조형적 특성 연구 (A Study on the Formative Characteristics of Vyshyvanka Embroidery Expressed in Apparel Elements)

  • 송아라;이진희
    • 한국의상디자인학회지
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    • 제24권1호
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    • pp.59-69
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    • 2022
  • Vyshyvanka, the embroidered folk costume shirt of Ukraine, originated during the early reign of the Slavs, and currently, it is also called Ukrainian embroidery. In cases of Vyshyvanka embroidery expressed in apparel elements, it is necessary to research formative characteristics for expanding the visual aspect through the diversification of techniques, but also the aspect of the psychological meaning to Ukrainians. This study aims to consider Vyshyvanka as a unique embroidery technique, and also analyze the formative characteristics expressed in apparel elements. The study of Vyshyvanka embroidery expressed in apparel elements can present meaning to understanding the Ukrainian fashion. The image materials for the analysis of Vyshyvanka design, included work photos contained in literary materials and foreign online visual materials. The results of formatively analyzing the Vyshyvanka embroidery expressed in apparel are as follows. First, the Vyshyvanka embroidery expressed in apparel elements held an incantatory meaning, protecting wearers from getting easily invaded by evil spirits. Second, the Vyshyvanka patterns utilized symbolism that implied the incantatory meaning. Third, a single color was used for the embroidery. Lastly, materials like cotton, that are easy to embroider, were mostly used. The formative characteristics of Vyshyvanka embroidery expressed in apparel elements implied the community spirit, nature worship, and folk beliefs. As an attempt to understand the Ukrainian fashion, this study is significant in the aspect of expanding, widely utilizing, and expanding the range of understanding of Ukrainian fashion. Therefore, there should be more active researches on Ukrainian fashion, so Vyshyvanka can be more widely used as a design element.

중국 전통 여성복 디자인 요소의 조형적 분석과 전통복식을 융합한 현대 중국 여성복 선호도에 관한 연구 (A study on the formative analysis of Chinese traditional women's clothing design elements and preference of modern Chinese women's clothing reflecting traditional clothing)

  • 이계진;김지현;나미향
    • 한국의상디자인학회지
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    • 제24권4호
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    • pp.117-133
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    • 2022
  • In order to reflect traditional elements in modern design, designers should be able to creatively apply elements of traditional Chinese clothing. To understand this, a deep understanding of and insights into the traditional clothing culture are required. In this study, the characteristics of traditional Chinese women's clothing from the Wei, Jin, and Northern and Southern Dynasties of China to the Qing Dynasty were analyzed by dividing them into silhouette, color, pattern, materials, and detail. The characteristics of the silhouette were classified into A, H, X, and O types, of which types A and H were the most common. As for the color characteristics, there are relatively many five cardinal colors, and for the contrast of colors complementary colors were mainly used. As the for pattern characteristics, real patterns, animal patterns, character patterns, geometric patterns, and mixed patterns were used. Four types of materials were mainly used: silk, hemp, cotton, and wool. The detail characteristics were also anlyzed by classifying them into collar, sleeve, neckband, and gusset. Based on the results of this analysis, a satisfaction survey was conducted on the design of modern Chinese women's clothing. The result of satisfaction with design elements showed that the images of vest and suit were most preferred, H and X silhouettes, and yellow and white were the most preferred. Geometric and plant patterns were preferred, as were silk and acetate materials. Based on the result of chi-square analysis of design element preferences according to the characteristics of the subject, there was no difference according to occupation, residential area, or income, and there were differences in silhouette, color, materials, and detail according to age.

교복(校服)의 사회심리학적(社會心理學的) 의미(意味)와 향후연구과제(向後硏究課題) (School Uniform: Socio-Psychological Meaning and Future Research)

  • 여은아
    • 패션비즈니스
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    • 제5권3호
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    • pp.35-48
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    • 2001
  • 본 논문에서는 교복의 다양한 요소를 사회심리학적 이론에 적용하여 설명함으로써 교복에 대한 사회심리학적 의미를 연구하였다. 본 연구는: 1) 교복의 기능, 장점, 단점, 의미에 관한 기존 문헌자료를 조사하고, 2) 대표적인 다섯 가지 사회심리학 이론을 통하여 교복의 사회심리학적 의미를 조명하며, 3) 교복의 사회심리학적 측면에 관한 향후 연구방향과 과제를 도출하는 목적을 가진다. 교복의 사회심리학적 의미 연구에 사용된 이론은 conformity and uniformity, Post-modernism, role theory, symbolic interaction, 그리고 semiotics and informational processing 이었다. 상기한 다섯가지 이론을 바탕으로 도출한 향후 연구과제로는: 1) 교복 디자인 선택에 있어 학교의 가치기준과 목표 반영 정도, 2) 시대적, 조직적 변화에 대응하는 학생들의 교복변형 행동, 3) 교복도입 전후에 학생들의 역할 수행 변화와 학년에 따른 학생들의 교복행동 변화, 4) 교복 도입이 경제적으로 어려운 학생들의 의복박탈감과 자아존중감에 미치는 영향, 5) 관찰자에 따른 교복 의미 부여의 다양성 등이 제시되었다.

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덤벨 이코노미 현상을 반영한 스마트 애슬레저 패션 개발 -상·하체의 각도별 근력운동을 중심으로- (Development of Smart Athleisure Fashion for Dumbbell Economy -Focused on the Analysis of Upper and Lower body muscle strength by angle-)

  • 김가연;김윤희
    • 한국융합학회논문지
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    • 제12권3호
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    • pp.165-176
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    • 2021
  • 최근 홈트레이닝에 대한 관심과 라이프스타일의 변화에 따른 헬스케어 분야의 시장이 확대되고 있으며, 덤벨이 코노미 현상을 반영한 고부가가치의 패션 상품들이 출시되고 있다. 이에, 본 연구의 목적은 시간과 장소에 상관없이 상·하체 근력운동을 원하는 운동 초보자를 위한 스마트폰 앱의 UI/UX 개발 및 덤벨 이코노미 현상에 활용 가능한 스마트 애슬레저 패션을 개발하는 것이다. 연구의 내용은 첫째, 상·하체의 각도별 근력운동 자세 고찰을 통해 운동 초보자를 위한 운동방법, 호흡법, 운동범위에 대한 요소를 추출하고 이를 바탕으로 근력운동 전문가를 대상으로 사용자 요구조사를 실시하여 연구의 필요성 검증으로 활용하였다. 둘째, 카운팅, 운동 자세, 운동 캘린더 기능의 3가지 콘텐츠로 구성된 스마트폰 앱 UI/UX 개발과 사용자 중심의 기술적·디자인적 측면에서 필요한 콘셉트와 특성을 분석하고 이를 바탕으로 탈·부착 커스터마이징 형태의 스마트 애슬레저 패션을 개발하였다.

패션 정보지에 나타난 직물의 구성요소 분석 - 2002년~2012년을 중심으로 - (Analysis of Components of Fabrics in Fashion Trend Books - Focused on the Year 2002 through 2012 -)

  • 김미진;박명자
    • 한국의상디자인학회지
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    • 제15권4호
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    • pp.129-142
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    • 2013
  • Fabrics created unique features through the change in various ways depending on the elements including fabric structure, threads, thickness, weaving, patterns and processing. This study examined the difference between texture and image depending on components of fabrics. In order to understand the trend of components of fabrics, the actual components of fabrics was analyzed by year, using the women's apparel trend books, Nelly Rodi Fabrics and Promostyl Fabrics. This study analyzed Spring/Summer season and Fall/Winter season from 2002 to 2012. Frequency analysis, cross-tabulation analysis, multiple response cross tabulation analysis were implemented using SPSS 18.0. The followings are the analysis results. For fabric composition, Spring/Summer season used cotton fabric the most. Cotton fabric accounted for relatively high usage in 2005, 2007 and 2008. Fall/Winter season used wool the most in 2002, 2003, 2004 and 2005. In case of fiber blend by fabric composition, cotton was blended with other fibers in Spring/Summer season except wool. The fiber blending ratio of wool was the highest in Fall/Winter season. Wool was blended in most fabrics. More than two patterns were mixed for fabric patterns. The fabric patterns were applied the most in 2012. For fabric processing, the fabrics by sensitivity-functional processing were continuously used every year and the surface finish showed relatively high usage in 2002 and 2011. In conclusion, this study will build the systematic data for 11 years including fabric trends in the past. It can improve specialization, systematization and efficiency in fabric planning.

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현대 패션 디자인의 그래픽 요소에 나타난 매개 소스별 미적 특성 -유희본능적 시각 표현을 중심으로- (Aesthetic Characteristics of Graphic Factor in Contemporary Fashion Design Categorized by Media Source -Focusing on Play-Instinct Visual Expression-)

  • 제갈미;이연희
    • 복식문화연구
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    • 제19권5호
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    • pp.945-956
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    • 2011
  • The purpose for this paper is to categorize and analyze the aesthetic characteristics of graphic factors in contemporary fashion design by media source. Focused on play-instinct visual expression in contemporary fashion design and adopted media source following the way of communication design. A variety of literatures and online sites for graphic factors in contemporary fashion was studied. The standard of media source is classified as graphic media-source: photography media-source, typography media-source, illustration media-source. With this standard, expressed ways are as followings. First, graphic media-source in play-instinct expressional fashion design is mostly borrowing existed character or using designer's brand logo. Second, photography media-source in play-instinct expressional fashion design is placed photograph of social issued people in front of shirt. Third, typography media-source in play-instinct expressional contemporary fashion design is mostly expressed social messages or designer's name in brand. Fourth, illustration media-source is the best way to express play-instinct visual expression. Based on these, aesthetic characteristics of graphic factor in contemporary fashion by media source are classified as three: social words, playfulness and information transference. Frequency ratio using media source per aesthetic characteristics is different and these are able to categorize expression way and image feature. In conclusion, expressional way of graphic factors in contemporary fashion design became diverse as social and cultural changing. Frequency of graphic factor use in contemporary fashion is increased than before. This paper suggested that fashion design is one of the way of communicating with people and should be analyzed graphic factors in contemporary fashion design.

지향적 삶의 질 유형에 따른 패션이미지 관계성 연구 (A Study on the Relation of Fashion Image to the Types of Orientated Quality of Life)

  • 박진영;이은숙
    • 한국의상디자인학회지
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    • 제19권3호
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    • pp.109-126
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    • 2017
  • This study aimed to investigate the relationship between oriented quality of life and fashion image with a focus on their futures. The results of this study are as follows. First, oriented quality of life was sampled as six factors such as information preference, job preference, self-preference, leisure preference, health preference, and self-defense preference, whereas an oriented fashion image was drawn as three factors such as urban image, individual image, and feminine image. Second, the self-defense preference had a significant effect on modern image and individual image as in Photo 1, while leisure preference and self-defense preference exerted a significant influence on feminine image in Photo 2. In Photo 3, leisure preference and self-defense preference affected urban image significantly, and health preference and self-defense preference respectively influenced individual image and feminine image. Third, as a result of investigating the difference between oriented quality of life and the sub-element of oriented fashion image according to the type of oriented quality of life, six groups of oriented quality of life (self-preference, job preference, self-defense preference, information preference, leisure preference, and health preference group) displayed significant differences only in individual image as presented in Photo 2. Fourth, in consequence of examining differences in the factor of an oriented fashion image according to the type oriented quality of life, six groups according to the type of oriented quality of life presented significant differences in the individual, splendor, elegant, refined, youthful, feminine, and modern image among the factor of oriented fashion image.

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현대패션에 나타난 크로스오버 디자인 분석 - 광고 이론의 적용을 중심으로 - (The Analysis on the Crossover Design in Current Fashion - Focusing on Comparing Advertisement -)

  • 임병수;조진숙
    • 한국의상디자인학회지
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    • 제15권2호
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    • pp.135-150
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    • 2013
  • In the modern society, the crossover phenomenon has appeared increasing the value of creative brands as concepts contrary or heterogeneous are combined with each other by the flow of diversified societies and cultures. This research covers the use of crossover design in current fashion. To analyze the crossover design in current fashion, crossover design were collected and analyzed from a Collection TV program(Seoul: Dong Ah TV) and an Internet Web site(www.samsungdesign.net) from 2007 to 2010. The information obtained from the current fashion is compared with the advertisement area; by making this comparison we will make an analysis to determinate the crossover elements organized in 5 groups: extension and reduction, breakaway and destruction, fusion and combination, overlap and repetition, adjacent and similarity. This 5 crossover elements were analyzed in current fashion with the purpose of seeing how crossover elements are available in fashion field. Therefore, this study can offer invaluable suggestions for multifaceted research on how to come up with design concepts which apply crossover element to current fashion.

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메트로섹슈얼과 위버섹슈얼 이미지에 따른 남성패션 디자인 분석 (Design Analysis of Men's Fashion Based on the Metrosexual and Ubersexual Image)

  • 안현주;박민여
    • 한국의상디자인학회지
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    • 제9권3호
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    • pp.99-113
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    • 2007
  • This study aims to investigate the concepts and characteristics of Metrosexual and Ubersexual image which are the recent fashion phenomena representing the lifestyles of comtemporary men, and to analyze the design of contemporary men's fashion based on the represented characteristics of these sexual images. To accomplish these ends, various related publications, articles and papers, divers serial publications, and numerous internet articles are collectively reviewed for theoretical studies, and design analysis are conducted for content analysis(style, color, material, detail, etc) using photo data taken from the collections from 2001 through 2006. The results of this study shows that recent appearance of Metrosexual and Ubersexual fashion image represents the change of aesthetic standards in the contemporary society. With the influence of sociocultural phenomena which allow the pursuit of individual personality, the contemporary men, instead of expressing the socialized sexual identity, came to acquire the freedom of sexual identity which represents their personal desires. As an expression of hmnan will to pursue unrestricted sensibility and aesthetic sense, these sexual phenomena of Metrosexual and Ubersexual will be reinterpreted and reappear in various forms as the social atmosphere and aesthetic standards changes.

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신경망을 이용한 칼라와 텍스처 기반의 직물 감성 예측 (Prediction of Textile Emotion Based on Color and Texture Using Neural Networks)

  • 김수정;최영진;김지인
    • 한국정보과학회:학술대회논문집
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    • 한국정보과학회 2006년도 가을 학술발표논문집 Vol.33 No.2 (B)
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    • pp.459-463
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    • 2006
  • 사회가 개인화하고 사용자의 요구가 다양해짐에 따라, 사용자의 감성을 기반으로 하여 서비스를 제공하는 많은 연구와 응용 어플리케이션을 개발되고 있다. 그 중, 시각적인 정보에 대한 인간의 감성은 디자인, 패션, 상품개발과 같은 여러 분야에서 그 중요성이 부각되어 다각적인 측면으로 많은 연구가 진행되고 있다. 그러나, 그러한 연구들이 아직 괄목할 만한 성과를 내지 못하고 있다. 더욱이, 시각 정보로부터 유용한 요소를 추출하고, 감성을 예측하는 자동화된 시스템이 매우 미흡한 실정이다. 그러므로, 본 연구는 칼라와 텍스처를 자동으로 추출하고 그와 관련된 특정 감성에 대해 효율적으로 예측 가능한 직물감성 예측 신경망 시스템을 개발하였다. 또한 칼라와 텍스처와 같은 시각정보와 감성과의 관계를 규명하고자 각 시각 특징을 입력 값으로 하고, 감성 값을 출력 값으로 하는 신경망을 개발하였고 실험을 통해 각 감성에 따라 칼라와 텍스처 요소가 다르게 영향을 미친다는 사실을 증명할 수 있었다.

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