• 한국실내디자인학회논문집
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• 제16권2호
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• pp.163-171
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• 2007

The present study approached the characteristics of various space compositions in contemporary residential architecture through the concept of ex-formality, and found that ex-formal spaces are composed through the variation of floor, wall, ceiling or roof and derived four types of ex-formal space composition - ex-cubic space composition using folding, plastic space composition using the plasticity of concrete, atypical space composition using geometric manipulation, and non linear space composition using digital technology. Based on this, additionally, we derived elements expressing the characteristics of ex-formal space composition, which are obliqueness, inclination, flexibility in ex-cubic space composition using folding, plasticity and fluidity in plastic space composition using the plasticity of concrete, ex-construction, dynamism and asymmetry in atypical space composition using geometric manipulation, and flexibility, fluidity, self similarity and plasticity in non linear space composition using digital technology. On the other hand, this study purposed to help understand various space expression patterns of contemporary residential architecture by analyzing how these types of ex-formal space composition and polysemous expression characteristics have been represented in contemporary residential architecture since the 1990s.

• 한국디지털건축인테리어학회논문집
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• 제9권3호
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• pp.85-93
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• 2009

In this study, the ex-formal expressions observed in space form of Korean modern architecture are distributed for characteristic analysis based on the period and type. The result of the study is certified by the work analysis and the result is as follows. Initially, due to the limited materials and influence of western brutalism, the works developed during 1960~70 tend to be plastic and contain expressionism. Around 1980's, the works tend to show forms of amusement and popularity. In 1990's the works show significance in deconstructive expression. From after 2000, ecological concept of architecture was introduced and organic expression started increasing Secondly, the ex-formal expressions are found to be in four different types. The organic expression is shown regardless of the period. In modern days, not only the physical properties of materials, but also the ecological concept is combined with the organic expression and is in increase. The plural expression started appearing after the 1980's and the sculptural diversity is enhancing with the addition of decorative factors or modification of geometrical form. The ex-construction and deconstructive expression show significance in some characteristics such as folding, inclination, and geometrical explosion. The free form and nonlinear expression tend to increase dramatically based on the development of structure technology as well as execution and introduce of the digital design technique.

• 복식문화연구
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• 제15권4호
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• pp.688-701
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• 2007

Since modem times, civilization of scientific technology has rapidly expanded and resulted in many negative aspects. Dystopia is a skeptical future standpoint newly introduced by surging awareness of these negative aspects. The purpose of this study is to discover the common characteristics by studying costumes displayed in dystopian films which have critical view of the future. This study is made through the research of sundry records, thesis and capture images from DVD system. As a result of the study, the common formative characteristics of future costumes appearing in six dystopian films are classified into external characteristics and internal characteristics. First, external characteristics were analyzed according to the form, material and color. Second, internal characteristics of costumes appearing in dystopian films are categorized as the indeterminate expression, ex-typical expression and uniform expression. The above formative characteristics of dystopian future costumes can be described as the embodiment of meanings of influence from present and future cultural changes in terms of the characteristics of fashion.

• 공연문화연구
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• 제19호
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• pp.61-86
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• 2009

경북 경산지역의 자인팔광대(慈仁八廣大)는 50년 이상의 공백기를 거쳐 1988년에 복원되었다. 이 글은 복원의 과정과 그 문제점을 살펴보고, 이 탈놀이가 지닌 독특한 특징이 어디에서 연유하는가를 접근하였다. 이 탈놀이는 기본적으로 갈등-화해의 구조이며, 탈놀이 관련 양반·하인, 영감·처첩갈등의 2개 탈놀이 부분과 땅줄타기의 1개 놀이부분으로 이루어진 단순구조이다. 땅줄타기는 1930년대에 와서 공중줄타기가 어렵게 되자, 땅줄로 전환되었다. 그런데 이 탈놀이는 주요 등장인물이 기존 한국 탈놀이의 일반적 성격에서 벗어나 있다. 양반은 지나치게 설명적이고, 자기 고백적이다. 양반답지 않은 팔도유람 사설, 노골적 애정표현, 놀이판의 진행자의 역할을 하기도 한다. 한편 회생 후 가해자인 본처에게 사과하고 화해의 노래를 권유하기도 한다. 말뚝이는 상전인 양반에게 거칠게 욕설을 하다가, 너무 쉽게 굴복하고 순종하는 모습을 보인다. 그리고 무자식인 양반에게 후처를 맞아들이게 하고, 본처에게 고자질하는 이중적 모습도 보인다. 본처는 남편인 양반에 대한 가해자로 등장하며, 소생한 양반의 제안에 의해 영감이나 후처와 쉽게 화해한다. 후처는 첩으로서, 이례적으로 유언의 인물이다. 대체로 인물의 성격이 일관성이 부족하고, 서낭제탈놀이가 지닌 무언 중심적 성격에서 벗어나 모든 인물이 유언으로 등장한다. 이런 이질적이고, 작위적인 모습은 복원과정의 문제점일 수도 있고, 아니면 전혀 다른 전승계통에 연유할 수도 있다. 이 글은 이런 이질적인 자인팔광대의 문제점을 제기하고, 이 탈놀이가 왜 이렇게 다른가를 앞으로 규명할 필요성을 제기한다.

• 복식
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• 제58권8호
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• pp.91-105
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• 2008

Spatial multiplication phenomenon, expressed through de-constructive trend since the late of 20C, have got changed existing fixed and dis-variable space to smooth, fluid, and changeable space. Ex-form and fluidity of new spatial paradigm have been focused through lots of scientific theories studied between digital thought and indeterminacy and rankless nature phenomena. In 21C fashion, indeterminate and irregular form and space have been crested continuously, which could not explain simply according as the fluidity theory Different from the space crested for multi-function and multipurpose, this is revealed the characteristics of chaosmos that communizes the order and the disorder, deconstruction and creation. Ex-formal space of fashion have shown the relationship of de-centerizing, de-territorial, and do-structural phenomenon among different fashion elements. This paper intends to understand the concept of ex-form, and study expressive manners of ex-formal space of 21C fashion, and conclusion as follows. 1) Overlap changes single space of fashion to multi-layered space through the repeat system of pleats, origami, and folding. 2) Ex-gravity expressed in deviation of the gravity acting vertical direction, for example, twisting, curve, winding, portion. 3) Morphing is shown the change process from single fixed form to different complex form. 4) Blurring is expressed in re-combination and re-arrangement among elements of fashion. 5) Blob shows hybrid fashion space through the liberal compounding and separation of a lot of different elements.