• Journal of Korean Library and Information Science Society
• /
• v.36 no.1
• /
• pp.151-172
• /
• 2005

This study explored the possibilities on the establishment of Korean LIS (Library and Information Science) which is suitable for Korean society. For this purpose, this study traced the trends of 'decolonization discourse' in the humanities and social sciences of Korea. And this study also identified 'decolonization dicourse' in the LIS of Korea. 'Decolonization discourse' here means an effort in scholarly activities to break out of overly dominant western influences. With the context of 'decolonization discourse', this study analysed the colonized situation of Korean academic libraries. and suggested the decolonization discourse strategies to make a breakthrough in this situation. As concrete strategies, this study proposed the setting-up of strategic plan and organization development plan those are suitable for Korean academic libraries, and the intensification of Korean librarians' leadership.

• Journal of Korean Library and Information Science Society
• /
• v.37 no.1
• /
• pp.83-107
• /
• 2006

We share the critical mind about the decolonization of Library & Information Science(LIS) and Political Science in Korea. We did a bibliographical study on the decolonization discourse in the Political Science of Korea. Concretely, we traced the decolonization discourse of the scholars of the Political Science in Korea, and wrote their abstracts. Finally, this study provided the general view of their decolonization discourse. This study covers the decolonization discourse from 1945 to 2005. This bibliographical review may show the possibility of communication between LIS and social sciences in Korea, and can support the development of the decolonization discourse in the Political Science of Korea.

• The Korean Publising Journal, Monthly
• /
• s.243
• /
• pp.20-21
• /
• 1998

탈식민주의의 주된 논지는 유럽 제국주의의 붕괴라는 공통의 경험적 자료에서 출발한다. 변방에 속한 것은 식민지 본국에 속한 것에 대해, 즉 주변은 중심에 대해 반감을 갖게 되므로 탈식민지 문화의 모는 경험은 전복을 지향하는 경향을 띤다.

• The Journal of the Korea Contents Association
• /
• v.8 no.11
• /
• pp.115-124
• /
• 2008

My former thesis was about the present status of Korean film aesthetics of Korean blockbusters through the cultural hybridity. Now this thesis focuses on hybridity and tragedy in Korean blockbusters from the postcolonial perspectives. Typical examples are Shiri, JSA, Taegukgi containing a special Korean situation of division ideology and expressing an extremely Western style of production. These movies hardly provide any historical causes, critical explanation, or vision beyond the discourse of national tragedy. They simply supply sentimental feeling of sympathizing with the misfortune of heroes in the course of national suffering. Therefore, these movies shows limitation not to accomplish postcolonial resistance.

• Iberoamérica
• /
• v.11 no.2
• /
• pp.37-64
• /
• 2009

This article offers a new perspective on the maroon state of Palmares in Brazil. The present essay gives a viewpoint of decolonization in colonial period, describing decolonial aspect and Afro-Brazilian aspect of the history of Palmares. In aspects of Afro-Brazilian, the quilombo of Palmares is resistance and decoloniality of african colonialization in America and Brazil. The Quilombism was born out of quilombo model of economics and politics, in which they exercised rational productions and political system. The purpose is to review and expand upon the historical and cultural context of Palmares and on the aspect for decolonial strategies.

• The Journal of the Korea Contents Association
• /
• v.19 no.7
• /
• pp.234-245
• /
• 2019

In this paper, I examined the representation of post-colonialism focusing on the spaces in Modern Boy and Assassination. These movies represented Bon-jung and Jong-no as a mixed-residence quarter, over the dual city theory, the orthodoxy of geography. It can be interpreted as the birth of a hybrid subject in post-colonialism. The representation of Bon-jong in Modern Boy was centered around Mitsukoshi Department Rooftop Garden, Namsan Music Center and Myeongdong Cathedral. The representation of Bon-jung in Assassination was centered around Anemone Cafe and Mitsukoshi Department Store. Set in the history of the new building the Japanese Government General of Korea in Jong-no, Modern Boy used it as a place of struggle. The representation of Jong-no in Assassination was centered around the mansion of Kang In-kuk, a pro-Japanese collaborator. Modern Boy and Assassination showed the post-colonialism that breaks through modern binary oppositions by a 'female' national heroine. describing Bon-jung as both a mixed-residence quarter and the original home of post-colonialism movement, they also showed a different aspect from the existing Kyung-sung representations.

• The Journal of the Korea Contents Association
• /
• v.11 no.2
• /
• pp.204-214
• /
• 2011

This article attenpts to analyze, from the perspective of post-colonialism, 'Goemul'(English title, The Host), the Korean blockbuster movie that scored the greatest box-office success in the history of the Korean cinema. As Goemul eagerly copies the monster movie, a representative genre of Hollywood movies, it has close affinity with Hollywood blockbuster movie in many repects. At the same time, however, it also contains a resistance discourse that criticizes and mocks colonial of Korean society under American influences. This movie successfully carries out a post-colonial cultural translation that transforms mimicry into resistance to colonialsim. Hence, this artcle focuses on how Goemul borrows many aspects of the Hollywood monster movie but goes beyond the simple copying of it to reach post-colonial signification subverting the existing cultural regime.

• Journal of Korean Library and Information Science Society
• /
• v.37 no.4
• /
• pp.91-110
• /
• 2006

This study is made as part of an attempt to explore the citation dependency in the field of Korean sociology. 213 articles by 136 authors in by The Korean Sociological Association issued in $2001{\sim}2005$ were surveyed and their 10,172 references were analyzed. Main research results are as following : 1) Researchers in this field are fairly foreign literature oriented, and problem interest (sources of research ideas) was deriving from domestic literature, but theoretical resources was depending on foreign literature almost. 2) The foreign citation dependency of 'Foreign Doctor' appeared greatly higher than that of 'Domestic Doctor', therefore, the country of doctor' degree and the citation dependency was close correlation. 3) Foreign citation dependency appeared high even research to Korea society.

• Cross-Cultural Studies
• /
• v.51
• /
• pp.161-191
• /
• 2018

In the beginning of the 20th century, post-colonialism has directly raised questions about western-centered universalism. One of its main achievements is that the political liberation of a colonial society does not guarantee the social, economic and cultural liberation of a society. Therefore, the discourse of liberation in the Western society, in particular, Marxism, nationalism, feminism and postmodernism, cannot be directly applied to the non-Western society. As a result, Western and non-Western societies are unfortunately dreaming of different futures and liberation; therefore, a'geopolitical dialogue' is needed between them. However, the theorists' efforts for postcolonial liberation failed to distinguish themselves from the western-centric traditions. It is also true that they have, in conjunction with these traditions, established their own power. As we know, many of the postcolonial criticisms somehow had relations with the West. This study will re-read the postcolonial thought of $Aim{\acute{e}}$ $C{\acute{e}}saire$, the father of the so-called $N{\acute{e}}gritude$, as a 'non-western resistance discourse'. Through this process, we have a chance to reflect on $C{\acute{e}}saire$ and his postcolonial thoughts.

• Journal of English Language & Literature
• /
• v.58 no.1
• /
• pp.163-183
• /
• 2012

This paper is one of those attempts to explore some possibility of agreement between feminist discourse and postcolonial discourses through the approach of postcolonial feminism in the reading of the controversial novel, So Far from the Bamboo Grove and Year of Impossible Goodbyes. So Far from the Bamboo Grove, when read from the perspective of postcolonial feminism, reveals 'domestic nationalism' of imperial narratives in which the violence of imperial history in Korea is hidden behind the picture of every day lives of an ordinary Japanese family and Japanese women. Furthermore, postcolonial feminist's perspective interprets Yoko family's nostalgia for their 'home,' Nanam in Korea, as 'imperialist nostalgia' working as a mask to hide the violent history of colonization of Empire. In this way, postcolonial feminist reading of the story detects the ways the narrative of Empire appropriates women, family image and even nostalgia for childhood. At the same time, this perspective explains the readers' empathy for Yoko family's suffering and the concerning women issues caused by wartime rape and sexual violence by defining Yoko as a woman of Japanese Empire, whose life of interstice between imperial men and colonial men cannot be free from violence of rape during anti colonial wars. Year of Impossible Goodbyes as a counter discourse does not overcome the traditional binary opposition of nationalism which quietens gender and class issues. As an attempt to fill in the interstice between the two perspectives of feminism and postcolonialism. postcolonial feminist reading turns out to be a valid tool for the reading of the two novels chosen here.