• Cross-Cultural Studies
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• v.45
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• pp.479-496
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• 2016

The aim of this essay was to investigate Marlow's desire for constructing enlightenment subject of knowledge and power sustained by the collusion of imperialism and patriarchy in Joseph Conrad's Heart of Darkness. Marlow's narrative, based on his journey up the river in Africa to retrieve Kurtz, attempts to conceptualize himself as the subject of the enlightenment reason and rationality. In the novella, collusive network of ideologies of empire and gender contributes to the making of a Western Enlightenment subject. Marlow eulogizes himself for realizing the harsh realities of imperialism, political domination and economic exploitation of the natives in Africa. However, Marlow is a colonial subject who has been ruled by the hierarchical system of thought in the Western logocentrism. He is not aware that his narrative has already been infiltrated by the ideological discourse of the totalitarian enlightenment. His narrative in effect is not a self-congratulatory testimony to truth and realities but a narcissistic and self-defeating document. Marlow unconsciously employs the totalitarian ideologies of empire and gender in order to relegate the African natives to the inhuman existence and to consign women to the sphere of illusion.

• Journal of Popular Narrative
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• v.26 no.4
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• pp.117-144
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• 2020

The film Burning (Lee Chang-dong, 2018) is one of the most noted Korean films in recent years as a work that unfolds an elaborate narrative in a delicate visualization. This film is a multi-vocal text in which different types of characters appear and scattered objective facts and ambiguous subjective desires are intertwined, so it is a text that has room for diverse interpretations. This article attempts to read Burning as an ethical discourse centered on the protagonist Jong-su, noting that the film raises universal and significant ethical issues that transcend the specific social and historical conditions of a contemporary Korean youth. I would like to examine the situation in which Jong-su is facing and his reaction to it, above all, from the perspective of Jong-su's ethical awakening and leap forward. Jong-su, a young South Korean non-regular man living in the present, encounters and connects with Hae-mi and Ben and attempts to understand the mysteries of the world. His trajectory, which the film shows closely, inevitably intersects the social and historical dimension of confusion and frustration of a young man graduated from the Department of Creative Writing, the reality of family dissolution and the individual psychological dimension of the sudden disappearance of his lover Hae-mi. Burning is a magistrate film that depicts Jong-su as an ethical subject oriented toward 'communal togetherness' while confronting the world and exploring its mysteries despite all his unfavorable conditions, such as his social position of the precariat youth and the epistemological uncertainty of reality perception. It is read as a story of his painful growth, in which Jong-su is becoming a 'writer', who once was a helpless non-regular delivery worker.

• The Journal of Korean Philosophical History
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• no.29
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• pp.179-202
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• 2010

In addition to the emphasis on filial piety ethics in everyday life, filial piety obtained a further significance in Confucianism which had the strong sense of ancestor worship. This paper focuses on filial piety as a mechanism of continuity within Confucianism and points out that it owed its development to its connection to agricultural culture. The sedentary life with less mobility forged a relative intimacy among people and filial piety was the actual expression of that kind of intimate affection. Yet, filial piety in Confucianism created a unique culture in terms that it not only stipulated material and emotional support for parents but also expected one's piety to the further ancestors through a memorial service and made its connection to the infinite posterity through sons. From the perspective of Confucianism that established filial piety at the turning point from life to death, the self existing in present was not an isolated self anymore. Yet, one can see another characteristic of Confucianism from that filial piety, based on blood bonds, could move beyond paternalism to broaden itself. It could be expanded to the care for strangers. The aged experience and wisdom through agricultural life begot the insight that the nature made its infinite connections with everything through circulation. As a stone thrown in a pond would enlarge its boundary by drawing larger and larger concentric circles, this thought enabled people to enlarge their affection to their parents to universal humanity. In this enlarged network, though it was natural to make distinctions between the closer and the farther, Confucianism sought to overcome it by establishing oneself upright. Confucianism emphasized the moral cultivation with its filial piety concept that contained the diachronic thought penetrating life and death and the broadened perspective relating everything around. In Confucianism, filial piety provided an important medium in forming a moral subject that penetrated life and death and related self and others. Inherent in it is the Confucius thought of continuity that searched for a paragon of a moral human being regardless of time and space.

• Annual Conference on Human and Language Technology
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• 1994.11a
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• pp.505-517
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• 1994

국어 철자 검색 프로그램 세 개의 검색 능력을 비교하였다. 오류가 없는 파일, 타자시의 전형적인 오류를 포함하는 파일(자소별 오류율 1%), 그리고 광학적 문자인식 프로그램의 전형적인 오류를 포함하는 파일(자소별 오류율 $2.7{\sim}2.9%$) 등에 대하여 한글과 컴퓨터, 한국 마이크로소프트, 핸디 소프트의 워드프로세서에 도구로 포함된 철자검색 프로그램을 수행하였다. 이 세 프로그램 중에서 한글과 컴퓨터의 제품은 정방향 오판율과 오류율 낮은 파일에 대한 역방향 오판율이 낮았고 핸디 소프트의 제품은 오류율이 높은 파일에 대한 역방향 오판율이 낮았다. 세 프로그램 모두 역방향 오판율이 자소별 오류율의 10배 이상이라는 점에 있어서 심각한 문제를 안고 있는 것으로 판단된다.

• Annual Conference on Human and Language Technology
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• 1991.10a
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• pp.99-117
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• 1991

본 연구에서는 자판배열의 과학적인 비교분석이 필요하다는 인식을 바탕으로 자판배열과 운지법에 따라 변하는 운지거리, 글쇠의 타수 및 연타수의 관점에서 KSC 5715-2벌식자판, 공병우 390-3벌식자판 및 ISO에 제출된 북한의 표준한글자판의 성능을 평가하였다. 그 구체적인 방법으로는 타자모의실험기를 작성하여 입력하는 글의 종류에 따른 각 자판배열의 성능을 비교분석하였다. 그리고 컴퓨터 모의 실험기를 작성했으므로 언급된 자판뿐만이 아닌 다른 자판도 그 자판의 자소배열과 운지법만을 추가 입력함으로써 같은 조건하에서 비교 분석할 수 있다.

• Annual Conference of KIPS
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• 2019.05a
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• pp.13-14
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• 2019

이 논문에서는 깊이 카메라(depth camera)로 부터 획득한 깊이 영상을 분석하여 지화를 인식하는 기술을 개발하고 이를 이용한 지화 교육 프로그램의 구현 사례를 소개한다. 먼저 손의 16 개의 특징점을 뽑아내고, 어떤 지화인지 분류한다. 타자 연습 프로그램처럼 단어를 제시하고 그에 맞는 지화를 올바르게 표현하였는지를 검사함으로써 사용자가 지화를 학습할 수 있도록 도와주는 프로그램이다.

• Annual Conference of KIPS
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• 2024.05a
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• pp.615-616
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• 2024

현대 야구에서 타자의 스윙 패턴 분석은 상대 투수가 투구 전략을 수립하는데 상당히 중요하다. 이미지 기반의 인간 포즈 추정(HPE)은 대규모 스윙 패턴 분석을 자동화할 수 있다. 그러나 기존의 HPE 방법은 빠르고 가려진 신체 움직임으로 인해 복잡한 스윙 모션을 정확하게 추정하는 데 어려움이 있다. 이러한 문제를 극복하기 위해 스윙 모션에 대한 사전 정보를 활용하여 야구 선수의 포즈를 보정하는 방법(BPPC)을 제안한다. BPPC는 동작 인식, 오프셋 학습, 3D에서 2D 프로젝션 및 동작 인지 손실 함수를 통해 스윙 모션에 대한 사전 정보를 반영하여 기성 HPE 모델 결과를 보정한다. 실험에 따르면 BPPC는 벤치마크 데이터셋에서 기성 HPE 모델의 2D 키포인트 정확도를 정량적 및 정성적으로 향상시키고, 특히 신뢰도 점수가 낮고 부정확한 키포인트를 크게 보정했다.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.35 no.1
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• pp.48-56
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• 2017

The purpose of this study is to analyze the 'identity' found in constructional characteristics of Geumgok Hongneung, the first imperial tomb of Korean empire. In terms of "sameness", which states for internal self-cognition among ambivalent situations while consisting identity, Hongneung inherited the prosperity of the Chosun dynasty, possessed 'sustainability' related to Cheongryangri Hongneung of Empress Myeongseong, as well as revealed various 'identitification' of situations in order to expose self-esteem as emperor and imperial nations. On the other hand, in terms of "individuality" as an external self-cognition, the opposite phase of sameness, Hongneung is a mixture of the will of Emperor Gojong and Japanese intervention hence formed 5th styles of royal tombs through 'peculiarity' which distinguishes it from the original tradition. In addition, the value of Hongneung is that it actually reflects the confusing and difficult times of the old ages, and it also involves 'excellence' as the place of the according a state funeral of Emperor Gojong and provoking March First Independence Movement. Thus, Geumgok Hongneung is a recorded landscape that clearly reflects the times of royal tombs of the Chosun dynasty, the world cultural heritage, and also the historic landscape showing extraordinary landscape of unique characteristics, 'Hwangjereung'.

• The Journal of Korean Philosophical History
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• no.32
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• pp.277-308
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• 2011

The purpose of this study is to show that there are textual similarities between philosophy of Zhuangzi(莊子) and what Jacques Derrida' concepts such as 'differance', 'trace', and 'play', etc. Through our comparative study, we have established a philosophical affinity between Taoist thinking of Zhuangzi and Derridian deconstructive thinking. Zhuangzi and Derrida deconstruct all kinds of traditional and metaphysical thoughts. Zhuangzi's saying of "There is Tao(道) for Thievery(盜)". I call this philosophical tendency 'the logic of cohabitation and coexistence' of the Taoist philosophy. Derrida and Zhuangzi suggest that the logic of cohabitation and coexistence recognizes and affirms differences between opposites. In these thoughts of double affirmation, there is no violence of dichotomous thinking. In other words, their ways of thinking challenge the value system that suggests a single truth, and propose that all human values necessarily carry half-values. They give us to create an enjoyable play-space for human beings in this world. Zhuangzi's suggestions for moral theory provide us with a chance for making question as what is the better life with the others, with a fresh and new perspectives to understand differently the human beings along the category of universe in the 21st century.

• Journal of Korean Classical Literature and Education
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• no.16
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• pp.117-145
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• 2008

This study aims at searching for educational quality of abstract expression from the expression 'Yeok-goon-eun'[亦君恩/ also the king's mercy] which appears frequently in the classics. I clarified that the expression can be used to mean not only eulogy and missing the king, which is a conventional phrase, but also cynicism or excuse for oneself, curative response and so forth. In other words, the symbol, 'Yeok-goon-eun', has a variety of meanings according to readers and contexts. Like the example of the expression 'Yeok-goon-eun', the expressions of the classics in itself imply deep meanings to experience. They do not correspond to contemporary words which are familiar to current readers. Thus, the expressions of the classics have to be experienced by learners. In specific, 'Yeok-goon-eun' provides the present learners with special experience such as perception and attitude about the world, relationship between the nature and human beings, and cultural practices which attribute to the other. Such perspective of experience has been focussed on that the expressions in the classics have the world of understanding and recognition which is quite different from the present beyond the side of communication and delivery. It offers significant viewpoint in relation to value and quality of classic literature education.