• The Korean Journal of Archival Studies
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• no.26
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• pp.151-172
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• 2010

This study try to establish the method on the archiving of a village experimentally. For this study three standpoints were investigated. We discriminate between the theory and practice on general archives management and village archiving. We should grasp that the practice of village archiving is a means to the movement of village community reconstruction. And we clear up the point that village archiving head for the community ownership and the communication. This study clarified what were the constituent units in a village and what were the archives that were producted by the constituent units in a village. It is helpful for the development of the strategy on a village to identify concretely the objects of village archiving. The main body who lead the village archiving is not archivist only. But he should be a man who serve his community and have the competency to deal with archives professionally simultaneously. The suggestion of village archiving in this study has the meaning that Korean archivists should get over the model of elite so that seek after new way of the going down to the archiving fields. village, community, the ordinance for the reconstruct of the beautiful village community, activistic archivist, archiving movement going down to the village fields, archiving by participation of community.

• The Korean Journal of Archival Studies
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• no.80
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• pp.197-232
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• 2024

This study aims to understand archival art, which is spreading in the art world, and to look at records in a new way. Archival art refers to the act of creating and exhibiting art using records as a medium of expression. Archival art is attracting attention as a method of exhibition and creation of works, forming a trend in contemporary art. Archival art was born amid changes in art creation methods resulting from the rise of conceptual art, the development of media including photography and advancements in digital technology, and the influence of Foucault and Derrida's discourse on archives. The encounter between archives and art, which originated from photographic aesthetics in the 1920s, led to archival turn in contemporary art in the 1990s, thanks to the spread of conceptual art, digital technology, and postmodernism. Archival art not only subverts traditional art creation methods, but also includes criticism and deconstruction of social systems, including modern archives. Archival art rearranges and reorganizes records according to the artist's intention, and even accepts fiction rather than fact. The essence of records in archival art is not the reproduction of the past, but the expression of present needs. The way records are utilized in archival art shakes up the concept of records in archival science, calling for a new look at records as objects with not only legal and administrative value but also aesthetic value.

• The Korean Journal of Archival Studies
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• no.64
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• pp.93-118
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• 2020

This paper focuses on the phenomenon that basic municipalities in Nagano Prefecture, Japan, have established archives in the last two to three years, and examines the background and causes. The movement of establishing a continuous archive of regional historical associations that encompassed several regions beyond a specific municipality exerted great influence. The linkage and cooperation activities of The Japan Society of Archives Institutions also acted as a major factor. These examples of municipal archives in Nagano Prefecture will give prospects and implications that can facilitate the establishment of a local archive in Korea.

• Journal of Korean Society of Archives and Records Management
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• v.20 no.1
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• pp.207-212
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• 2020

This paper introduces the process in which the Center for Freedom of Information, founded for the public's right to know by disseminating public information, was created . Building archives with scarce resources and capacities has resulted in a number of troubles and frustrations, and the need for reorientation. However, through the contributions of many people empathizing with the unique needs and meanings of citizen-led archives, difficulties were overcome, and archives were built. This paper summarizes the specific difficulties and capabilities required in this process, especially the knowledge and assistance needed in the field of records management. Although much research is necessary, the archives serve as an example of remembering and reconstructing the past when the 1997 Crisis Archives had shaken all the foundations of people's lives, and a tool to guide decision-making.

• Journal of Korean Society of Archives and Records Management
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• v.18 no.4
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• pp.1-24
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• 2018

The National Museum of Contemporary Art, Korea began operating the museum archives in October 2013. Although the museum archives have an independent flow that is distinct from discussions of the archival sciences, it is a reality as a record management organization, and therefore, access to and analysis from the viewpoint of archival science is required for efficient operation. The purpose of this study is to diagnose the method of collecting and organizing records from the viewpoint of archival sciences from the Institutional Archives of the National Museum of Contemporary Art, Korea. To this end, we theoretically examined the function of the museum, the role of the museum archives, and the scope and method of collection and arrangement of the museum archives. Based on these discussions, we analyzed the scope of the collection and the system of arrangement of the institutional archives. Then, we suggested some improvement plans.

• The Korean Journal of Archival Studies
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• no.74
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• pp.79-117
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• 2022

In recent years, the term "art archives" has become increasingly popular, with the growing use of archives in exhibitions and program planning within domestic cultural and arts institutions. The need for art archives has been raised for reasons such as establishing the identity of art and culture and providing basic resources for academic research; however, they are now being recognized as a direct resource and service for users. Accordingly, research has also been conducted on the values, policies, and management practices of art archives in the archiving field. Nevertheless, there is a lack of research on management methodologies that can be applied to institutions that manage art archives. In particular, for the efficient use of art archives, classification, organization, and systematic management of descriptive areas must be preceded. But, There are different methods of managing art archives depending on the type of collection, the management institution, and the characteristics of the collection resources, which, in turn, makes it difficult to apply a consistent methodology for classification and description. Based on actual cases from The Art Archives, Seoul Museum of Art, this study examined the types and categories of arts, and presented the establishment of a classification system and archival description rules.

• Proceedings of the Korean Society for Information Management Conference
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• 2004.08a
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• pp.69-76
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• 2004

디지털 아카이빙 정책은 디지털 정보를 보존하여 후대에 이용하도록 하기 위한 필수 요건이다. 디지털 아카이빙 정책은 정보 생성과 보존 활동을 위한 프레임워크뿐만 아니라, 지금 만들어진 안전장치정보에서 즉시 사용을 위한 실제적인 가이드라인을 규정하는 것이다. 본 연구에서는 다양한 유형의 디지털 아카이브즈에 있어서, 그 아카이브즈의 환경과 목표에 따라 규정되어지는 디지털 아카이빙정책의 이론적 배경을 분석하였고, 특히 호주 국립도서관의 디지털 아카이빙 정책과 프랑스 통계자료를 위한 보존 정책을 중심으로 사례 분석하였다.

• Journal of the Korean Society for information Management
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• v.35 no.1
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• pp.83-101
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• 2018

This study aims to present a model of digital archiving based on E-ARK. It analyzed the international standards and technological specifications designed for digital archiving. The analysis employed in study explored the common specifications including core processes, information packages, and metadata structure needed for digital archiving. Based on the analysis and reviews, this study developed a model for digital archiving, in order to achieve interoperability of information packages throughout the process.

• Journal of the Korean Society for Library and Information Science
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• v.35 no.2
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• pp.93-108
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• 2001

The purpose of this study was to clarify similarity and identity between university library and archives through comparison of their information materials, functions and organizations. As a results, the archives are so much similar to library in the records, functions. It means what they can use the library resources together. The archives organizations mainly belongs to museum and rarely to libraries and administration organizations.

• Proceedings of the Korean Society for Information Management Conference
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• 2011.08a
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• pp.95-98
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• 2011

디지털 자원의 장기보존을 위한 기법과 전략은 지속적인 관심 속에서 개발되어 오고 있다. 특히, 웹 자원에 대한 의존도가 증폭될수록 웹 아카이빙에 대한 중요성이 커지고 있다. 본 연구에서는 IIPC에서 제시하는 웹 아카이빙 체인의 네 단계에 해당하는 각 단계별 웹 아카이빙 툴과 그 특성을 살펴보았다. 대상이 되는 웹 아카이빙 도구는 총 9개로서, Heritrix, DeepArc, Web Curator Tool, NetarchiveSuite, BnFArcTools, Wayback, NutchWAX, WERA 그리고 Xinq 등이다.