• 프린팅코리아
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• v.8 no.8
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• pp.106-109
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• 2009

인쇄라는 과정은 다양한 분야로 구성되어 있으며 서로 다른 분야에서 어떤 작업이 이루어지는지 모르는 경우가 대부분이다. 가장 보편적인 출판을 위한 종이 인쇄 과정은 크게 디자인(Design), 프리프레스(Prepress), 프레스(Press), 포스트프레스(Postpress)로 구분할 수 있다. 인쇄 작업과 컴퓨터 기술이 결합하면서, 그 이전에 비하여 훨씬 다양한 색상을 구현할 수 있게 되었다. 하지만, 아직도 인쇄물에서 원하는 색상을 얻지 못하거나 색상 오차가 발생하는 경우가 종종 있다. 이런 사고가 어떤 원인에 의하여 발생하는지, 사고를 미연에 방지하기 위해서는 어떤 지식이 필요한지 알아보고자 한다.

• 프린팅코리아
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• v.11 no.11
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• pp.50-56
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• 2012

2012년 10월 11일 오후 3시, 전국에 소재하는 3개 고등학교 인쇄(관련)과를 대표하는 교사 5영(서울공고 : 김래성 3학년 담임교사, 정다현 그래픽아트과장, 서울북공고 : 태종필 학년환경부장, 김용식 디자인출판과장, 포항여자전자고등학교 : 조영권 교무기획부장)이 충남 천안시의 한 카페에서 자리를 함께했다. 월간 프린팅코리아가 인쇄분야 전문 인력 양성의 토대가 되는 고등학교의 전공 통폐합 관련 문제점을 살펴보고, 대안을 모색하기 위해 준비한 특별좌담회에 참석하기 위해서다. 좌담회가 시작되자 참석 교사들은 누구 할 것 없이 일선 교육현장의 어려움에 대해 토로하고, 대안 마련을 위한 불꽃 튀는 갑론을박을 전개했다.

• Proceedings of the Korean Society for Information Management Conference
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• 2012.08a
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• pp.51-56
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• 2012

본 연구는 정보검색과 관련하여 내비게이션의 개념에 대해 문헌정보학분야에서 논의되고 있는 담론연구를 통해 웹 내비게이션 개념에 대해 분석하고자 한다. 웹이 등장한 1995년을 기준으로 최근 2012년까지 문헌정보학 분야 국외 학술지에 출판된 총 38편의 웹 네비게이션 연구 논문들을 내용분석과 담론분석을 통해 웹 네비게이션의 개념 정의를 조사하였다. 웹 정보검색에 있어서 문헌정보학분야에서 정의하고 있는 네비게이션 개념은 크게 네비게이션 행위, 네비게이션 전략, 네비게이션 디자인으로 구분되며, 그 개념의 범위와 핵심 특성들을 파악하고자 하였다.

• 프린팅코리아
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• v.8 no.6
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• pp.110-113
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• 2009

인쇄라는 과정은 다양한 분야로 구성되어 있으며 서로 다른 분야에서 어떤 작업이 이루어지는지 모르는 경우가 대부분이다. 가장 보편적인 출판을 위한 종이 인쇄 과정은 크게 디자인(Design), 프리프레스(Prepress), 프레스(Press), 포스트프레스(Postpress)로 구분할 수 있다. 인쇄 작업과 컴퓨터 기술이 결합하면서, 그 이전에 비하여 훨씬 다양한 색상을 구현할 수 있게 되었다. 하지만, 아직도 인쇄물에서 원하는 색상을 얻지 못하거나 색상 오차가 발생하는 경우가 종종 있다. 이런 사고가 어떤 원인에 의하여 발생하는지, 사고를 미연에 방지하기 위해서는 어떤 지식이 필요한지 알아보고자 한다.

• 프린팅코리아
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• s.37
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• pp.78-79
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• 2005

인쇄분야의 전문서적 및 인쇄교육을 위한 교재가 부족한 가운데 인쇄에 관심이 있거나 인쇄인이라면 한 번쯤은 꼭 봐야될 만한 전문서적을 최근 학계와 업계의 전문가들이 뜻을 보아 출간했다. 지난 6월 중순 출간된 '디지털그래픽아트(Digital Grapic Arts)'는 오세웅 교수(신구전문대학 인쇄과 학과장), 정호균 교수(동아방송대학 겸임교수), 신익재 사장(비지아이 대표)등 3인이 공동집필한 것으로 빛으로 이루어진 컬러가 인쇄물로 재현되는 과정을 비주얼 위주로 알기 쉽게 소개하고 있다.

• Communications of Mathematical Education
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• v.28 no.2
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• pp.281-302
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• 2014

The purpose of this paper is to offer a history of golden ratio, the criterion raised by Markowsky, and misconceptions about golden ratio. Markowsky(1992) insists that the golden ratio does not appear in the great pyramid of Khufu. On the contrary, we claim that there exists the golden ration on it. Elementary and middle school text books, and domestic history books deal with the great pyramid of Khuff and the Parthenon by examples of the golden ratio. Text books make many incorrect statements about golden ratio; so in teaching and learning the golden ratio, we recommend the design-composition of dynamic symmetry, for example, industrial design, aerodynamic, architecture design, and screen design. Finally we discuss the axial age how to affect the school mathematics with respect to the subject of Thales and the golden ratio.

• The Journal of the Korea Contents Association
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• v.14 no.1
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• pp.119-127
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• 2014

As keen marketing competition for increasing corporate image has been begun, the creative level of annual report design, which is deeply involved with investment, has became a fundamental measure of corporate value. Good commercial design has to have both practical and aesthetic aspect. For make more creative annual report project. it's worth to find world design trend in practical way. The point of study focuses and sorts on physical properties of out-put works by the view point of editorial design, and tries to find the possibility of common design style. It analyzes key message, pagination plan and feature pages of 2013 ARC awarded annual report works in interior design category. The visual image and typographic style study of awarded works will help planner and designer who develop annual report project, because this research data reduces their process. Then it's possible to have more opportunities to create project and supports background material for making a presentation for clients.

• The Journal of the Korea Contents Association
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• v.22 no.5
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• pp.247-260
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• 2022

This paper investigates plans to expand distribution channels for books by installing a book vending machine at convenience stories for the vitalization of the publishing culture and industry. After establishing the meaning of convenience stories and the concept of a book vending machine, the researcher identified a need for the installation and management of a book vending machine at convenience stories. This plan will promote fairness and transparency in book sales through the convenience store system and push forward outsourcing between the publishing industry and the convenience store industry, the expansion of omnichannel service for consumers, and experiential values for clients to increase their customer satisfaction. The composition of the book vending machine will take the smart library form for its management with a universal design applied to a kiosk program. In the study, the researcher schematized this process and conducted a survey with 310 adults to search for practical management plans for a book vending machine. In the future, more research on the diversification of sales and distribution channels for publications such as the installation of a book vending machine at convenience stores will hopefully contribute to the growing amount of reading per capita and promotion of a reading environment for people according to the vitalization of the publishing culture and industry.

• Archives of design research
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• v.17 no.3
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• pp.221-230
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• 2004

Design textbooks for general education bring our attention to the education of design as a part of whole education. In this vein, this thesis tried to analyze and discuss on the current status of design education contents included in the 7th educational curriculum of the Art & Life. This study had a historical review of the contents of arts education as well as a review of theoretical contents in art education. Also this thesis analyzed five types of Art & Life text books currently used at high schools with weight given to the design and to the status of pictorial coverage in the text books. Finally, the thesis presented problems of design education through a comparative analysis of high school arts education and design education. Through the analysis, inequality of design contents in education was reported. It was clearly attributable to the backgrounds of text book writers. For example, authors with graphic design backgrounds tended to lack product and environment design concepts, while hand craft section of text books all showed a biased contents towards traditional Korean arts. In the analysis of pictorial coverage, similar to the composition of academic contents, coverage was concentrated in the graphic design areas; inequality in quantity of pictures found with a ratio of 1 to 4. In terms of areas of arts, design contents in text books were concentrated only in arts creation chapters among the 3 major areas of arts appreciation, understanding, and creation. Design education is attained in an atmosphere of creativity and the provision of ample teaching material. It is because diverse contents will generate the development of arts. When compared to design education curriculum of U.S. and Japan, these creativity put their focus of design education in the understanding and emotional contacts, so that every application is easily attained. In terms of expression learning, creativity and diversity of material are emphasized. From Kindergarten to middle, and high school periods, apparently the care contents of deign is emphasized. A textbook in the 7th education curriculum is one of the sources for education. In designing text books, learning process should be emphasized following subjects and natures of arts so that creativity can be achieved. Therefore, a systematic approach for design research and educational development for material would be needed in textbook design.

• Archives of design research
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• v.14 no.2
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• pp.163-174
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• 2001

William Morris(1834-1896) was the most versatile and talented of all British nineteenth century polymaths. Since his death over one hundred years ago his achievements as an artist, designer, manufacturer, shop-keeper, poet, author, publisher, printer, collector, teacher, conservationist, political activist and environmentalist have influenced the lives and work of people throughout the world. Moris is now best known for his attractive and colorful patterns. The decorating firm of Morris, Marshall, Fault & Company(Morris & Company after 1875) was established in 1861. Over the years it produced works, ranging from stained·glass windows and furniture to tapestries, carpets and printed and woven fabrics, that had great influence on the course of British design. His earliest experiments with the craft were amateurishly worked embroideries made for his own use. Before long, Morris began to produce textiles on a more commercial basis. In order to control production properly, Morris set about learning the various textiles techniques, first dyeing and blockprinting, hand-loom jacquard and eventually, carpet and tapestry weaving. This extraordinary involvement with the practical side of manufacture separated Morris from all other designers of his time and contributed in no small way to his success. Morris's designs for textiles, embroidery, dyeing, woven, carpet and tapestry were commercially produced, that are most universally admired and frequently copied today. These have a timeless quality arising from the designers respect for and knowledge of the technique. Of equal importance was his love of nature, evidence of which can be seen in even the smallest details of each of his patterns.