• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2006.05a
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• pp.1376-1378
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• 2006

Numerical and experimental study were carried out to characterize sound fields of low frequency in a scaled reverberation chamber for measurement of sound insulation of panels. By using BEM, lower modes of the chamber are identified and then predicted the effect of diffusers in order to destruct lower modes. Compared results with measurements show reasonable agreements, especially at the first end second modes. Based on numerical prediction, the diffuser are installed in order to improve sound fields to be more diffuse than ever. It is found that the diffuser put in nodal line of the chamber destruct evidently the first mode. Consequently, the measuring error at the low frequency can be relatively reduced compare to the case of without diffuser.

• The Journal of the Acoustical Society of Korea
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• v.22 no.3
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• pp.162-168
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• 2003

The degree of diffusion, characterized by the "scattering coefficient" of surface materials, has been known to be one of the most important factors in determining the acoustical qualities of concert halls. Based on the suggested ISO method, which measures the random-incidence scattering coefficient of surfaces in a diffuse field, the scattering coefficients of different sizes and densities of wooden hemispheres and cubes were measured in model-scale reverberation rooms. As a result, wooden hemispheres with a structural depth of more than 15㎝ have the highest average (500㎐∼4㎑) scattering coefficient. It was also found that the scattering coefficient becomes higher when the diffuser density reaches about 50% for hemispheres and 30% for cubes.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2007.05a
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• pp.61-64
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• 2007

This study is dealt with a method to enhance low-frequency diffuse sound field in a scaled reverberation chamber. Because scaled reverberation chamber has not enough room volume, as a result, it shows a few room modes. So it is not build up low-frequency diffuse sound field. A Helmholtz resonator's arrangement is used to improve spatial uniformity of sound pressure at low frequency. The spatial distribution of sound field has been measured before and after control. The standard deviation of sound field has decreased at 315Hz 1/3 Octave band.

• Journal of Korean Association for Spatial Structures
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• v.8 no.3
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• pp.53-63
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• 2008

In this study, the reverberation characteristics of coupled spaces were investigated using a scale model. Two rooms were connected through an acoustically transparent opening known as an aperture. The acoustic characteristics of the coupled room by varying three parameters, the aperture opening size, the absorption ratio between the two rooms and the locations of the secondary room, were measured and analysed. The results indicated that a reverberant secondary room, produced large variations of the acoustics in the main room and an absorptive secondary room was effective to provide systematic control of the acoustics in the main room. The reverberant secondary room should be located at the rear of the stage and the aperture opening ratio over 6.25% produced large variations of the acoustics in the main room. However, the aperture opening ratio over 25% had no effect on variations of the acoustics in the main room. The absorptive secondary room should be located at the rear of the audience areas and the aperture opening ratio over 3.13% produced large variations of the acoustics in the main room.

• Proceedings of the Korean Information Science Society Conference
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• 2005.07b
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• pp.550-552
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• 2005

실감 재현이 중요한 가상현실 응용에서는 사용자에게 고급 그래픽 환경을 제시하고 사용자의 인터랙션에 즉각적인 피드백을 제공함으로서 실재감과 몰입감을 증대시키는 연구가 진행되어왔다. 실재감, 공간감 전달을 위해 시각과 청각을 함께 활용하는 것이 효과적이나, 가상공간의 특징을 반영한 3차원 사운도 재현 연구는 국내외 통틀어 초기단계에 머물러 있다. 실재감과 공간감을 반영한 3차원 사운드의 재현을 위해서는 음원의 전파, 반사, 잔향 풍의 계산이 사용자의 인터랙션에 따라 새롭게 계산되어야한다. 그러나 사운드 전파경로와 공간을 이루는 모든 폴리곤들과의 충돌을 검사하며 반사 등을 계산하는 것은 실시간성이 중요한 가상현실응용에서는 무리가 따르므로 실 시간성을 보장하기 위한 계산량 축소가 요구된다. 본 논문에서는 다수의 음원이 존재하는 복잡한 가상공간에서의 3차원 사운드를 재현하기 위하여 사운드 신과 계산에 필요한 최소한의 정보를 가지는 오디오 씬 그라프의 공간을 재구성하고 다수의 음원을 대상으로 음원 축소 및 군집화를 적용하여 3차원 사운드효과를 실시간으로 재현하는 알고리즘을 제안한다.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2001.11a
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• pp.252-256
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• 2001

Scattering of surface materials has been known as one of the most important aspects in evaluating the acoustics of concert halls are designed. One of the methods that can reduce the errors in estimating the reverberation time and other acoustic parameters through computer modeling is to calculate scattering coefficient of surface materials. However. so far, no objective and reliable methods measuring scattering coefficient has been suggested. In this situation, ISO has suggested the method of measuring the random-incidence scattering coefficient on surfaces in diffuse field, whereas AES has introduced a method on directional-incidence in free field. In this study, the scattering coefficients of five kinds of hemispheres (1.5, 2.0. 2.5. 3.0. 3.5cm) were measured by using the ISO method in 1：10 reverberation chamber. It was found that 3.0cm hemisphere has the highest scattering coefficient satisfying 95％ reliability.

• The Journal of the Acoustical Society of Korea
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• v.37 no.5
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• pp.363-368
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• 2018

Recently a slat type ceiling is widely used in various spaces, such as music performance spaces and concourse of airport and a general reception area of a building. However, it is hard to find a proper design guideline or material useful in designing such spaces, due to the lack of relevant researches on the effect of a slat ceiling on room acoustics. The present work investigated the effect of a slat type ceiling using a physical scale model method. A 1/20 scale model of a small shoe-box type music performance hall was built and a slat ceiling with different configurations was installed. 6 cases of different ceiling configurations were considered with the combination of 2 slat ceiling height cases and 3 distance cases between slats. The effect of a slat ceiling on the acoustics of a room was evaluated by measuring reverberance($T_{30}$), intelligibility and clarity($D_{50}$ and $C_{80}$), and loudness(G and $G_{80}$).