• Title/Summary/Keyword: 추상적 연상

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Concrete Association and Abstract Association in Color (색채의 구체적 연상과 추상적 연상)

  • Shin, Seong-Yoon;Baek, Jeong-Uk;Lee, Hyun-Chang;Rhee, Yang-Won
    • Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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    • 2010.10a
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    • pp.655-656
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    • 2010
  • Color association is reminding you that is related to the means, events, or experience by the color impression. These kinds of associations was largely concrete association and abstract associations. In this paper, look at the features and examples of concrete association and abstract associations, and look at the abstract association and the concrete associations of typical colors. In addition, find out about the similarities and difficulties or color association.

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A Study on the Origin of the Native Plant's Name in Korea (한국(韓國) 자생식물명(自生植物名)의 유형(類型) 분석(分析))

  • Park, In Hwan
    • Current Research on Agriculture and Life Sciences
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    • v.12
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    • pp.1-7
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    • 1994
  • This paper analyzed the linguistic origin of the korean plant's name to give the better understanding of korean plants through the botanical names of native plants. In this study, a book "Flora of Korean" was used for analyzing plant's names. Some of the results were summerized as follows. Names of native plants in Korea were derived from animal and botanical were highest rate as 23.6 percent. And another names were composed of form of plants, local region, imagination, human beings and appearance of plant, each rate was 19.6 percent, 17.9 percent, 15.0 percent, 14.2 percent and 8.3 percent, respectively. Although the rate of name derived from botanical components was lowest, the number was 75.

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A Study on the Application of Color as Process of Symbolic Metaphor in the Game Storytelling (게임 스토리텔링에서 상징적 메타포로 작용하는 색채의 역할)

  • Cho, Yoon-Kyung;Han, Hye-Jeong;Kim, Kyu-Jung
    • Journal of Korea Game Society
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    • v.8 no.1
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    • pp.41-48
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    • 2008
  • If an association for a color develops and comes to form any kind of common idea, a symbolic meaning is given to the color. It is called' symbolism of color' that color builds up an abstract general idea, an emblem, feeling except things concrete. The color of game is the visual element that one can be immersed in the game, the image which act as important meaning, the attribute of light, and visual perceptional factor. With form, motion, light and shade, the color function importantly as media which express a person and person's circumstance. In game, the color is used symbolically to suggest not only mental change of character but also the situation, mood, attribute and strength of energy. These transmission of meaning express symbolism of the color iconically. So, the color for image express of game take on universality. This study research that focus on how the symbolical meaning of the color is reflected in game.

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A Study of Kuwoonmong Writing and Enjoyment in the Aspects of Yin-Yang (陰陽) and Wu Xing (五行) Imagination (음양오행적 상상력에 기반한 <구운몽>의 창작과 향유 방식 연구)

  • Hwang, Hye-jin
    • Journal of Korean Classical Literature and Education
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    • no.35
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    • pp.153-193
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    • 2017
  • This study explores the creation and enjoyment of Kuwoonmong (九雲夢) using a reference system called the cultural imagination, which is related to the Yin-Yang (陰陽) and Wu Xing (五行). When Kim Manjung wrote Guwoonmong, he may have composed figures and events based on this imagination. In particular, when he designed the eight seonnyeo (팔선녀), he set the order such as Gap (甲), Eul (乙), Byeong (병), Jeong (丁), etc. and characterized them according to the celestial stem (天干). Thus it was easy to avoid overlapping of characters and to construct various stories and relationships between them. The table below shows the characters of Kuwoonmong corresponding to the celestial stem. In not only the individual person but also the narrative world, Kuwoonmon demonstrates Yin-Yang and Wu Xing's imagination. In this respect, Kuwoonmon can be considered a large symbol encompassing the abstract theory of Yin-Yang and Wu Xing. Of course, the writer, Kim, Manjung would not have tried to symbolize the principle intentionally. However, he was also present in the environment of the cultural imagination that has been formed over the years. The same is true for the contemporary recipients of Guwunmong. They would have had a pleasant experience applying the cultural imagination and strengthening their familiar world view and human view.