• 식품문화 한맛한얼
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• v.4 no.3
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• pp.278-284
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• 2011

• Proceedings of the Korean Institute of Navigation and Port Research Conference
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• 2012.10a
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• pp.69-70
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• 2012

추사파 중에서 항행하는 선박은 여러 유형의 전복 사고 위험에 노출되어 있다. 추사파 중에서의 선체 거동을 규명하기 위해서는 먼저 추사파 중에서 항행하는 선박이 만나는 파도 즉, 만남파의 특성 규명이 필요하다. 이 만남파는 선박의 속도와 관련이 있으며, 본 연구에서는 해양파의 에너지 스펙트럼을 이용하여 만남파의 특성을 검토, 고찰하였다. 그 결과, 추사파 중에서 항행하는 선박이 만나는 파도는 실제 해양파보다 비교적 규칙적인 대파고가 된다는 것을 수치 계산 예를 통해서 규명하였다.

• (The)Study of the Eastern Classic
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• no.59
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• pp.157-181
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• 2015

This thesis pursued exchanges of Hwangsang with Chusa Family, who existed in the 19th century. What was Chusa to Hwangsang and what was Hwangsang to Chusa? The answer is concluded to the question of which existence Chusa was to Hwangsang but not of which existence Hwangsang was to Chusa. However, disregarding social positions of the nobles and the commoners, brothers of Chusa also cherished Hwangsang and respectfully treated him as a poet at all times. Chusa was a critic who recognized Hwangsang as a successor to Dasan poetics and became a patron of the literary circles on the other hand. Hwangsang's Chinese poems related to Chusa Family are counted as 45 JE 52 SU in total which consist of 31 JE 34 SU in "CHIWONYUGO" and 14 JE 18 SU in "CHIWONSOGO", On the other hand, Chinese poems which Chusa wrote for Hwangsang are only a few pieces shown in "WANDANGJEONJIP". Hwangsang first met three brothers including Chusa in September 1853 when he came up to the capital for the 4th time. Jeong Hak-yeon, the oldest son of Dasan Jeang Yak-yong, played an important role in the whole process that Hwangsang met Chusa's three brothers and was recognized as a poet. As the oldest son of Dasan Family, Jeong Hak-yeon made efforts in various ways for Hwangsang. Hwangsang tried his efforts to exhibit his ability as a poet to Chusa and to get Chusa's introduction of his poetical works. Considering Chusa's importance in then literary circles, the introduction seemed to reflect recognition by the literary circles in the metropolis and it also showed that Hwangsang was no more than an obscure poet in the provincial area. Poetical composition of Hwangsang for Chusa three brothers commonly contained friendship, intimacy and special respect at all times. Seeing from exchange process between Hwangsang and Dasan Family or Chusa Family, it is found that mutual exchanges were actively made in the mid-nineteenth century overcoming regional differentiation between capital and province, or feudalism class distinction of social positions of the nobles and the commoners.

• Bulletin of the Society of Naval Architects of Korea
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• v.32 no.1
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• pp.36-39
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• 1995

본고에서는 고속선의 항행 안전성과 관련된 공통의 문제로서 파랑중 조종성능에 관해서 언급하 고자 한다. 파랑중 조종성능이 문제시되는 것은 선박이 추파(following seas) 또는 추사 파(quartering seas)를 받으면서 고속으로 항해할 때이다. 보통의 속도 범위에서 운항되는 일반 선박중에서도 컨테이너선, 어선 등과 같이 비교적 속력이 빠른 선박은 추사파중에서 선수 동 요가 크게 일어나며, 보침을 위한 조타량이 커짐과 동시에 힁동요가 심하게 일어나는 것으로 알려져 있다. 이러한 불안정 현상은 정도의 차이는 있을지언정 고속선에서도 마찬가지 경향을 보이고 있다. 파랑중 조종성능을 요약하면 추파 또는 추사파중에서의 복원성과 보침성 문제에 귀착된다, 추사파중에서의 복원성 문제는 선체 중심이 파정에 위치할 때 복원력 저하로써 설명될 수 있으며, 이러한 현상은 파장과 선체 길이가 거의 같고 선속이 파속과 거의 같은 조건하에서 일어난다고 알려져 있다. 이러한 조건을 만족하는 선속은 Froude수 0.4 정도로서 고속선의 운항 범위에 미달되는 속도이다. 추사파중에서의 보침성 문제는 브로칭(broaching-to) 현상으로써 설명될 수 있으며, 브로칭 현상은 파장이 선체 길이의 2배 정도이고, 선속과 파속이 거의 같은 조건하에서 일어난다고 알려져 있다. 이러한 조건을 만족하는 선속은 Froude수 0.56 정도로서 고속선의 운항 범위와 일치하는 속도이다. 따라서 본고에서는 고속선을 대상으로 하기 때문에 복원성 문제는 다루지 아니하고 브로칭 현상에 관해서만 간략히 기술하기로 한다.

• The Journal of the Convergence on Culture Technology
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• v.6 no.3
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• pp.283-291
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• 2020

Chusa is a pearl in our cultural history. His unfavorable times and circumstances made him more and more devoted, and through this, his art was able to bloom brilliantly. He was born and raised in a prestigious family, and was able to establish his academic world broadly through the encounter with Ongbanggang and Wanwon, the great masters of the Qing Dynasty culture at the time of the 20s. Particularly, his artistic activities in the area where he lived in exile allowed him to establish Chusache. He also showed the essence of his literary spirit as a picture of Sehando. Through numerous letters, he can also examine his culture, art, and thought. Furthermore, based on the archaeology of the Qing Dynasty, you can also examine the thoughts and philosophies of the real world. This article intends to examine and review the Aesthetic Sense of Chusa's literary art in terms of mentality through Sehando·Bujakrando. This is because it is judged to be an aesthetic sense that is the essence of Chusa art.

• Korean Journal of Heritage: History & Science
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• v.11
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• pp.355-390
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• 1977

• KOREAN POULTRY JOURNAL
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• v.29 no.5 s.331
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• pp.152-153
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• 1997

• Korean Architects
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• no.2 s.203
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• pp.64-69
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• 1986

• Korean Architects
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• s.535
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• pp.22-23
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• 2013

• Korean Architects
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• s.630
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• pp.42-47
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• 2021