• Journal of the Korean Society of Hazard Mitigation
• /
• v.1 no.2 s.2
• /
• pp.75-83
• /
• 2001

In this study, the maintenance problems were investigated through checking the creeks which were improved by close-to-nature river improvement technique. The characteristics of flow were measured at Changsa Creek in Suwon city. The computational results of numerical model with kinematic wave theory was evaluated through observation data about precipitation, velocity, and flow depth. Furthermore, SCS, Clark, and RRL models were compared to the actual observations. As a result, the kinematic wave theory's calculated peak time of discharge concentration occurred little earlier than the actual observation, but the tendency of hydrograph coincided with observation.

• Monthly Korean Chicken
• /
• s.136
• /
• pp.71-73
• /
• 2006

2003년말 발병한 조류인플루엔자의 파동을 이겨내고 1년 9개월이라는 최단기간에 화의종결을 이뤄내 완전한 경영정상화를 이룬 체리부로가 7개월여만에 제 2의 도약을 위한 힘찬 날개짓을 시작했다. 올해로 창사 15주년을 맞이하는 (주)체리부로(대표이사 김인식)는 지난 9월 7일 충북 진천 본사에서 지역 국회의원 등 정관계 인사와 관련 단체 및 업체 대표, 체리부로 농가협의회장 및 회원농가 등 약 1천여명이 참석한 가운데 하루 30만수의 닭을 가공할 수 있는 신축공장 준농식을 갖고, 본격 가동에 들어갔다.

• Korea Petroleum Association Journal
• /
• no.11 s.141
• /
• pp.56-59
• /
• 1992

1964년 민간자본으로 설립된 극동정유는 그 모태가 되는 윤활기유 중심의 극동정유공업(주)에서 태동하여 많은 도전과 응전 속에서 발전을 거듭하여 오늘에 이르렀다. 꾸준한 발전속에서 성장을 모색해온 극동정유는 1988년 11월 충남 서산에 6만B/D규모의 상압정제시설을, 다음해인 1989년11월 3만4천 B/D규모의 중질유 분해시설을 갖춘 최첨단 정유공장을 신설하여 서해안시대와 경질유시대의 서막을 열었다. 1992년 11월 19일 창사 28주년을 맞아 극동의 약사를 조명해본다. -극동 홍보실 제공-

• Korea Petroleum Association Journal
• /
• no.12 s.142
• /
• pp.56-59
• /
• 1992

1964년 민간자본으로 설립된 극동정유는 그 모태가 되는 윤활기유 중심의 극동정유공업(주)에서 태동하여 많은 도전과 응전 속에서 발전을 거듭하여 오늘에 이르렀다. 꾸준한 발전속에서 성장을 모색해온 극동정유는 1988년 11월 충남 서산에 6만B/D 규모의 상압정제시설을, 다음해인 1989년11월 3만 4천 B/D 규모의 중질유 분해시설을 갖춘 최첨단 정유공장을 신설하여 서해안시대와 경질유시대의 서막을 열었다. 1992년 11월 19일 창사 28주년을 맞아 극동의 약사를 조명해본다.

• Sijohaknonchong
• /
• v.42
• /
• pp.29-68
• /
• 2015

This article focused on the development and current status of Sijo-chang, the Korean classical vocal genre, which is the text as a fixed form of Korean classical poems. Historically, Sijo-chang has originally emerged from Hyangga鄕歌 during Silla period (BC. 57- AD. 935). However, the current Sijo-chang has been developed from the latter of Joseon朝鮮 period(AD. 1392-1910) in 1800s. Since 1800s, Sijo-chang derived from the Gyeong-je Pyeong sijo京制 平時調, which was established in Seoul, was able to accelerate its musical types and regional characteristics among the Korean peninsula. By setting a clear division of two time periods between 1800s and those periods since 1900s to today, this article mainly explains how Sijo-chang has been developed historically. First of all, in order to appraise the musical styles and characteristics of Sijo-chang in 1800s, comparing the current musical types of Sijo-chang and those printed old score books which has its historical musical characteristics during 1800s is necessary. Secondly, this paper concentrated on the transmitted lineages of representative vocalists among the regional-based Sijo-chang from 1900s to today. During those periods, the Sijo-chang has formed its particular regional-based musical characteristics among the Korean peninsula such as Yeong-je嶺制 of Gyeongsang province慶尙道, Naepo-je內浦制 of Chungcheong province忠淸道 and Wan-je完制 of Cheolla province全羅道. Although it was not a type of regional-based Sijo-chang, as a creation with reference based on certain regional types of Sijo-chang in 1960s, this paper introduced the inheritance process of Seogam-je石菴制 which was made by Jung Gyeong-tae鄭坰兌 named Seogam石菴 as his pen name. Since Seogam-je has been singing as the most influential musical types of Sijo-chang through the mainly southern region of Korean peninsula and even in Seoul, it was highly significant to research it. In addition, this paper elaborately highlighted the developments of various Sijo-chang based on its historical performances, studies, and the composed pieces from the early 1900s or the mid-1900s. In conclusion, in order to set a vigorous development of Sijo-chang, this paper raised several concerns among the future of Sijo-Chang and the significance of its traditional value.

• (The) Research of the performance art and culture
• /
• no.35
• /
• pp.509-541
• /
• 2017

The basic intent of this thesis lies in proposing a meaningful direction of developing cultural content by combining Asian traditional dance forms which hold cultural closeness in common historically. For this study, this paper selected Oyangseon(五羊仙; 'Five Taoist Hermits on Five Sheep'), a Korean court dance of Chinese origin as an example as the Oyangseon story is commonly found in ancient Vietnam and China as well as Korea. Its original narrative is a mythic story that five hermits had come down to ancient Vietnam region riding on five sheep of five colors to bestow 6 ears of milets to people. Later, the story was spread to other regions to be reformed into Woljeongjeon(越井傳; Vietnam), Choi Wee(崔?; China) and Oyangseon(Korea) that have different plot and background. While Woljeongjeon and Choi Wee were adapted into novels that describe the hero Choi Wee's mysterious adventure to be repaid his father's previous devotion to ancient King's shrine. Meanwhile, the epic narrative of Korean Oyangseon proves the modification of the original myth by adding a Seowangmo(西王母; a Chinese mythic heavenly queen) motif while it was enacted as a court dance to praise king's long life and pray country's prosperity following Confucian concept. Based on this historical lineage of Oyangseon story, I searched for the possiblity of constructing a cultural content program by combining the Oyangseon dance of three countries. While there was Oyangseonmu(五羊仙舞) in China which was recently composed by referring to Korean Oyangseon, any traditional dance item based on Oyangseon story was not available in Vietnam. Thus, I tried to propose the Vietnam Dance College to choreograph a new dance item with Woljeongjeon story while using the traditional dance technique, music, costume, etc. of Vietnam as most as possible. As a result, I could display a direction of developing a cultural content by staging three countries' dance items based on Oyangseon story at Korean National Haneul Theater in Oct 2016.

• (The) Research of the performance art and culture
• /
• no.35
• /
• pp.471-508
• /
• 2017

The basic intent of this thesis lies in proposing a meaningful direction of developing cultural content by combining Asian traditional dance forms which hold cultural closeness in common historically. For this study, this paper selected Oyangseon(五羊仙; 'Five Taoist Hermits on Five Sheep'), a Korean court dance of Chinese origin as an example as the Oyangseon story is commonly found in ancient Vietnam and China as well as Korea. Its original narrative is a mythic story that five hermits had come down to ancient Vietnam region riding on five sheep of five colors to bestow 6 ears of milets to people. Later, the story was spread to other regions to be reformed into Woljeongjeon(越井傳; Vietnam), Choi Wee(崔?; China) and Oyangseon(Korea) that have different plot and background. While Woljeongjeon and Choi Wee were adapted into novels that describe the hero Choi Wee's mysterious adventure to be repaid his father's previous devotion to ancient King's shrine. Meanwhile, the epic narrative of Korean Oyangseon proves the modification of the original myth by adding a Seowangmo(西王母; a Chinese mythic heavenly queen) motif while it was enacted as a court dance to praise king's long life and pray country's prosperity following Confucian concept. Based on this historical lineage of Oyangseon story, I searched for the possiblity of constructing a cultural content program by combining the Oyangseon dance of three countries. While there was Oyangseonmu(五羊仙舞) in China which was recently composed by referring to Korean Oyangseon, any traditional dance item based on Oyangseon story was not available in Vietnam. Thus, I tried to propose the Vietnam Dance College to choreograph a new dance item with Woljeongjeon story while using the traditional dance technique, music, costume, etc. of Vietnam as most as possible. As a result, I could display a direction of developing a cultural content by staging three countries' dance items based on Oyangseon story at Korean National Haneul Theater in Oct 2016.