• Proceedings of the KAIS Fall Conference
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• 2009.12a
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• pp.45-48
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• 2009

본 논문에서는 최근 서해안 지역을 중심으로 활발히 건설이 진행되고 있는 세 곳의 조류 탐사관의 건축 및 전시 디자인의 특징을 조사하였다. 조류탐사관은 그 전시물의 내용상 자연사 박물관에 가까운 형식을 갖는다. 그러나 주로 조류의 관찰과 생태에 그 초점을 두는 전문화된 전시관이라고 할 수 있을 것이다. 이러한 조류 탐사 시설은 최근의 지역주의와 관광 자원 개발의 유행에 따라 난개발의 우려를 가지고 있다. 이러한 기초 조사를 통해 지역의 문화유산을 보다 잘 보존하고 지역 문화 발전과 지역경제에 이바지하는 시설로 자리 잡는데 필요한 특성화의 방안을 살펴보고자 한다.

• Korean Institute of Interior Design Journal
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• v.16 no.1 s.60
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• pp.31-38
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• 2007

This study investigated and compared regional features of Aalto's buildings and Gaudi's on the assumption that their designs are based on the regional backgrounds. For it, two churches of each one we selected and analyzed about five divided spaces like disposition, the exterior, plan, structure and introduction and use of the sunlight. As result of analysis, following conclusions are induced: first, Aalto's church design and Gaudi's we similar in which they reflected the thought of regionalistic design. Nevertheless they are deferred in which Aalto accepted the international functionalism but Gaudi rejected it due to his deep belief. Second, they followed the tradition of the regional architecture. Third, both of them took in consideration the nature, but due to the difference of the contexts they are deferred in its use. Finally, both gave importance to the sunlight. But Aalto is from the country where lacks the light while Gaudi is from the country where abounds the light, so its use is different. This investigation shows several possibilities of design under the influence of its regional culture, which gets more important in this century.

• Korean Institute of Interior Design Journal
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• no.13
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• pp.231-237
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• 1997

One of the clearest reactions against Modern architecture, and its planning ideology of comprechensive development, was the neo-Regional movement which arose at more or less the same time in serval countries. In the mid-fifties architects in Mexico started to design architectures which mixed vermacular and Modern methodology to recall traditional buildings. This popular alternative to Modernism had caught on in Mexico by the recent to become the accepted approach for the most regional building built by the Mexican architects. The regional architecture provided the continual activity, safety and economy of traditional life which was lacking in so many Modern building, while the these ages provided a cultural continuity. Anonymity of craftsmanship, but personalization of each building; enclosed wall of strong color, wide inward opening, but flat roof; emotional layouts and poetic outdoor water space, but variable massing; as it the buildings had been constructed over several years-these were the contradictory signs of neo-Regionalism. The Regional architecture has direct reference to human inhabitation and use, and it embraces mystery, poetic sense, a quality we are losing in Modern life. There is a freedom from rules, which shows up especially in an insouciant use of color, just for fuv.

• Korean Institute of Interior Design Journal
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• v.15 no.1 s.54
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• pp.63-70
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• 2006

This study investigates and analyzes natural traits in Gaudi's architectural designs on the assumption that the naturalism in his architectural designs has been built heavily on regional cultural background. In particular, focusing on four buildings Gaudi designed in his late years, this study distinguishes between natural traits found in ornaments and details, and natural traits as organic expression of form. This study shows, first, with regard to natural traits in ornaments and details, organic motives were applied to patterns, plastic objects, and parts of the building. Second, natural traits in organic expression of form were reflected by typifying $Catalu\tilde{n}a$ regional nature, using curved lines of organic shapes and realizing lively natural creatures. It is remarkable that Gaudi developed his architectural designs as unique magic naturalism based on his imagination. And In this century 'Regional Culture' gets more important in architectural designs. Gaudi's architectural works can be appreciated to represent very well $Catalu\tilde{n}a$ regional cultural identity by using properly its natural motives and objects.

• Journal of Science and Technology Studies
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• v.4 no.2 s.8
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• pp.67-101
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• 2004

Although the study of citation patterns is an important theme within the sociology of science, due to the fact that it is intimately related to the production, reproduction, and evaluation of knowledge, only sustained theoretical research outlining the differences of citation patterns between the hard and soft sciences has been conducted, and empirical studies nevertheless remain few and far between. The perspectives of institutionalism and constructivism have to attempted to explain different citation patterns between the hard and soft sciences as a contrast between 'what one says' and 'who one is'. Therefore, against this background this study examines the 'theoretical' controversy empirically by comparing the contrasting citation patterns of physics, as a representative of hard science, and sociology, as a representative of soft science. The results, in brief, are as follows: the citaton patterns in physics, as in sociology, vary according to the author's status within the hierarchical employment structure, i. e. whether s/he is a full-time lecturer or not, but diversity of citation patterns according to Ph. D. diploma area is unique to sociology. These results would suggest that the explanation of constructivism is more relevant in explaining variance according to the author's status in the employment hierarchy, but the approach of institutionalism is more appropriate to understanding variance due to Ph. D. diploma area. Furthermore, this implies the complex diversity of the citation patterns between the hard and soft sciences, pointing us to the more qualified conclusion that rather than having to choose between institutionalism and constructivism according to a mutually exclusive either/or logic, these two approaches can in fact be mutually complementary, and these approaches should also be applied piecemeal to different levels of phenomena. In conclusion, this comparative research enables us to assert the following two claims: firstly that physics, as a 'science in society', produces knowledge dependent on social context, and secondly that it also possesses a characteristic that transcends locality from the view of a sociology of knowledge.

• Korean Institute of Interior Design Journal
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• no.17
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• pp.216-222
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• 1998

With the continued integration through scientification and the progress I the technology of construction around the world Korea's inability to stay within the mainstream of the movement has put it in danger of losing it's very identity. As such Korean cityscapes are filled with overwhelming prevalence of buildings and constructs void of national identity but rather reflective of unconditional application of the western standards of architecture which has so far been the compass of the movement. Accordingly the purpose of this research is the understanding of the current world view concerning of architecture the critical regionalism through the examination of the background of theory which reflect the architectural Kenneth Prampton and also through Ricardo Legorrata Charles Correa Antoine Predock's analysis. Furthermore this research hopes to explore and offer a methodology through which a unique Korean identity can be established in Korea's Modern architecture.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2006.11a
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• pp.39-43
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• 2006

In recent years, local governments are interested in constructing museums of various scales in relationship to unique factors of each region regarding their positive effects on tourist industry. However, many museums have failed to reflect regional characteristics resulting uniformed, uninteresting museum architectures. This study analyzes museum architectures designed by Ando Dadao, Antoine Predock's, Charles Correa, Carlo Scarpa, and Ricardo Legorrata based on 7 criterias of Kenneth Prampton's critical regionalism theory which are natural environment, materials, light, weather, unique culture, and history. It Is hoped that this study may serve as a stopping stone towards designing museums that reflect distinctive regional identities of Korea.

• Korean Institute of Interior Design Journal
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• v.13 no.6
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• pp.20-28
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• 2004

The purpose of this research is to understand and explore the view of the current architectural and interior design approach through Critical Regionalism created as one of the movements opposed to Contemporary. Critical Regionalism as a critical view about the contemporary architecture is based on integrated critical thinking toward a built environment surrounded by regional facts such as natural environment, materials, light, weather, unique culture where exist the specific places. The architectural themes of Critical Regionalism based on Kenneth Frampton's view and interpretation about contemporary architecture can be understood as follows; the concept of the place, tectonics, expression by abstraction and phenomenologlcal interpretation. Critical Regionalism has two distinctive features, which are the connection to the Contemporary and critical aspects to develop processes of an architectural design.

• Journal of the Korean Institute of Rural Architecture
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• v.6 no.2
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• pp.21-30
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• 2004

The purpose of this study is to consider critically the conceptural meaning and the arch itectural planning-techniques of environment-friendly architecture in Korean contemporary architecture. The related conceptual meaning and design-techniques on environment-friendly architecture are proposed by considering items in relation with adapting to natural environment, human life, historical imagination. These items are adapting technical methods to architectural design in a narrow sense. We have to reconsider its wide application. Through this consideration, this study is proposed a right direction of environment-friendly architecture in the future.

• Journal of the Korean Institute of Rural Architecture
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• v.18 no.2
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• pp.1-9
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• 2016

Vernacular perspectives had been ignored in the movement of modern architecture. This study's purpose was to review vernacular perspectives and to identify vernacular characteristics of earth architecture. Six representative contemporary earth architects were selected, and then their works were analyzed. Themes of vernacular architecture based of Frampton's critical regionalism were emerged. Findings were as following: 1) constructed by considering the local climate and the region's natural characteristics, 2) constructed with local materials seeking integration of structure and finishing work, 3) having tectonic form included regional characteristics, 4) creating space of various senses and expression of texture through earth modeling, 5) presenting homogeneity of sense of place between site and architecture, and 6) pursuing ecological and sustainable architecture. These characteristics of contemporary earth architecture reflect the vernacular architecture inherited continually in architectural history. Therefore, contemporary earth architecture has been in line with contemporary architecture aiming for sustainability.