• 프린팅코리아
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• s.15
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• pp.174-177
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• 2003

유비쿼터스(Ubiquitous)는 공간적 진화과정을 그 축으로 하여 물리공간, 전자공간, 그리고 궁극적으로 유비쿼터스 공간인 이른바 '제3공간'을 창출한다. 물리공간의 비효율성과 전자공간의 불안정성을 극복한 제3공간은 언제, 어디서나 도처에 존재하는 유비쿼터스 네트워크(broadband network + mobile network + wireless network)와 센서(sensor), 칩(chip) 등과 같이 아주 작은 컴퓨터가 내재되어 있는 사물들(things)의 연결과 통합으로 구성된다.

• Proceedings of the Korean System Dynamics Society
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• 2002.08a
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• pp.69-78
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• 2002

물리공간을 제1공간, 전자공간을 제2공간이라고 한다면 이들의 결합을 통하여 새로이 등장할 공간은 3의 공간이다. 대형 컴퓨터 시대에는 컴퓨터가 희소 자원이었고 (1대 컴퓨터 - 다 사용자), 개인용 컴퓨터(PC) 시대에는 (1대 컴퓨터 - 1 사용자)였으며, 유비쿼터스 컴퓨팅의 시대에는 (다 컴퓨터 - 1 사용자) 시대가 된다. 사용자와 컴퓨터 그리고 통신기기간에 존재하는 희소성의 역전은 이미 가시화되고 있다. 더 이상 컴퓨터와 통신기기는 희소자원이 아니다. 오히려 사용자가 희소해 진다. 지천으로 잘린 컴퓨터들은 사용자가 자신을 이용해 주기를 조용히 기다린다(중략)

• The Journal of the Korea Contents Association
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• v.6 no.8
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• pp.114-123
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• 2006

The practical value of the third place using ubiquitous digital technology has been increasing rapidly, therefore it is inevitable to educate students of spatial design in the interdisciplinary education system based on the unified technology of digital in order to cultivate leading designers to adapt new era of spatial design. After a research for the unified form of spatial planning and case studies of foreign educations, this study addresses the issues to classify the interdisciplinary teaching form into three educational categories digital interactive education, digital unified education and digital creative education. Finally, the study proposes the basic form of the ideal and futuristic education of spatial design with the distinguished results after conducting the model curriculum by the above categories.

• The Journal of the Korea Contents Association
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• v.20 no.8
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• pp.499-512
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• 2020

The development of the economy and network environment has a great impact on physical stores, and physical bookstores are gradually upgrading and transforming with the pace of the times. This study takes the modern bookstore under the concept of the third space as the research object. The purpose of it is to understand the needs of consumers for the space of the modern bookstores, explore the characteristics and development direction of them, which provides theoretical guidance for the follow-up development of the modern bookstore. Based on the concept of the third space and the theory of lifestyle shops and reorganizing theoretical investigation and prior research, the researcher extracts the characteristic elements of modern bookstores in line with the concept of the third space. Moreover, the research analyzes five bookstores opened in large-scale commercial facilities after 2010 as research cases. Through the analysis of the results, it shows that the modern bookstore is a multi-functional and compounded space which is gradually transformed from a single bookseller to a seller of selling lifestyle proposal. And through the analysis of big data to predict the changes in market consumption, we can find out the different needs of consumers, so as to carry out the targeted design of bookstore space and then improve the value of it. In the context of the co-development of economy and culture, the transformation of modern bookstores actually conforms to the change of consumer demand and realizes a virtuous circle.

• Journal of the Korean Geographical Society
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• v.44 no.3
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• pp.301-322
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• 2009

This paper is an attempt to explore semiotic representations of subway space as the urban machine space of local mobility in terms of space, time and place. For this, the second section of the paper reviews the contours of the urban space of mobility in terms of 'machine space', 'non-place' and 'cognitive map'. The third section interprets the sings of 'spatial' and 'temporal' representations of subway space in Daegu, and suggests the implications of the semiotic representations. It is uncovered that various sign-scapes which coexist in the subway space in coordinated or contradictory ways product the space into multiple and complex techno-social spaces. That is, the spatio-temporal representations of the subway space form the space of 'non-place' on the one hand and the space of 'place' on the other hand, and involve the spatialization of 'memory' on the one hand and the spatialization of 'forgetting' on the other hand. Thus, the subway space should be regarded to be not only the space of 'mobility' which people move in and through, but also the space of 'identity' which has effects on the ways for them to see the machine space and its urban space.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.15 no.5
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• pp.3220-3230
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• 2014

This paper analyzes the house designs of Kazuyo Sejima and Ryue Nishizawa from the 1900s to the early 2000s' works. By analyzing the degree of space integration of each house using the Convex Map of the Space Syntax Theory, this study arrived at the following conclusions in the respects of private space and public space. First, from period 1 (the 1990s) to period 2 (the first half of the 2000s), the differences between average integration values of private space and public space in their works have decreased. Over time, in general, average integration values of private space have increased, and, on the other hand, those of public space have decreased, leading to smaller differences between two sets of values, which means that, as the integration degrees of private and public spaces have become similar, the boundary which divides spaces becomes blurry. Second, in terms of private space, average integration values of private space in S-3 (House in a Plum Grove) and S-4 (House in China), works of period 2, are the highest among those values of their all 10 works. We can identify that, closure degrees of private space in their works have fallen over time. Third, in terms of public space, average integration values of I-2 (Villa in the Forest), I-5 (S-House), and I-6 (Weekend House), works of period 1, are the highest among those values of their all 10 works. Public space has become more central and open from period 1 to period 2.

• 정보화사회
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• s.135
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• pp.4-9
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• 2000

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2001.11a
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• pp.64-68
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• 2001

본 연구에서는 (1) 인테리어에 대한 감성어휘모형을 도출하고, (2) 거실 인테리어의 주요 배색을 추출한 후, (3) 거실 공간의 배색 감성모형을 개발하였으며, (4) 연구결과를 토대로 거실 인테리어 디자인을 위한 배색기법을 제시하였다. 이를 위하여 인테리어를 기술하는 감성어휘를 수집하고 이들로부터 대표적 감성어휘를 추출, 감성어휘척도를 구성하였다. 감성조사분석을 통해 '따뜻하다-차갑다'(제 1차원), '고급스럽다-소박하다(제 2차원)', '현대적이다-고전적이다'(제3차원)의 세 차원축이 도출되었고, 이렇게 도출된 감성공간 상에 감성어휘들을 대응시키고, 9개의 감성 범주로 구분함으로써 감성어휘모형을 개발하였다. 한편, 거실 인테리어의 주요 배색을 추출하여 배색자극물을 개발하고, 감성어휘모형과의 관계분석을 통해 거실 공간의 배색 감성모형을 개발하였다. 최종적으로, 배색 감성모형에서 도출된 9개의 감성범주와 그에 대응하는 배색을 기반으로 하여 거실용 인테리어 디자인의 핵심이미지에 따른 배색지침을 제시하였다.

• Journal of Information Management
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• v.16 no.4
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• pp.96-116
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• 1983

여타 다른 학문분야에서 주장되지 않는 정보과학(情報科學)에 대한 정립(定立)은 Kari Popper의 제 3 세계 - 객관적(客觀的) 지식(知識)의 세계(世界) - 고도(高度)의 자율성(自律性)을 인정함으로써 발견 될 수 있다는 것을 우선적으로 논의하게 된다. 따라서 정보과학의 임무란 객관적(客觀的) 지식(知識)의 세계(世界)를 탐구(探究)하는 것으로 정의(定議)를 내릴 수 있으며, 또한 도큐멘테이션과 도서관학의 영역을 확대시키는 것도 되지만, 양자(兩者)는 분명히 구별되어야 한다. Popper 식(式)의 존재론은 정보(情報) 개념(槪念) 및 주관적(主觀的) 객관적(客觀的) 지식(知識)들과의 관계가 확대되어 수용되어져야 한다. 그리하여 Popper의 세가지 세계의 공간영역들은 고찰(考察)의 대상이 된다. 인식과 물리적인 공간은 동일(同一)하지 않으며, 이러한 동일성(同一性)의 결여가 정보현상에 대한 적절한 정량화(定量化)를 저지시키는 문제를 발생케하는 요인이 된다고 주장하고 있다.

• Archives of design research
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• no.18
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• pp.15-23
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• 1996

Interior is composed of void spaces decided by many substances and the function of the spaces which creat its valuation. Accordingly interior space makes peculiar forms by synthesizing each interior elements and its abstractness. Therefore characteristic of the expressed word and symbolic system become interior wholeness. The focus of this paper is to analyze interior words and the symbolic systems scientifically. The content is composed of 5 major parts. The 1st and 2nd chapter deal with Introduction and the Characterization of Interior Design. Linguistic symbol and metaphor which decide Post-Modern interior style were studied in the 3rd chapter. In the 4th chapter. this paper analysed linguistic character of interior words which need to express character of tradition. decoration, and publicity, expccially through code and metaphor. Finally Thematic I-louse library interior space designed by Charles Jencks was linguistically researched as a study model.