• Journal of Korea Multimedia Society
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• v.15 no.2
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• pp.179-194
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• 2012

Digital image forgery is becoming a topic of great interest with regard to honesty in imaging. We can often see forged digital images in a variety of places, such as the internet, and magazines, and in images used in political ads, etc. These can reduce the reliability and factual basis of the information contained in image. Therefore, objectivity is needed to determine if the image is forged so as to prevent confusion in the viewing public. Most digital forgeries consist of image resizing, rotating including the following interpolations. To find evidence of interpolation in forged images, this paper proposes a new method for detecting digital image forgery using general interpolation factors analyzed through re-interpolation algorithm of the forged images in order to determine the differences in the patterns. Through the re-interpolation algorithm we could detect the forged region and filtering region used image retouching included to interpolation.

• Proceedings of the Korea Information Processing Society Conference
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• 2020.05a
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• pp.446-450
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• 2020

딥러닝 기반의 영상 분석 방법들은 많은 양의 학습 데이터가 필요하며, 학습 데이터 구축에는 많은 시간과 노력이 소요된다. 특히 객체 검출 분야의 경우 영상 내 객체의 위치, 크기, 범주 등의 정보가 모두 필요하여 학습 데이터 구축에 더 많은 어려움이 있으며, 이를 해결하기 위해 최근 이미지 합성기반 데이터 증강에 관한 연구가 활발히 진행되고 있다. 이미지 합성기반 데이터 증강 방법은 배경 영상에 객체를 합성할 때 객체와 배경 영상이 접한 영역에서 아티팩트(Artifact)가 발생하며, 이는 객체 검출 모델이 아티팩트를 객체의 특징으로 모델링하여 검출 성능이 저하되는 원인이 된다. 이러한 문제를 해결하기 위하여 본 논문에서는 양방향 필터 기반의 이미지 합성 방법을 제안하고, 단일 단계 검출의 대표적인 방법인 RetinaNet을 이용하여 이미지 합성기반 데이터 증강 방법의 성능을 분석하였다. 공개 데이터셋에 대한 실험 결과 본 논문에서 사용한 단일 검출 방법 및 데이터 증강 기법을 사용하면 더 적은 양의 증강 데이터로 기존 방법과 동일한 성능을 보여주는 것을 확인하였다.

• Korean journal of communication and information
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• v.48
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• pp.109-134
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• 2009

This study explores the political parody, which has become an active art form in order to express Korean Internet users' political practices, especially, during the politically turbulent periods from the presidential election of 2003 to the recent candlelight vigil protest of 2008. This study investigates the rise and fall of a parody culture by online users from the mid-2000s, and also examines aesthetical aspects of parodic artworks relying on amateurism culminated in 2004. Specifically, the current study questions an aesthetical lack shown in 'appropriation', by which most of the online users simply produce imitations of original image. This study rather notes 'photomontage' as an aesthetic prototype, the political aesthetics made by John Heartfield, through which this study intends to observe how his aesthetical legacy of political art could be realized in the contemporary form of political parodies produced by online users. The present paper concludes that online users' political participations in producing critical works of art could allow us to negate the dichotomy between the elite and the mass, professional artists and amateur parodists, and a radical politics and the politics of style.

• The Journal of the Korea Contents Association
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• v.18 no.11
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• pp.47-54
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• 2018

The purpose of this study is to explore a difference in crisis between media and parties. This research examined political crisis situation, crisis response, and media coverage using a case. Two main political parties in Korean faced the illegal fund raising case during the 16th presidential election. They used types of crisis response strategies for restoring or maintaining their reputation. This study found that a party's crisis response was consistent with news media, but another party's message was significantly different from news media. Such match or mismatch between a party and news media will influence on public evaluation toward a crisis response. This study has meaningful contribution in that the difference between an organizational crisis response message and news media coverage is significant.

• International Commerce and Information Review
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• v.14 no.1
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• pp.23-46
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• 2012

The purpose of this study to measure the re-purchase intentions and country-of-origin effect in the Vietnam's image. This study was used to analysis the questionnaire date as SPSS ver. 12.0 statistical package. The major result of article can be summarized as follows. The factors of this study have been divided into 'political image', 'social image', 'cultural imge', 'economical image', and 'international image'. In the empirical result of the article, the country-of-origin effect for the Vietnam's country image would be shown in the results as the fellow. The first, 'cultural image', 'economical image', 'international image' are significantly positive country-of-origin effect. The second, 'political image', 'social image' are not as significantly positive statistically speaking. Also, country-of-origin effect show significantly positive re-purchase intention.

• The Journal of the Korea Contents Association
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• v.12 no.8
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• pp.157-166
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• 2012

At the recent 19th General Election, Korean papers waged a surrogate war for the parties they share ideology with. All the conventional practices remained the same - the horse race-like presentations, furthering of confrontations, disregarding policy issues, allocating larger space for commentaries and negative issues, and etc. On top of these, papers began to focus on generational conflicts and individuals at the center of widespread attention and controversies, as a new trend. Photo images are largely used in the commentaries and articles dealing with confrontational or controversial situations. Of course, while the visual images seem to reinforce the emotional appeal of the messages papers try to get across, the potential problems need be noticed that could rise when irrelevant images are used.

• Proceedings of the Korea Information Processing Society Conference
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• 2011.11a
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• pp.1191-1194
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• 2011

스타의 대중에 대한 인기가 브랜드의 이미지 제고와 상업적 영향을 끄는 마케팅 전략을 스타 마케팅이라고 한다. 오늘날의 스타는 방송, 연예활동뿐만 아니라 스포츠, 정치활동, 사회기여활동 등 다양한 분야에서 활약하며 스타의 이미지는 그 활약상에 영향을 받는다. 스타의 이미지는 브랜드 및 기업의 이미지로 직결되므로 그에 대한 사전분석은 마케팅에서 중요한 요소이다. 그래서 일반적으로 스타들이 활약하는 도메인을 분류하여서 그 스타에 대해서 검색을 하였을 때 어떤 분야에서 활약하고 기여를 하는지 그 기여도를 도메인에 따라 랭킹을 매기는 방법을 제안한다. 뉴스기사에서 텍스트 마이닝 기술을 이용하여 스타의 이름과 활동 도메인들에 대해서 관련단어를 빈도에 따라 추출한다. 그리고 관련된 단어들을 이용하여 스타에 대한 뉴스 중 각 도메인과 관련된 기사들을 카운트하며 도메인에 대해서 긍정 혹은 부정적인 보도내용일 경우에는 극성을 부여하여 그 가중치를 달리한다. 빈도 및 극성을 고려한 점수화에 의해 스타가 기여하는 분야에 대한 순위를 매긴다.

• Journal of Science and Technology Studies
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• v.14 no.2
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• pp.199-222
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• 2014

Functional Magnetic Resonance Angiography (fMRA) was a technoscientific innovation that allows scientists to directly view the changes made in the blood vessels of a brain. fMRA was first developed at Neuroscience Research Institute (NRI) in Korea. fMRA mainly utilizes 7 Tesla MRI technology, and NRI is equipped with the instrument. First article on fMRA was published in 2008, and two more papers in 2010 and 2012 consecutively had been published on the newly developed technique. However, fMRA is a competitive technology with existing fMRI. Both techniques capture microvascular changes in a brain, and by doing it, both techniques visualize the cognitive and affective changes. fMRI technology was introduced by Seiji Ogawa in the early 1990's and has been widely used since then. In contrast, fMRA was a newer technology and rather unknown. Developers of fMRA in NRI used series of signifiant-politics in order to make it better known to scientific community as well as public. By resetting the boundaries of existing concept of fMRI, they tried to lower the threshold of a new concept/technique. This case study shows how technoscientists use semiotic strategies governing new technology.

• The Journal of the Korea Contents Association
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• v.19 no.5
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• pp.163-177
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• 2019

This study is concerned with "fiction" as a new form of writing over the limits of the post-modernist theater/arts. Fiction is not something illusory that demands the audience's empathy but something that unveils form's disinterest in content. Thus, in this paper, I examine a fiction as the opposition of any representational norm and words' old mimesis. Rebutting the crisis of post-modern art and the end of images, philosopher Jacque $Ranci{\grave{e}}re$ mentions the possibility of appropriating similarity in an imitative way by twisting Platonic mimesis. The image of this similarity wanders alongside the loss of signification, unmasking the form's indifference to content. These wandering words represent their own truth "in a way fossils or grooved stones encapsulate histories" as hieroglyphics. This "fiction" as an alternative of post-modernist plays is not any confrontation of reality but the "movement of thinking" that allows the human spirit to play in a way of shaping "some substantiality." In this sense, I examines works by two French writers, $Jo{\ddot{e}}l$ Pommerat (1963~) and Jean-Claude Grumberg (1939~ ) who have carried out their writing practices of appropriating similarity that dissolves any simple "immediate reflection" for non-intermediate relations between the producing and the produced. Their writing is a cross of literary creation and "le politique" as a new aesthetic practice of writing and reveals the movement of thinking, departing from the preexisting concept of fiction.

• Journal of the Korean Geographical Society
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• v.50 no.5
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• pp.557-569
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• 2015

This study aims to illustrate the national images of United Kingdom, France, and Germany based on the descriptions in the Korean middle school Social Studies textbooks in comparative perspective. In order to identify and compare the national images of the three countries, the author uses a framework for analysis consisting cognitive, normative, and relational factors. The main findings are as follows. First, the most frequently shown topics and issues are democratic institutions in the case of United Kingdom, respect for human rights in the case of France, and sustainable environment in the case of Germany. Second, for all the three countries, the most frequent factor among the three is cognitive one, followed by normative and then relational factors. Third, United Kingdom is described as a country of social unrest and conflict as well as a democratic country with long history and tradition. Fourth, France is described as a country of respect/abuse of human rights, potential for high tech industry, and largest agricultural state in Europe. Fifth, Germany is described more as a country of a leading country for global environmental protection than as a country with electronic and information technology.