• Title/Summary/Keyword: 전통 건축

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Composition Principle of Seo-Won Architecture from the View of Its Disposition and Korean Traditional Thought (전통사상(專統思想)과 서원건축배치(書院建築配置)의 구성(構成) 원리(原理))

  • Park, Jeomg-Hae;Han, Dong-Soo
    • Journal of the Korean Institute of Educational Facilities
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    • v.18 no.6
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    • pp.33-43
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    • 2011
  • The Korean academics of classical learning, Seowon which from the middle of Joseon Dynasty was complexly reflected in "the illustration of Taiji(太極圖說)" Five-Elements school(陰陽五行說), "Zhou Yi(周易)" and a theory on spherical heaven and square ground(天圓地方) which based on orientalism. Also the theory of Xiangshu Xue(象數學) was a significant factor to decide the size(number of facade module) of Seowon architecture. So, in this study, how the oriental thought was adopted and reflected in existing 21 Seowon in South Korea. The size of Seowon architecture was adopted a theory of combination with heaven, earth and human(天地人三合論) that based on the theory of Xiangshu Xue on "the illustration of Taiji" and "Zhou Yi". "Zhou Yi" was the central thought of Confucian culture in Joseon Dynasty, with which Seowon space was divided into two, ancestral rites space and lecture space. It coincides with balance of yin(陰) and yang(陽), Five-Elements(五行) and four seasons(四季節). In lecture space, lecture hall is relevant with the water(水) and winter, and front tower structure or outer three-door is the fire(火) and summer. Also, central garden means the soil(土) and center. Thus, the size and spatial composition was planned with the philosophy, "the illustration of Taiji", Five-Elements school and a theory on spherical heaven and square ground. Yin and yang has an idea of the heaven and earth, and Five-Elements has an idea of direction and season with which spatial composition of Seowon could be set. And the numeral meaning on the theory of Xiangshu Xue established an ideal background for spatial composition of Seowon architecture.

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Influence of Mechanical Properties of Painting Layers and Priming Methods to Weathering Resistance of Danchung (도막의 기계적 성질과 포수방법이 단청의 내후성에 미치는 영향)

  • Oh, Joon suk;Kawanobe, Wataru
    • Journal of Conservation Science
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    • v.17 s.17
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    • pp.19-32
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    • 2005
  • The exterior of Korean traditional wooden buildings have been painted with Danchung of painting method using glue and pigments. However because of losing traditional techniques and materials through the period of colonization and industrialization, many problems are occurring today. Especially after several years from painting, occurrence of scalings and flakings in painting layer is a serious problem. To improve weathering resistance of painting layer caused by stress from the difference of swelling and shrinkage between painting layer and wood plate, was examined by weathering tests. The stress is due to the hydrophilic property of wood, mechanical properties(tensile property and stress relaxation) of painting layer, and priming methods by various binders such as glue, acrylic emulsion(Primal AC-3444), acrylic resin(Paraloid B-72). Because stress relaxation of acrylic emulsion of which glasf transition temperature is below room temperature$(7^{\circ}C)$ is high, painting layers with acrylic emulsion generate no scalings and flakings and are in the most durable state in all weathering tests. Priming method which starts from low concentration to high concentration, is more effective to improve durability than other priming methods.

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Decorative Bricks and Roof Tiles used in Walls and Chimneys in the Chosun Dynasty -focusing on the Design Characteristics (조선조 담${\cdor}$굴뚝에 나타나는 전${\cdor}$와편 장식문양의 유형 -조형 특성을 중심으로)

  • ;Kudo Takashi
    • Archives of design research
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    • v.14 no.4
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    • pp.87-98
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    • 2001
  • In the Chosun Dynasty (1392-1910), the walls and chimneys of palaces, temples, and the houses of the upper-class show various characteristics of decorative design patterns. This study investigated ceramic bricks and roof tiles, which is one aspect of environmental design studies. This study aimed to provide a typology ot traditional Korean design of bricks and roof tiles used in walls and chimneys, and to show the design characteristics. This study collected 685 designs of bricks and roof tiles, and divided them into 18 categories and 5 types of design patterns based on object figures, architectural styles, materials, and decorative methods. In conclusion, there were differences and similarities among the design patterns. In general, the palaces mostly used red, gray, and black bricks that had more detailed designs presenting auspicious signs or exorcism. But, temples and the houses usually used (black) roof tiles horizontally configured with the edges overlapping to decorate as wall as to strengthen their structure.

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Design of Nationalism and 'Koreanness' in the Authoritarian Regime of South Korea (독재정권기의 민족주의와 디자인에서의 '한국성')

  • Kim, Jong-Kyun
    • Archives of design research
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    • v.19 no.5 s.67
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    • pp.139-150
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    • 2006
  • Over the past half the 20th century, Korea has been through the period of three dictatorial regimes. In each regime the orthodox problem was raised due to its undemocratic ruling. Nationalism in particular was perverted by the authoritarian regimes' exploitation of it as a form of cultural policy to control their people effectively. To emphasize it's ideology the government sought, selected and devised cultural heritage and defined it as the 'Korean cultural identity' or 'Koreaness'. Artists have produced works in the 'Korean style' focused on 'Koreaness' which had been prescribed by the government. These works were sewed as a propaganda and contributed to the reproduction of ideology. In addition to the 'Korean-style design' formed in this period, this case includes a wide range of environmental design, public construction, graphic design, public design, films, etc. The Korean-style design has been developed in accordance with each government's cultural policy with a little difference in content and form.

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A Study on the Japanese Traditional Borrowed Landscape in Architecture of Ando Tadao -Focusing on his concept by 'polymerization of abstraction and representation'- (안도다다오 건축에 표현된 일본전통 차경기법에 관한 연구 -그의 '추상과 구상의 중합'에 의한 개념을 중심으로-)

  • Han, Myoung-Sik
    • Korean Institute of Interior Design Journal
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    • v.17 no.1
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    • pp.30-38
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    • 2008
  • Borrowed landscape is an Oriental gardening method to draw inside external natural landscape, and borrowed landscape of Japan has a different characteristic from that of Korea or China nature is manipulated and re-interpreted by human will in the course of applying it to architectural space. In other words, not the original scenery, but manipulated one appears which is cut, reduced, or deleted by architectural elements such as wall, window, or fence. Therefore, this study examined how architectural structure of Ando Tadao symbolizing modernist architecture understood and adopted Japanese traditional views on nature, that is, borrowed landscape. To this end, on the basis of the understanding on 'polymerization of abstraction and form' he mentioned, his geometric architectural principles are discussed, since this serves to be an important beginning of architectural concretization by the concept of 'form' experienced and perceived by human being through geometric means called architecture 'abstraction.' The findings of this study are as follows: first, it was found that Ando Tadao generates borrowed landscape effects by polymerizing and manipulating his simple and geometric structures with each other and thereby editing natural scenery, while Japanese traditional borrowed landscape introduces source scenery inside, through condensation and symbolization. Second, the results of this study revealed that his architecture functions to transcend external and internal realm of a space, which is also observed in Japanese traditional architectural borrowed landscape. Therefore, this study is considered significant in the sense that it proved that Ando Tadao's architectural language is based on borrowed landscape as a specific Japanese traditional element, going beyond the scope of previous studies focusing simply on the introduction of natural elements.

A Comparative Study on the Centrality Measures for Analyzing Research Collaboration Networks (공동연구 네트워크 분석을 위한 중심성 지수에 대한 비교 연구)

  • Lee, Jae Yun
    • Journal of the Korean Society for information Management
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    • v.31 no.3
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    • pp.153-179
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    • 2014
  • This study explores the characteristics of centrality measures for analyzing researchers' impact and structural positions in research collaboration networks. We investigate four binary network centrality measures (degree centrality, closeness centrality, betweenness centrality, and PageRank), and seven existing weighted network centrality measures (triangle betweenness centrality, mean association, weighted PageRank, collaboration h-index, collaboration hs-index, complex degree centrality, and c-index) for research collaboration networks. And we propose SSR, which is a new weighted centrality measure for collaboration networks. Using research collaboration data from three different research domains including architecture, library and information science, and marketing, the above twelve centrality measures are calculated and compared each other. Results indicate that the weighted network centrality measures are needed to consider collaboration strength as well as collaboration range in research collaboration networks. We also recommend that when considering both collaboration strength and range, it is appropriate to apply triangle betweenness centrality and SSR to investigate global centrality and local centrality in collaboration networks.

A Study on Ocean Cultural Space developed on the Jejudo Manned Lighthouse (제주도 유인등대를 활용한 해양문화공간에 관한 연구)

  • Ahn, Woong-Hee;Kim, Hyoung-Jun;Han, Chang-Soo
    • Proceedings of the Korean Institute of Navigation and Port Research Conference
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    • v.29 no.1
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    • pp.21-29
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    • 2005
  • The year 2003 is the centennial of the birth of the modern lighthouse in Korea. The lighthouse was originally surrounded by a beautiful nature and it contains the romantic sensitivity which relates with the ocean. And in some case it is a environment-friendly architectural facility which uses a alternative energy like a solar cell. Now the properly developed manned lighthouse is not only functioning as a traditional aids to navigation for the vessel, but also it becomes the new facility and space for all civilians who might visit and experience. Jeju regional maritime affairs & fisheries office has developed the manned lighthouses properly to ocean cultural space for the past several years. As a result of that, the recognition regarded on ocean culture was raised and the regional tourism was vitalized. For this situation we intended to reveal in this study that all the issues which relate to the proper use of the manned lighthouse in the Jejudo, since the project of water-familiar space started by MOMAF.

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Applicability Study on Reticulitermes speratus kyushuensis (Isoptera: Rhinotermitidae) Colony Eliminator to Preserve Wooden Cultural Heritage (일본흰개미 아종 모니터링 및 군체제거를 위한 예찰제어기 개발 연구)

  • Chung, Yong Jae;Kim, Si Hyun;Kim, Youn Ju;Yu, Jae Seung
    • Journal of the Korean Wood Science and Technology
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    • v.43 no.6
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    • pp.818-825
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    • 2015
  • This study is conducted to develop new termite colony elimination system that can control termite colony much faster, and to eco-environmentally prevent termite damage occurred in wooden cultural heritage. As a result of laboratory test, we developed a component system, of which fipronil 0.001% (w/w) treated bait was used as a suitable termite colony eliminator. This system can be monitored without taking off underground, and it makes regular monitoring much more efficient. The result of field test showed that 36 termite baiting devices among 367 installed devices were damaged by foraging termites. After baiting, all of termite colonies attracted to devices were eliminated or their activity clearly decreased.

A Study on the Hierarchical Organization of the Exterior Space in the Multi-Family Housing Complexes in the Urban Area - By Analysing the Exterior Space in Korean Traditional Architecture - (도시 집합주거의 외부공간의 위계적인 구성방식에 관한 연구 - 한국 전통건축의 공간구성기법을 응용하여 -)

  • Park, Chang-Geun
    • Journal of Industrial Technology
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    • v.26 no.A
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    • pp.29-38
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    • 2006
  • Efficiency and universality which was the spirit of the modern age, had also an enfluence on our living environment. Various types of individual housing unit were developed and mass-produced. However, the exterior space in our city is a place for our social life and intermediate place to connect the private life of each individual to our society. For the people to adapt themselves well to their environment, it should be well organized which means it is clearly divided and integrated in a hierarchical order. To realize these conditions, adequate boundaries to divide each territory and entrances to connect each territory are two essential elements. One of the possible methods to realize these conditions can be found in korean traditional architecture where the exterior space has the same figural quality like buildings and is the center of the whole composition. Buildings, walls and colonnades are the elements to define space. Gates, pavilions, gabs between buildings and posts are the elements to symbolize the entrance connecting each space. Each exterior space is integrated to a whole composition. One is the gradual differentiation along the axis which is unique in korean traditional architecture. The other is the rectangular connection which is also found in the other area in the world. The results of this thesis are as follows. The exterior space in the housing area should have the figural quality. The elements to make boundaries defining exterior space are classified into horizontal elements such as low buildings and walls, and vertical elements such as tower-shape buildings which define space in a different way. The position of openings in a housing block affects the characteristic and openness of a exterior space. Various types of gates are used to decide the relationship between spaces.

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21세기 유럽 해항도시의 롤 모델로서의 하펜시티 함부르크

  • Jeong, Jin-Seong;Jo, Hyeon-Cheon
    • Proceedings of the Korean Institute of Navigation and Port Research Conference
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    • 2011.06a
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    • pp.376-378
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    • 2011
  • Hamburg is going with the HafenCity Project to create new urban space for city's bustling central district. HafenCity will add an additional 155 hectares to Hamburg's central urban area, increasing its total area by some 40 percent. The new developments in HafenCity will be oriented towards the River Elbe and the great seaport. Its centre will have a close relation to water. They will be used for the construction of a fascinating mix of residential accommodation, offices, cultural and leisure amenities, retail facilities and restaurants set in a framework of an elaborate urban layout. This study is focusing on the purpose of the project goals, the task of the Hamburg authorities and GHS (Gesells chaft f$\ddot{u}$r Hafen und Standortentwicklung) and an urban planning ideas competition (draft masterplan). Regarding of the new trend of the reurbanisation in Europe, the aim of this study will be to find out, in which way Hafencity is trying to develope the new city district as a model for the European inner city of the 21st century.

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