• 한국실내디자인학회논문집
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• 제17호
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• pp.45-51
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• 1998

A purpose of this study was to investigate actual condition of the modern adaptation of interior elements(wall, floor, ceiling. door & window) in traditional house. The examined objects were 185 pictures of restaurants and cafe interior spaces from the 5 different monthly magazines between jan. 1993. to Dec 1997. The results of this study were as follows : 1. Mostly they were either partial adaptation from the original or partially transformed adaptation rather than entire adaptation of the original. 2. Of the traditional interior elements adapted in restaurants and cafe space only specific elements were being adapted. For example partial adaptation from the original were oiled paper flooring(Jangpan) plaster wall ceiling finish that left the rafters and beams exposed(Yondung-chonjang) and window or door frame which is vertical lattices accented with horizontal lattices grouped into three sections(Ttisal-mum) And partially transformed adaptation were oiled paper flooring rice papered (Hangji) wall Yondung-chonjang window or door frame of Wan character(Wanja-mun). 3, In regard to space the mostly adapted spaces were halls rather than rooms.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 1996년도 디자인 학 연구 제 4회 춘계학술연구발표대회 개요 집
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• pp.29-30
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• 1996

• 한국실내디자인학회논문집
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• 제28호
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• pp.25-32
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• 2001

The purpose of this study is to investigate the types and meanings of the motives shown in the traditional houses. Research methods to achieve this purpose are review of literature, field survey, and contents analysis. Traditional houses were divided into 3 parts such as architectural elements, interior elements and decoration elements, and total of 163 motives were collected out of it. As a result, it was founded that roof of the architectural element, and doors and windows of the interior elements are shown the most of the motives. Motives were divided into two types, realistic motives and imaginative motives, and both types are shown evenly. Meanings of the motives are classified into 'protection', 'good-luck', 'long-life', 'ideology', and 'decoration', and the motives of meaning of good-luck showed the most variety.

• 한국실내디자인학회논문집
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• 제20호
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• pp.10-16
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• 1999

The purpose of this study was the wumul-maru components of Sarang-taechong with themselves in traditional houses. Physical trace method was used for this study. The samples were taken from the Sarang-taechong of 6 traditional Korean houses, Yunkyungdang, the ancient Chusa estate, Sunkyojang, Chunghyodang, Yangjindang, Unjoru. The major findings were summarized as follows; 1) Regarding to the changgui't'ul(long board); the number was from 0(minimum) to 3(maximum), the size was $244.3{\times}4407.1mm$ on average, and the proportion was 1:18.9. 2) Regarding to the tongguit'ul(center board); the number was from 5(minimum) to 18(maximum), the size $188.7{\times}2374mm$ on average, and the proportion was 1:12.9. 3) Regarding to the marunol; the number was from 42(minimum) to 155(maximum), the size was $247{\times}574mm$ on average and the proportion was 1:2.29.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.56-60
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• 2005

Finishing materials and colors which were expressed in the space is an important factor to decide the imagination of the space. Therefore if we analyze and spotlight the space with that factors again, we will readily know the characteristics that are expressed in our living space. A purpose of this study is how the traditionality like national thoughts, customs and behavior patterns is changed, arranged and expressed in the korean housing space in the 21c on the finishing materials and colors. Though this study we can know that the traditionality which are expressed in modern housing spaces shows with accommodating to characteristic that is expressed in traditional housing spaces.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 1999년도 춘계학술발표대회 논문집
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• pp.122-125
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• 1999

The purpose of this study is to dlassify into types of traditionality reflected in modern Korean houses in 1990's designed by architec Modern houses were divided into five types through qualitative analysis. Analysis is categorized into three parts, space-pl structural elements ornamental elements. Characteristics of each type were defined as 'Indicative expression of the traditionalit', 'Decorative expression of the traditionality', 'Eclectic expression of the traditionality', 'Contemporary expression of the traditionalit', 'Abstract expression of the traditionality'. The results showed that 'Contemporary or Abstract expression of traditionality(type IV and V) were major types of modern Korean houses expressed traditionality. This reveals that in order to apply traditionality to the modern houses, simplifed and sbstracted for were preferred comparing with the direct imitation of traditional forms.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.65-70
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• 2005

The human scale of the interior space of a korean traditional residence is normally user-friendly. And this aspect is reinterpreted and implemented in the modern structure. While our conscious awareness has become greatly westernized through the east-west exchanges, the interior of the traditional Korean residence has always reflected the people and their daily lives of the time. In this study, an attempt has been made to identify the aesthetic characteristics of the inner space elements through the analysis of visual perception inside a Korean traditional upper class residence, kangreung Sunkyojang, designated as the 5th Cultural Information Material with regards to the inherent philosophy and human scale that influenced the emotions of the Korean people. The different parts of the interior space of Anchae, and the Symmetrical of Formal, Balance of the walls give a sense of calmness, and the ornaments are used to give gaiety. The ceiling of Yeolwhadang hall give an energetic feeling and pillare are used to enhance spaciousness. In Whalejeong, by making use of similar and continuous lines, the light and darkness was controlled and the link with nature has been emphasized. Different decorations used reflect scholarly spirit.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.200-207
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• 2011

This study aims to understand the unique housing culture and decoration style in traditional Thai houses. Literature review and site visit were applied for the research method. A steep gable roof, a lifted floor structure on the pillars, a semi-enclosed central flatform(charn) and a outdoor staircase are important plastic elements of exterior decoration in Thai traditional houses. 'Panlom(windbreak on gable)' and 'fa loog fak(wall panel)' are the most unique elements which determine Thai traditional style. In Thai traditional style decoration, the beautifully carved wooden panels and decorations are also the most important factors. The decorations can be analyzed in the aspect of following perspectives. ; The characteristics of Thai traditional house decorations have been developed and evolved as result of influences from regional climate and local material. And also the social-cultural factors such as religion, social and family relationship and life style controlled the forms and culture of traditional housing form and culture. As a result, this study summarises and defines the outstanding and unique meaning and definition of the decoration in Thai traditional houses focused on central region in Thailand.

• 가정과삶의질연구
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• 제16권4호
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• pp.167-182
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• 1998

The purpose of this study was to investigate actual condition of the modern adaptation of interior elements (wall floor ceiling door & window) in traditional house. The examined objects were 316 pictures of residential interior spaces from the 5 different monthly magazines between Jan. 1993 to Dec. 1997 The results of this study were as follows; 1. Mostly they were either parital adaptation from the original or partially transformed adaptation rather than entire adaptation of the original 2. Of the traditional interior elements adapted in residential space only specific elements were being adapted. For example. partial adaptation from the original were oiled paper flooring(Jangpan) rice papered wall (Hanji) a ceiling finish that left the rafters and beams exposed (Yondunt-chonjang) and window or door frame which is vertical lattices accented with horizontal lattices grouped into three sections(Ttisal-mun)And partially transformed adaptation were wood flooring(Chang-maru) rice apered wall(Hanji) Yondung-chonjang wind or door frame of Wan character(Wanja-mum) 3. In regard to space the mostly adapted spaces were bedrooms rather than living or dining rooms.

• 디자인학연구
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• 16호
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• pp.101-110
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• 1996

추사고택은 조선조 상류주택의 전형적인 사례로서 실내공간의 구성방법과 요소를 분석해 본 결과 다양한 요인을 배경으로 한 분화과정 속에서 다기능을 수용할 수 있는 융통성을 가진 전형화 된 공간의 특성을 지니게 되었다고 요약할 수 있다. 계단식의 입면을 구성하는 엄격한 계층성에 의한 장소 성을 표현되는 일례가 되며, 마루와 온돌의 높이는 신분상의 위계질서와 음양사상을 나타내고 있다. 입면을 구성하는 목가구식 구조의 노출천장과 창호는 4계절의 기후변화 속에서 에너지를 효율적으로 관리하기에 적합하며, 자연미와 전통적 조형미가 어우러져 한옥 고유 미를 창조하고 있다. 추사고택에서 천장 고와 입면을 구성하는 요소들의 치수를 조사해본 결과, 대청의 입면 적 척도는 각 부재의 치수와 함께 사용자의 인체치수와 관계가 있었다. 평면 구성상의 특징은 규격화이며, 이것은 칸의 개념으로 설명할 수 있다. 기둥 간격 차이는 성별, 인체 치수 차이로 추측할 수 있다. 또한 1칸을 기본 모듈로 하여 규칙적인 공간 단위를 병렬로 증식시켜 확장한 것은 주인의 일상생활이 하인의 도움을 받아 이루어졌기 때문에 동선을 그리 중요하게 여기지 않은 결과이다. 추사고택 안채는 폐쇄적인 ㅁ 자형, 사랑채는 개방적인 ㄱ 자형으로 구성되어있는데, 이는 조선조의 남녀 지위차등과 내외사상, 그리고 자연 환경 적 요인이 복합적으로 주거의 평면 구성에 영향을 미쳤음을 보여주는 것이다. 그러나 본 연구가 조선시대 상류 주택 중 한 사례에 한정되었으므로, 현존하는 많은 사례 조사가 지속적으로 이루어져 본 연구의 미비점이 보완되어 더욱 체계적인 연구가 되어야 할 것으로 사료된다.