• 월간낙농육우
• /
• v.27 no.10 s.306
• /
• pp.175-177
• /
• 2007

2007 대전국제축산박람회가 지난 9월 12-14일까지 3일간 KOTRA 대전무역전시관(KOTREX)에서 성황리에 개최되었다. 총 8개국 221개 축산 관련 업체 701개 부스 규모의 역대 최대 규모로 이루어졌으며, 행사기간 동안 전국에서 13만명이 넘는 참관객(박람회 운영사무국 추산)이 행사장을 찾는 등 국내 최대 축산행사로서의 면모를 과시했다.

• Proceedings of the Korea Society for Industrial Systems Conference
• /
• 1999.05a
• /
• pp.118-134
• /
• 1999

가상 현실 미술관에서 시각적 요소인 해상도는 참여자에게 매우 중요한 인공현실감을 제공하며 실제 세계와의 상호 교류의 차이의 극복 요소로서 매우 중요한 부분으로 볼 수 있다. 이러한 시각적 측면을 중심으로 가상현실 전시관에서 관람객과 전시물 사이의 거리에 따른 감상 위치를 분석하고, avatar의 이동에 따른 원근법을 적용하여 해상도를 동적으로 변화시킨다. 특히, 가상 공간의 이동 예측 및 거리 측정에 따른 해상도의 변화는 현장감 향상에 도움을 준다.

• Digital Contents
• /
• no.9 s.112
• /
• pp.50-51
• /
• 2002

지난 7월 삼성동 코엑스 전시관에서는 '한국컴퓨터/소프트웨어전시회(SEK 2002)'가 개최됐다. SEK은 지난 87년부터 개최돼 매년 평균 18만명 이상의 참관객들이 찾는 국내 최대의 IT전문 전시회로 올해도 약 250개 업체가 참가해 15만명의 참관객들이 다녀갔다. 특히 이번 전시회에는 신기술 및 가까운 미래에 상용화가 가능한 첨단 기술들이 대거 선보여 국내외 참관객들의 호평을 받았고 함께 개최된 윈도우월드전시회(WWW2002)와 코리아네트전시회(KRnet2002)도 성공적으로 진행됐다.

• 발명특허
• /
• v.18 no.4 s.206
• /
• pp.26-28
• /
• 1993

대전엑스포 개최년도인 1993년을 기념하여 93미터 높이로 세워지는 한빛탑은 과거로부터 출발한 과학기술이 현재를 거쳐 미래로 나아가는 발전의 기상과 의지를 담고 있다. 또한 정부관을 비롯한 25개의 국내 전시관에서는 주제별로 다양한 전시가 펼쳐지며 1백개국 이상의 국제기구가 참가하는 국제관에 서로 개성적인 전시가 선보일 것으로 예상된다. 이와 함께 93일의 개최기간 동안 50여종의 문화예술행사가 1천 3백여회에 걸쳐서 화려하고 다채롭게 펼쳐질 전망이다. 대전엑스포에 대한 참가 열기를 더욱 높이기 위해 이번에는 과학기술전시 및 문화 예술행사의 흐름을 살펴본다.

• Korean Institute of Interior Design Journal
• /
• v.21 no.1
• /
• pp.220-227
• /
• 2012

After The Ramsar Convention took place in Korea in 2008, public interest in environment heightened, and the government has been allocating its budget for conserving our environment. Therefore, the present study focuses on eco-friendly spatial images particularly shown in ecological museums in Korea which recognizes the value of the environment and the ecology and tries to both protect them and alert people about it. The purpose of this study is proving what consist of eco-friendly spatial images by analyzing the expressive word of eco-friendly images and the image of space, providing a basic data for future space planning of ecological museums. To do this, the present study proceeds in three steps. First of all, the base of research in analyzing stage is firmly established by grasping general theories and terms regarding spatial image. As a second step, the composition and the characteristics of exhibition is clarified through on-spot investigation to provide comparative data for spatial image assessment in the future. Also through this step, we could understand how the exhibits are designed currently. In the last stage of research, expressive words regarding eco-friendly spatial images are extracted and used to analyze the spatial image of ecological museums. And the following three conclusions is deduced. First, the expressive words of eco-friendly spatial image that are extracted are as following: "healthy", "coexisting", "clean", "blending", "warm", "soft", "lively", "pure", "cool", "fresh ", "comfortable", "relaxed", "mild", "free", "harmonious", and "healing". As the second conclusion, color, and material, the formation which is an architectural factor did not have a great impact on forming eco-friendly image, but the color and the material did. The third conclusion was that the display with natural aspects actively utilized increased eco-friendly spatial image.

• 한국HCI학회:학술대회논문집
• /
• 2008.02a
• /
• pp.45-48
• /
• 2008

Using these systems, additional information on the paintings and exhibits may be provided in the forms of text, image, speech, and video However, at museums and exhibitions, many tourists are often interested in exhibits of some particular style, authors, or coteries. The proposed Augmented Reality based guidance system may guide the users to exhibits of their interest for selective viewing. Location of the next exhibit of interest may be informed to the users as well as additional multimedia information on the exhibits of interest Such information is shown on the Augmented Reality views of the user's display device. The proposed system is composed an Ultra-Mobile PC (UMPC), an inertia tracker, and a camera. In the beginning, the user may select his/her preference on the exhibits from the menu, and then the system starts guiding by showing the relative orientation, distance, and visual cue to find a next exhibit. When the user finds and locates the matching visual cue within a matching box of the display screen, the system provides multimedia information on the exhibit. According to the preliminary user test, the proposed system is convenient and useful for navigating through large-scale exhibition.

• Korean Institute of Interior Design Journal
• /
• v.19 no.3
• /
• pp.196-204
• /
• 2010

Human beings are having suffered from the unexpected climate changes which are caused by global warming leaded from air pollution. More than 3 billions of people will be forced to experience insufficient water in 2015. In Korea, over 70% of precipitation has been concentrating in Summer season. Furthermore, natural disasters has been occurred constantly all over the country. The unusual flood and drought have broken out not only victims but also, property damages. By the natural condition, the effective consuming and controlling system of water is going to be the core business field and constructing dams will be encouraged and promoted for the system. To convince the objectionable against the constructing dams, a dam exhibition center stands the very important position by being responsible for the presenting positive factors and highlighting the beneficial functions. The dam exhibition center is built as complex space combined by information center regarding water resources and visitor center for the community nearby the inundated area. Combined of the different purposes, the dam exhibition center can be confused to understand the concept and contents established in the space. To enhance the visitors' understanding contents of the dam exhibition center, the spatial composition and contents are being analyzed with existing centers and define the most effective exhibition methods between the spaces and visitors. This study will be the basic quantitative analysis data for the following design works those can get the better insight how to make visitors to get information and agreement of constructing dams effectively.

• Archives of design research
• /
• v.11 no.1
• /
• pp.43-52
• /
• 1998

In reflection of the current trend of times requiring the harmonization of nature, human being and scientific technologies, science museum has become more and more familiar to public and demand on it is also increasing. Information on the culture of science and technology is an engine for exploiting the future, particularly in the industrialized, informationalized and specialized society. Thus the science museum, the function of which is to convey such information, should be planned with the purpose of active and progressive communication. This purpose of planning can be achieved through well established process of the exhibition space production. This study focuses on the importance of the exhibition space production in the design of the science museum and proceeds as follows. 1. The concept of the exhibition space production is established following the review of function and the role of science museum. 2. The methods and the media used in the exhibition space production are suggested and the case study is made. 3. The scenarios for the exhibition space production planning are suggested and the effect and importance of the space production is enlightened. The result of this study shows that the space production increases the effectiveness of the exhibition in the science museum and that space production process should be reflected in planning the project.

• Journal of architectural history
• /
• v.17 no.6
• /
• pp.67-86
• /
• 2008

Main theme of this paper is the evaluation of the historical significance of Luciano Baldessari's exhibition works mainly during the Fifties. In order to understand the formal and logical basis of those project, his relationship with the historical Avant-gardes and the consequences expressed in his pavilion projects for the Breda Industrial Company are analyzed. The first part focuses on the influence of Italian Futurism, German Expressionism and Italian Rationalism on the formation and experience of Baldessari during the interwar years. The encounter with these movements determine the interest but also the principles along which Baldessari represents his idea of object, space and place. Specially his professional activities during Fascism would determine his attitude toward political power and the necessity of autonomy in artistic sphere. In the second part, different themes that Baldessari affronted in each project of Breda Pavilions is analyzed. Another important issue regard the historiography of the contemporary architecture. Often, many important works that lies in the threshold of the disciplines such as painting and sculpture and media art were excluded in the history of architecture just because they do not deal with the architectural object. Recently, many elements such as theatrical project and temporary objects are considered as part of urban reality and architecture with acknowledgment of their capacity to create event and situations. Along this thought, not just the reconfiguration on the territory of architecture in present but also the criterion to evaluate the past history of architecture is changing drastically. This study on the pavilions of Baldessari intends to contribute indirectly on the current issue of dominion of architecture, but also to evaluate objectively recent architecture. Consequently, architectural protagonists such as Baldessari and their ephemeral projects would be evaluated compressively in their multiplicity of significance.

• Journal of the Korea Convergence Society
• /
• v.9 no.12
• /
• pp.169-174
• /
• 2018

The museum, run by the archives, should show historical facts about the president through objective records that are not fully evaluated. The wartime atmosphere should maintain solemnity to highlight the evidential value of records about history, but include an interesting element that allows visitors to come comfortably. It would be possible to accommodate 360 viewers at the same time, and it would be an option to limit the number of visitors considering the operation of weekend events and the donor honor hall. In this study, we established and presented an image integration plan centered on the color plan and the signature plan. Although the real image integration plan is a case study that starts with symbols and logos and is conducted through an integrated and systematic system through the basic design and application design system, it is considered to be a meaningful study in terms of practical use.