• Cross-Cultural Studies
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• v.19
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• pp.7-24
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• 2010

This paper is to survey a serise for The Red Cliff which is depicted The Former and Latter Odes on the Red Cliff written by Su Shi. This subject was mainly painted by the literati painters and consistently represented. In format of The Red Cliff, there are basically a types of pictorial depicton in accordance with their contents. Describing the whole scenes and the part of the story. Others is painted which bring from one scene of describing the whole scenes of the story.

• Fire Protection Technology
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• s.15
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• pp.4-4
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• 1993

• Journal of the Korean earth science society
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• v.37 no.2
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• pp.79-88
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• 2016

This study aims analyze the geological values in relation to the volcanic area and to investigate a possibility of the geosites and the geoheritages in Byeonsanbando area. The results indicate that the seven geosites are relevant as a potential national geopark, including Gunghang, Solseom Island, and Mohang located in Oebyeonsan and Jikso Falls, Gulbawi, Seongye Falls, and Ulgumbawi located in Naebyeonsan. Solseom Island and Mohang should be preserved and used as a place of the geological study because of their high geological heritage values. Besides, Jeokbyeokgang and Chaeseokgang are famous for excellent natural landscapes as they have been proven with academic values. Like this, these area are considered to have sufficient value as a national geopark of Korea, because their geoheritages are variously distributed in Byeonsanbando area.

• Journal of the Korean earth science society
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• v.28 no.1
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• pp.136-141
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• 2007

The UNESCO`s earth science division has developed the geoparks program to recognize earth scientific heritage sites worldwide. To respond to this movement, I suggest Byeonsanbando National Park (BNP) as the first geopark in Korea and provide, at the same time, a line of evidence supporting the designation of geopark. BNP has the best qualifications with geological, geomorphological, ecological, and cultural resources. In Chaeseokgang and Jeokbyukgang, there are many geological and geomorphological resources attracting the scientific importance. In addition, BNP has a total of 844 species of wild plants and 550 species of wild animals. Cultural properties abound in BNP, including Koryo bronze bell of Naesosa and Taeungjon hall of Kaeamsa. To be designated a geopark by UNESCO, a management plan of geotourism will be required in addition to the geological, geomorphological, ecological and cultural resources, which should be prepared by the Korea National Parks Service and related local government authority. If the above-mentioned conditions are met completely, Korea would enter the global network of geoparks for the first time.

• Proceedings of the Korea Concrete Institute Conference
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• 2008.04a
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• pp.89-92
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• 2008

This study investigates the shear behavior of architectural masonry veneer wall reinforced with specific reinforcement details proposed by this study. For this purpose, experimental tests were conducted using one un-reinforced masonry(URM) wall specimen and three reinforced masonry(RM) wall specimens under quasi static cyclic loads. Un-reinforced(plain) masonry wall is expressed that behavior and failure mode are different for aspect ratio(L/H) and axial compressive force. The test variables are wall aspect ratio and presence of reinforcement. These specimens are masonry structure for architectural clading that is not to exist the axial compressive force. thus the axial compressive force is excepted from test variable. Test result, Behavior of specimens are dominated over rocking mode, but final failure modes are combined with different behaviors. And FEMA273 has proposed the equation of shear strength of masonry pier subjected to in-plane loading. Shear strength equations are classified four types of failure mode that is Rocking, and Toe-Crushing, Bed-Joint-Sliding and Diagonal-Tension. FEMA273 equations predict the behavior modes well, but shear strength is shown in different result.

• Journal of Environmental Impact Assessment
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• v.26 no.1
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• pp.27-43
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• 2017

The objectives of the study were to evaluate fish compositions, endangered species, community structure, physical habitat, and general water quality for a preliminary environmental impact assessment of Jeokbyeok River on the road construction between two regions. Total number of species and total number of individuals, based on CPUE, were 23 and 1186, respectively. The endangered species (I, II) as the legal protection species were Pseudopungtungia nigra (79 samples) Gobiobotia brevibarba) (5) Gobiobotia macrocephala (2), indicating a requiring of endangered species conservation. In the meantime, exotic species and ecological disturbing species such as Micropterus salmoides and Lepomis macrochirus, were not present, indicating a well conserved area. According to fish community analysis, values of species diversity index were high (range: 0.788 - 1.030), and the dominance index were low (range: 0.097 - 0.183), indicating that the fish community in this area was maintained well without high dominacne by specific species. Also, fish analysis on tolerance guilds and trophic guilds showed that the proportions of sensitive species were largely exceeded the proportions of the tolerant species, while the proportions of insectivore species were largely exceeded the proportions of the omnivore species. This outcome suggests that the ecosystem was well maintained in terms of tolerance and trophic compositions (food chain). Ecological health, based on the multi-metric fish model of Fish Assessment Integrity (FAI), reflected those fish conditions. In other words, values of FAI model averaged 82.4, which means a "good condition" in the criteria of ecological health by the Minstry of Environment, Korea. In addition, general water quality and physical habitat analyses showed that the system was in good condition. Under these conditions, if the road constructions between the two regions happen in the future, inorganic suspended solids may increase in the waterbody, and this may result in indirect or direct influences on the physical habitats and food chain as well as fish compositions, so the ecological protections and prevention strategy from the soil erosion are required in the system.

• Proceedings of the Korea Water Resources Association Conference
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• 2011.05a
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• pp.308-308
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• 2011

하천에서 유량을 산정하기 위해서 전자파표면유속계를 이용하여 표면유속을 측정하고 수심평균유속환산계수 0.85를 일률적으로 적용하여 수심평균유속을 산정하고 있다. 이 수심평균유속환산계수 0.85의 적절성에 대한 논의가 지속되어져 왔으나 그 동안에는 이에 대한 현장검증을 할 수 있는 방법이 없었던 실정이다. 하지만 최근 들어서는 ADCP(Acoustic Doppler Current Profiler)의 하천용 Application인 StreamPro ADCP가 개발되어 이를 이용하면 홍수기에 수심별 유속을 측정할 수 있다. 다만 홍수기에 StreamPro ADCP의 적용시에는 여러 가지 높은 위험성이 상존하는 것은 인지의 사실이지만, 그 외의 별다른 방법이 없는 실정이다. 따라서 홍수기에 StreamPro ADCP를 이용하여 수심별 유속을 측정하고 이와 동시에 측정한 표면유속을 이용하여 수심평균유속환산계수를 산정하여 기존에 환산계수로 적용하고 있는 0.85의 적절성을 파악하고자 하였다. 흐름조건별 수심평균유속환산계수 산정을 위하여 평수기 용담 수자원시험유역의 동향지점에서 수심평균유속환산계수를 산정한 결과 0.632~1.352로 넓게 분포하고 있음을 파악하였다. 이렇게 계수가 실제 적용하는 0.85와는 크게 차이가 나는 이유로는 수심이 얕아서 바닥마찰의 영향이 크기 때문인 것으로 판단되었다. 이에 본 연구에서는 여러 지점에서 홍수기 수심별 유속의 실측을 통하여 수심평균유속환산계수 분포정도를 산정하고자 하였다. 대청댐 상류의 수통수위표가 위치해 있는 적벽대교지점에서 StreamPro ADCP를 이용하여 수심평균유속환산계수를 산정한 결과 0.735~0.986 사이에 분포하고 있다. 측정한 결과의 수심평균유속환산계수의 평균값은 0.853으로 기존에 수심평균유속의 산정을 위하여 적용하고 있는 0.85와 거의 일치함을 보이고 있다. 측정당시 수심이 3.6 m에 이르고 있고 유속 또한 1.55 m/s에 이르고 있어 홍수시 일반하천에서 발생하는 수위와 유속임을 감안할 때, 0.735~0.986의 수심평균유속환산계수는 홍수시 순간적인 변화의 폭이 큼을 알 수 있다. 이렇게 순간적인 변화가 큰 이유로는 난류의 성분이 강해서 나타나는 것으로 이를 평균하면 0.853으로 나타나고 있어 홍수시에 수심평균유속환산계수를 0.85를 사용하여도 무방함을 알 수 있다. 동향지점에서 홍수기에 수심별 유속의 실측을 통하여 수심평균유속환산계수를 산정하고자 하였다. 그러나 이 지점은 강한 와류로 인하여 ADCP가 심하게 흔들림으로 인하여 순간적인 유속의 차이가 최대 4배까지 보임을 알 수 있다. 이로 인하여 수심평균유속환산계수의 범위는 0.233~0.983에 이른다. 측정당시 표면유속이 2.07 m/s 인 것을 감안하여 이 표면유속에 상응하는 수심별 유속 자료만을 이용하여 산정시, 수심평균유속환산계수는 0.876이다. 하천의 하류지점에서 수심별 유속을 측정하여 수심평균유속환산계수를 산정하고자 한강하류로 유입하는 굴포천의 구교 및 박촌1교 지점에서 유속측정을 실시하였다. 이들 두 지점은 홍수기에 조차도 유속이 1 m/s 에 이르지 못하는 지점으로, 수심평균유속환산계수를 산정한 결과 각각 0.826, 0.833을 나타내고 있어, 수심평균유속환산계수 0.85가 홍수기뿐만 아니라 평 갈수기에도 적용할 수 있는 가능성을 확인하였다.

• (The)Study of the Eastern Classic
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• no.50
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• pp.261-294
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• 2013

The purpose of this paper lies how the original text of Chinese classical literary works have been implemented in the paintings of China and Korea, and inspect the ways how of these original text interpreted in paintings. It is an experiment of trying to analyze through literature with painting and read again painting through literature. Qu Yuan(屈原) Prose Poem of Fisherman("漁父辭"), Tao Yuanming(陶淵明) Prose Poem of Returning Home("歸去來辭") and the prose with a poem on the peach blossom spring("桃花源記幷詩"), Du Fu(杜甫), Song of Eight Drunken Celestials("飮中八仙歌"), Su Shi(蘇軾), Odes on the Red Cliff("赤壁賦"), Ou Yangxiu(歐陽脩), Odes of the Sounds of Autumn("秋聲賦") and the paintings which based on these texts were the target of examination. These literary texts shared by Chinese and Korea have been compared in the aspects of acceptance and enjoyment. And on the basis of this process the characteristics of korean paintings expressing the ideas of classical literary works was induced. As a result, the following facts are derived. First, By the emergence of the typical style which was formed historically in China at the korean painting shows that korean painters not only actively embraced the art style of China also did not lose the international sense. Second, through the profound study for chinese painting, they transformed it in accordance with korean aesthetic view and finally revealed typical korean characteristics. Third, the results as described above showed the difference of perception and interpretation of literary works between China and Korea.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.31 no.1
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• pp.48-58
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• 2013

The results of this research to study forms, structure, changes, symbolic meanings of 16 Hahoe sceneries through analyses of "Hahwaesipyukgyeong" and "Hahwaenakgangsanghaildaedo" are as belows. The coherence of headword is not discovered in 16 Hahoe sceneries, but based on various variables and sense dependence, endemicity with original natural scenes, human's life and phenomena of riverside village are spread in 3km viewing areas within 200m from Gyeonamjeongsa(謙巖精舍) and Okyeonjeongsa(玉淵精舍). As the viewing points of Gyeonam and Okyeonjeongsa are symmetrically facing and separately independent, while viewing angles do not intersect at Wonjijeongsa (遠志精舍) and Binyeonjeongsa(賓淵精舍) because of Buyongdae(芙蓉臺), and crating each independent viewing area, we can see 16 Hahoe sceneries are perfect views by supplementing Gyeonam and Okyeon Jeongsa, as well as points of views from Wonji and Binyeonjeongsa. Meanwhile, as the view point of 16 Hahoe sceneries, Gyeomam, Okyeon, Binyeon, and Wonji Jeongsa are clearly described, and 12 natural sceneries, which are Hwasan(花山), Ipam(立巖), Maam(馬巖), Jando(棧道), Bangi(盤磯), Hoengju(橫舟), and Honggyo(虹橋), among landscape elements of 16 Hahoe sceneries that can be expressed on canvas in the Haoedo are realistically described, there is high possibility that Haoedo is the 'Mental Stroll about Nature(臥遊) of 16 Hahoe sceneries. The belted forest surrounding the village in the painting is assumed to be an erosion control forest, and considering row-expressed trees, the south belted forest may be a different broad-leaved forest from current Mansongjeong(萬松亭) pine forest. In 16 Hahoe sceneries, there is Neo-confucianism tendency, which connects the nature and human life, and moreover prioritize human life than the nature. Especially as seen in the 'Choljae(拙齋)', the pen name of 16 Hahoe sceneries' author park, the 16 Hahoe scenery poet suggests 'Beauty of Jolbak(拙撲美)' based on the simple life that upright classical scholars pursued as the basic emotion. The thinking system shown in the poet is interpreted as Neo-confucianism category including one's sense and emotion depended on natural features or phenomena. Ultimately, 16 Hahoe sceneries are landscape that reflects moral world views of Confucianism scholars who wanted to express ideal thoughts based on natural features and phenomena in reality at Jeongsa in Buyongdae and Hahoe Village.

• (The) Research of the performance art and culture
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• no.38
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• pp.143-191
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• 2019

This research argues that Pansori had patrons in its development. Patrons are commonly discussed aspect of history of any art form. Pansori is no exception. While Pansori originally began as the art of the common people, Yangban class became the primary audience. This paper examines the role of royal family of Choson dynasty in development of Pansori. Heungseon Daewongun (흥선대원군) in particular was a Pansori aficionado. The record around Daewongun's involvement to Pansori proves that heavy monetary investment was made. He hosted Pansori competitions and sponsored creation of Pansori tradition, Boseong Sori (보성소리) and Gangsanje (강산제). Also the aspect of Pansori patronage lies not just in Yangban class, but also in Jung'in class, which is roughly analoguous to European bourgeois in that they were not of Yangban class, but had gained monetary status, and had aesthetics of both Yangban and commoner class. I argue that Heungseon Daewongun's ties to the Jung'in class is reflected in his actions towards Pansori artists. The traditions he had sponsored have important characteristics, including sophisticated lyrics heavily utilizing Classical Chinese poetry, highly artistic musical composition, and conservative Confucian ethics. Those characteristics indicate that the Pansori traditions sponsored by the royal patrons have changed to cater to their artistic taste and philosophy. This paper conducts a textual comparative analysis between Gangsanje Pansori Jeokbyeokga (강산제 판소리 적벽가), Dongpyeonje's Pansori Jeokbyeokga (동편제 판소리 적벽가), and Seopyeonje Pansori Jeokbyeokga, who share the same plot yet offers a stark differences in tone, philosophy, and sense of humor. Daewongun was a primary sponsor of Pansori, which proves that Yangban class and the royal family have played important role as patrons of Pansori.