• Journal of Information Management
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• v.42 no.2
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• pp.1-21
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• 2011

The copyright law is the greatest legal tool for promoting access to knowledge and information by striking a balance between owners rights and users rights. For libraries, copyright limitations and exceptions are critical to meeting our missions to support learning and research, promote the flow of information, provide equitable access to information to the public, preserve intellectual and cultural heritage. Based on these reasons, this study analysed the limitation of copyright law of Korea for library, suggested improvement of reproduction for the library preservation and distribution including rental and lending, printout and transmission of internet information resources, copy of library materials which are rarely available through normal trade channel and government publications, reproduction and electronic transmission for persons with disabilities, and proposed fair use model(limitations on exclusive rights) for libraries.

• Proceedings of the Korea Information Processing Society Conference
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• 2005.05a
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• pp.827-830
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• 2005

본 논문은 DRM(Digital Rights Management)의 핵심요소기술인 디지털 비디오 워터마킹 기술에서 암호화 기법을 함께 적용하여 저작권 판별 및 콘텐츠 보호의 두 가지 역할을 수행하는 시스템을 제안하고자 한다. 본 논문에서는 저작권 정보를 공개키 기반의 RSA 암호화 방법으로 암호문을 만든 후 이진화 과정을 수행하여 워터마크 키 정보를 생성하였고, 워터마킹 기법으로는 통계적 모델의 계산 속도가 빠른 NVF(Noise Visibility Function) 방식의 Adaptive Stationary GG(Generalized Gaussian) model[1]의 기법을 사용하였다. 암호문은 사용자 컨트롤러에서 제어가 가능하도록 하여 권한이 부여된 사용자만이 재생이 가능하도록 하였다. 본 논문의 구성은 2장에서 암호화 과정을 설명하고, 3장에서는 기존의 기법과는 다른 통계적 접근의 워터마킹 기법을 적용한 과정을 설명하며, 4장에서는 제안한 방법이 실제 환경에서의 실험 결과를 보여준다. 마지막으로 5장에서는 결론과 개선점을 바탕으로 향후 연구방향을 제시한다. 본 논문에서 제안한 방법은 미래사회 인터넷에서의 올바른 디지털 콘텐츠 사용 문화 정책에 큰 역할을 할 것으로 기대된다.

• Digital Contents
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• no.11 s.126
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• pp.96-105
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• 2003

디지털콘텐츠와 데이터베이스의 상호접근점을 찾을 수 있는 것은 디지털콘텐츠 자체가 여러 분야의 데이터의 집합임과 아울러 정보서비스를 통해 제공되는 내용물의 구성체가 바로 데이터베이스이기 때문이다. 그렇지만 이러한 보호의 기본적인 전제는 저작권법리가 구성될 수 있는 요건의 명확화라고 할 것이다. 또한 데이터베이스가 보호돼야하는 당위성에 대한 명확한 이해 없이는 데이터베이스에 대한 보호의 논의자체가 부정될 수 있을 것이다. 즉 쉽게 말해서 데이터베이스를 왜 보호하는가에 대한 논의라고 하겠다. 정보산업의 기간이 되고, 인터넷 등 네트웍을 통한 전자상거래가 활성화되면 자연 유통되는 정보자체가 디지털콘텐츠 형태의 데이터베이스가 될 것이다. 각국의 정보산업에 대한 구체적인 수치를 제시할 수는 없지만, 그 중에서 데이터베이스가 차지하는 부분은 상당할 것으로 예견되기 때문이다. 특히 디지털콘텐츠 내지 데이터베이스는 정보산업에서 문화산업으로의 범주가 확대되고 있는 상황 하에서, 문화적 종속을 제어할 수 있는 법제도적 장치로서의 역할도 기대된다고 할 것이다. 이러한 복합적인 요인이 바로 데이터베이스의 보호에 대한 문제 제기와 필요성이다. 더욱이 데이터베이스는 많은 경우 구성하는 콘텐츠의 선택과 결합하는 데 있어서 기술, 노력 및 경험 등이 요구되고, 기술 등의 발전으로 비용 등의 지불 없이 복제가 가능하기 때문에 법적인 보호 등이 요구된다.

• Digital Contents
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• no.11 s.138
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• pp.85-89
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• 2004

국산 캐릭터업체 10개 업체중 4곳이 불법복제로 골머리를 앓고 있는 것으로 나타났다. 문화관광부와 한국문화콘텐츠진흥원이 발간한‘대 한민국 캐릭터산업백서 2004’에 따르면 캐릭터업체 42.3%가 불법복제에 피해를 불법복제 피해경험이 있다고 응답했다. 매출액별 불법 복제 피해 경험으론 매출액 5억원 미만 업체는 38.3%, 5억,50억원 업체 37.5%, 50억원 이상 업체 65.2%로 인기 캐릭터를 중심으 로 한 불법복제현상이 뚜렷한 것으로 나타났다. 불법복제로 인한 추정 피해액으로는 국산 업체당 4억1,320만원인 것으로 조사됐다. 이처 럼 캐릭터로 인한 피해가 국내에도 크게 늘고 있어 심각한 산업 문제로 대두되고 있다. 이에 이번 호에는 디지털콘텐츠 산업 중에서도 온 라인을 통해 유출되고 있는‘캐릭터’를 중심으로 법적 문제를 다루고자 한다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2021.07a
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• pp.167-170
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• 2021

리 서버란 게임 개발사나 퍼블리셔가 공식으로 제공하는 정상적인 서비스가 아니며 개인이 게임을 변조하여 배포하고 불법 운영하는 서버를 뜻한다. 게임 시장이 성장하고 발전하면서 그만큼 정상적인 게임 운영을 방해하거나 불법으로 기존 게임의 서버를 개설하여 저작권을 침해하는 사례도 적지 않다. 본 논문은 그러한 사례 중 K사의 서비스 종료 게임인 '그랜드체이스'의 프리서버 현황과 게임사의 대처 상황을 조사하고 플레이 경험이 있는 유저들을 주 대상으로 설문을 진행하여 프리서버에 대한 사용자 인식을 파악한 후 이를 바탕으로 적절한 대응 방안을 제시하려고 한다.

• 한국체육학회지인문사회과학편
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• v.55 no.2
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• pp.111-121
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• 2016

The purpose of this study was to establish a classification systems of sport culture contents for enhancing cultural competitiveness. The main research method for this was the Delphi survey based on the literature. Through a literature review, the definition of sport cultural contents and the classification system of major industrial countries were analyzed. The Delphi survey by a panel of 25 was conducted over a two-round. The results were as follows: first, the sport culture contents includes an artistic creativity, which have a working form that enables delivery to the public and organizing sports activities, and classify as a technology for high value-added content and services. Second, the 'culture' for the large category item, which include the cultural heritage and culture art. The 'media' recognize the importance of temporal concepts with traditional media and it was classified as new media. In the case of items in the large category 'events' are classified as national and international sporting events and festivals, the 'services' main category item is divided into social, care, educational services. Finally, the 'others' includes such as copyrighted items.

• The Journal of the Korea Contents Association
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• v.9 no.2
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• pp.216-232
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• 2009

The purpose of this paper is to examine the ethical implications in UCC participation. This paper aimed at examining the advent of UCC as a critical media tool in interactive two-way communication and the effect of ethical questions on the level of UCC participation. The findings show that uncertainty avoidance gives an positive and significant effect on privacy concern and regulatory preference, but it is not related to copyright invasion in Korea and U.S.A. It is shown that privacy concern does not influence on UCC retrieval in Korea whereas it is positively related to UCC retrieval in the United States. Also, privacy concern has not relationship with UCC production(modification, recreation, generation) in both nations. In the case of regulatory preference, it posits an significant and positive effect on UCC retrieval in Korea while it is not related to UCC retrieval in the United States. Also, regulatory preference does not affect on UCC production in Korea whereas it influences on UCC generation without impacting UCC modification and recreation in U.S.A. Finally, the results show that copyright invasion has stronger relationship with UCC recreation and generation than UCC modification, and it is positively related to UCC retrieval in both nations.

• Journal of Korea Entertainment Industry Association
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• v.13 no.2
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• pp.27-36
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• 2019

Today, the Korean wave headed by K-pop is newly named as 'New Korean Wave' in that it has been extended to United States, Europe and Russia. K-POP, the main player of the new Korean wave, has been successful in SNS marketing channels. Furthermore, the content of K-pop has attracted the attention of the global audience. The media and public attention on the Korean Wave is meaningful because it is not merely a cultural export. It also makes Korean people feel national pride, seeing the mental influence of its culture on other regions. Moreover, the development of the cultural industry in our society, which is different from industrial or material development, is a proof that Korean society is at the center of globalization. Until the 20th century, Korean culture had been rather receptive than dominant. In other words, it was focused more on acceptance of other cultures than active creation or outflow of its own. Now, however, K-POP is not anymore copying Western culture. It is creating its own unique characters, which makes K-pop very competitive. Korean culture has been formed for a long time in Korea's unique historical background. Korean popular culture also has to establish a solid foothold in world markets through its distinctive and traditional feature. The positive consumer response to Korean pop culture will create the added value of Korean contents and their derivatives, which will heighten Korea's national image also. In other words, if traditional art and K-POP are converged and equipped with our own unique and highly artistic culture, they will take the lead in the global cultural art market. In this study, we will recognize the possibility, growth and development of K-pop culture and analyze the cases of combining K-pop and Korean traditional art. First, we have to blend traditional art and other various genres to create diverse contents, and we have to actively utilize media channels. Second, we must improve people's awareness of the copyrights of traditional art. Also, we have to mitigate the copyrights of creative dance to expand the disclosure of contents which can be utilized. Third, we have to learn about traditional arts from younger age. Fourth, we will expand traditional arts to the whole of Korean cultural policies, which can enhance the nation's cultural value and create economic benefits. These four are expected to be effective ways to preserve the identity of traditional art and at the same time, globalize Korean culture.

• The Journal of Korean Association of Computer Education
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• v.21 no.1
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• pp.1-10
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• 2018

Korea shifted the focus to competency-based curriculums in the revised national curriculum of 2015, and emphasized training creative convergence talents through informatics education. The informatics education curriculum included information culture literacy as a core competence so that the learners can gain knowledge of information technology-based information ethics and make ethical judgment and practice ethics. This study analyzed the elements related to information culture literacy in the informatics curriculums of the US, the UK, India, Japan, Australia and Germany for the purpose of providing implications with regard to the composition of elements that can foster information culture literacy. According to the analysis results, first, the term information culture literacy was included only in the informatics education curriculum of Korea. Second, the elements common to all countries are (personal) information protection, information security and copyright. Third, Korea's information society and career, India's avoidance of injuries, Germany's protection of health and environment were found only in the curriculums of respective countries. This study is significant in that it provided the orientation of improving the elements for fostering information culture literacy based on the results of analyzing overseas informatics curriculums.

• The Journal of the Korea Contents Association
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• v.9 no.3
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• pp.175-184
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• 2009

Korea shared 2.4% of world culture contents market in 2006 and ranked 9th. Therefore Korean government classified culture contents industry as a new growth-driving industries and started fixing the total contents policy promote system, exterminating illegal copying, protect copyright,improving contents creativity power, and supporting foreign market pioneering. Thus the importance of culture contents industry is increasing day by day. This study analyze the amount changes about production-inducing effect, value-added-inducing effects, employ-inducing effect, supply shortage effect and sectoral price effect, using inter-industry analysis according to time series. Especially, the sectoral price effect of culture contents industry increased by time pass. Thus, the influence of price changes in the culture contents industry to the other industries are increasing.