• KSCE Journal of Civil and Environmental Engineering Research
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• v.29 no.4D
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• pp.555-561
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• 2009

In lieu of section profile data, a fitting of the bored tunnel shape is more significant confirmation for maintenance of a tunnel. Before the permit on the completion of a tunnel, deformation of the completed tunnel with respect to the design model are considered. And deformation can be produced at continuously along the entire of the tunnel section. This study firstly includes an analysis of algebraic approach and test it with an observed field data. And then a number of methods, line search method, genetic algorithm, and pattern search methods, are compared with the 3D tunnel shape fitting. Algebraic methods can solve a simple circular cylinder type as like a railway tunnel. However, a more complex model (compound circular curve and non circular) as like a highway tunnel has to be solved with soft computing tools in the cause of conditional constraints. The genetic algorithm and pattern search methods are computationally more intensive, but they are more flexible at a complex condition. The line search method is fastest, but it needs a narrow bounds of the initial values.

• Proceedings of the Korea Water Resources Association Conference
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• 2011.05a
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• pp.73-73
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• 2011

일반적으로 미래 기후자료를 산출하기 위하여 기후 시스템을 수치화한 GCM에 의한 결과를 사용한다. 하지만 GCM의 시공간적인 해상도의 문제로 기후변화에 따른 수자원 영향 분석을 위해서는 축소기법의 적용과정이 필요하다. 이를 위하여 전세계적으로 통계학적 방법에 의한 일기발생기를 이용한 축소기법 방법이 많이 이용되고 있다. 하지만 일기발생기에 의한 방법은 월 평균값의 연간 변동성이나 계절적 변화를 재현하는데 한계가 있는 것이 사실이다. 본 연구에서는 이러한 일기 발생기의 한계가 강우의 발생 특성이 평균과 표준편차로 대표되는 통계학적 기법에 근거하고 있기 때문이라고 파악하였다. 따라서 최저온도, 최고온도, 강수량, 상대습도, 풍속, 일사량과 같이 6개의 기상자료를 선정하여 비선형 관계를 고려할 수 있는 기법을 적용하고자 하였다. 이를 위하여 SRES A1B 기후변화 시나리오에 의한 CNCM3 기후모형의 결과를 이용하였고 각 관측소 마다 다양하게 발생하는 강우 특성은 과거의 강우 특성과 유사할 것이라는 가정하에 공간적 축소기법으로 인공 신경망(ANN: Artificial Neural Network) 을 적용하고 시간적 축소기법으로 최근린(NN: Nearest Neighbor) 방법과 유전자 알고리즘(GA: Genetic Algorithm)을 적용하는 기법을 함께 제시하였다. 이러한 기법들을 실제 남한강 유역의 기상관측소 지점으로 적용하여 검증한 결과 모의된 대부분의 기상자료가 관측치를 비교적 잘 재현하였다. 본 연구에서 제시한 비선형 축소기법은 추후 기후변화 연구에 중요한 방법론으로 활용될 수 있을 것으로 기대된다.

• Korean Institute of Interior Design Journal
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• v.22 no.5
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• pp.106-113
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• 2013

Since the 1960's, diverse movements that oppose the uniform design tendency of modernism appears in Italy. Especially, Gaetano Pesce, who opposed uniformity and standardization that are based on mass production system, had interests in making unique product, not an identical product, while accepting modern production technology. Therefore, the purpose of this study is to comprehend Pesce's design, which creates diversity by arranging contingent, non-predictive, and episodic aspects in creative and acceptance processes according to the intension of the designer within mass production system, as a non-representational characteristic, which appears widely in modern thought and the arts, and examine how it is materialized in detailed design work. The study methods are first examining non-representation with theoretical contemplation and dealing with the design philosophy of Pesce based on the examination. Next, in order to discover non-representational characteristics that appear in the work of Pesce, it examines from introducing worker's creativity, user's possibility of choice, openness in the working process, and the aspects of researching materials. And a specific application method will be drawn through case analysis centered on furniture design. Gaetano Pesce's design that denies the world of representation based on the sameness comes to possess non-representational characteristics that acknowledge contingency and ceaselessly create difference by intentionally arranging during the working process.

• Proceedings of the Korean Vacuum Society Conference
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• 2012.02a
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• pp.484-484
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• 2012

OLED는 유기재료를 사용하는 특수성 때문에 선명한 고품질의 화질을 얻을 수 있다. 유기재료에 따른 수명이 정해져 있지만 열에 약한 재료를 사용하기 때문에 출력되는 색의 변화를 동반할 만큼 불안정 하다. OLED는 RGB를 순서에 따라 유리 기판 상에 나열한 구조이며 각 화소의 양극과 음극은 가로와 세로로 서로 직교하고 있다. 이러한 OLED의 구조 때문에 직, 간접적으로 전이되는 열과 OLED Device에서 발생하는 자체 열로 인하여 유기소자의 특성이 변형되는, 이른바 열화현상에 쉽게 노출되어 있다. OLED Device를 제작한 후 72시간동안 8V의 전압을 인가하여 열화현상을 촉진시킨 Aging샘플을 확보 하였다. Aging된 Device의 인가전압을 3V ~ 6V까지 변화를 주고 측정해본 결과 각각의 모든 전압에서 Aging Device의 Nomalized Intensity가 상대적으로 20% 감소했음을 확인 하였다. 또한 Aging 된 Device는 As is Device에 비해 단파장 쪽으로 Shift 되는 결과를 보여주었다. 이를 분석하기 위해 CIE 색 좌표계의 NTSC (National Television System(s) Committee)를 이용하였는데, 범위 안에 있던 As is Device의 색 좌표가 Aging 후에는 NTSC범위 밖으로 이동하였는데, 이는 열화현상이 발생하기 전에 비해 방출되는 빛의 파장이 변했다는 것을 의미하며 정확한 색 재현이 안 된다는 것을 보여준다. 또한 I-V특성을 보면 Aging Device의 구동전압 (3.3V) 이 As is Device (2.7V) 에 비해 더 커지는 것을 확인하였는데 이것은 스트레스로 인해서 발생한 트랩에 의하여 캐리어의 이동도가 떨어졌기 때문에 구동 전압이 증가한 것으로 확인할 수 있다. 연구 결과를 통하여 OLED Device의 사용시간 누적에 따른 열화현상은 색 재현성과 휘도의 저하 그리고 구동전압 증가에 영향을 미친다는 것을 확인 하였다.

• The KIPS Transactions:PartB
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• v.11B no.2
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• pp.169-176
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• 2004

This paper presents a new color correction method for color reproduction on LCD-based monitor by means of high-order multilayer neural networks. LCD monitors have nonlinear characteristics from various displaying system components. To overcome these nonlinearities and produce quality image, we need a nonlinear transformer for color coordinate transformation between the LCD monitor coordinates and the input color stimulus values. A high-order multilayer neural network is effectively trained to learn a mapping to determine the required color value of monitors for producing a given color stimulus. From the experimental results, the proposed method is effective in reproducing the color images.

• Korean Institute of Interior Design Journal
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• v.21 no.5
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• pp.114-121
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• 2012

Gilles Deleuze is a philosopher who replaces the world of representation defined as supremacy of identity with the contemporary reason of non-representation in the history of western philosophy that wants to transcend Plato. Deleuze developed his own philosophical concept through philosophical reason and encounter with arts, for which reason he exerted a great influence on artists and architects in diverse fields. Particularly, 'Logic of Sensation' published in 1981 considers the non-representation painting approach through Francis Bacon's painting theory defined as 'invisible force's visibility'. And it is considered that SANAA's architecture among many contemporary architects accepted the essence of Deleuze's philosophy and continuously reflects it on projects. Hence, objective of the present study is to consider how the non-representation constituting a root for Deleuze's reason has been indicated in paintings and architecture through examining the works by Bacon and SANAA. First, a theoretical consideration will be directed to non-representation, followed by an analysis of Bacon's painting works and SANAA's architecture projects from the viewpoints of the force of isolation, the force of transformation, the force of dissipation and the force of time dealt with by Deleuze in 'Logic of Sensation'. Finally, through such analysis, the characteristics of Deleuze's non-representation indicated in architecture and paintings will be derived.

• Women's Studies Review
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• v.31 no.1
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• pp.93-116
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• 2014

This thesis discussed the status of women workers as wage laborers and home laborers and the valid of a documentary movie for representing women laborers through a documentary movie, Weabak that revolved around Home-ever occupation strike leaded E-Land labor union at 30th June, 2007. Jobs for women labors got covered by the flow of flexibility with the policy of labor flexibility in South Korea during 1990s. The reasons that justify this trend are their position in the households, and their roles in working places are not very important because there are not required difficult skills. The mass dismissal which caused the E-Land strike also shared these ideologies. In Weabak, since women laborers were always expected to care for their family, they were need strikes in their home as well as their working place. However, a household is a basement for them to get the identity as a women laborer. It has two ambivalent meanings, as a protected area and disorder for them to pursue their life at the same time. Identity of Women laborers, domestic laborers as well as wage laborers, are very difficult to identify as a general noun, a laborer. Weabak is an important example to show us the possibility of a documentary as searching new realism for representing women laborers' story using their own perspective.

• Journal of the Korean Institute of Telematics and Electronics S
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• v.35S no.6
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• pp.137-146
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• 1998

Recently many devices print electronic images in a variety of ways. The reproduced color, however, is different from the original color because of the difference of hardware characteristics. To maintain device independent color, gamut mapping method is proposed. The proposed color gamut mapping uses nonlinear intensity mapping and clipping for saturation mapping on HSI color space. In the dithering operation, expanded nonlinear ordered dithering and modified error diffusion are proposed. The proposed ordered dithering uses expanded nonlinear quantization which considers overlapping phenomena of neighbored printing dots. In the modified error diffusion, quantization errors to be diffused are adjusted to improve both image blur and color change produced in the error diffusion. So, the printed image is similar to the image of monitor. Our results indicate that proposed algorithm can produce high quality image in the low bit color devices.

• Journal of Digital Convergence
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• v.14 no.12
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• pp.495-501
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• 2016

The film has always reflected the culture of the era based on reality and imagination. The visual effect in the film has mainly played a role of expressing the reality more realistically or recognizing the virtual as reality. This study examines the meaning and the effect of fantasy realism through Oasis of Lee Chang-dong. Fantastic realism has separated the reality from the imaginary space by using a dual meaning tool that affects the time and space in the film and reflects the human desire and desire to see. It was also reproduced in the real world through the medium of pigeons. In addition, it separates visualized space from non-visualized space in film narrative structure, separation of real and unreal space, segregation of consciousness and unconscious space, and separation of reality and reality space into power structure. With the development of technology, the image of the yellow image comes closer to us like reality, which will express the space of unconsciousness that we could not think of.

• Proceedings of the Korean Information Science Society Conference
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• 1999.10b
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• pp.650-652
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• 1999

칼라 프린터 장치에서는 색을 표현할 수 있는 영역이 사용자가 눈으로 색을 인지하는 영역보다 작다. 또한 잉크의 특성 및 프린터 장치의 하드웨어적 특성이 비선형적인 성질을 갖는다. 때문에 원본 이미지를 프린터로 출력하면 원본과는 다른 왜곡된 칼라의 이미지가 출력된다. 그래서 원색을 재현하려는 다양한 방법으로 잉크의 조절, 프린터 장비의 특성화 및 재현 영역 일치화 기법 등이 연구되고 있다. 본 논문에서는 잉크젯 프린터의 K9black) 잉크와 CMY(Cyan, megenta, yellow) 잉크와의 관계를 살펴보고 이 특성을 이용해 검정 잉크를 조절하는 방법인 BPA(Black Printer Algorithm)를 구현하였다. BPA를 사용하면 색조(contrast)의 향상뿐만 아니라 C, M, Y를 K로 대치하기 때문에 경제적인 효과도 기대할 수 있다. 결과에서는 성능 테스트와 성능 향상을 위한 방법에 대해 논의하였다.