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http://dx.doi.org/10.14400/JDC.2016.14.12.495

The Fantastic Realism (Magic Realism) representation on film Visualization research: The boundaries of Fantasy and reproducibility of Images  

Nah, So-Mi (Dept. of Computer Graphic Design, Catholic Kwandong University)
Publication Information
Journal of Digital Convergence / v.14, no.12, 2016 , pp. 495-501 More about this Journal
Abstract
The film has always reflected the culture of the era based on reality and imagination. The visual effect in the film has mainly played a role of expressing the reality more realistically or recognizing the virtual as reality. This study examines the meaning and the effect of fantasy realism through Oasis of Lee Chang-dong. Fantastic realism has separated the reality from the imaginary space by using a dual meaning tool that affects the time and space in the film and reflects the human desire and desire to see. It was also reproduced in the real world through the medium of pigeons. In addition, it separates visualized space from non-visualized space in film narrative structure, separation of real and unreal space, segregation of consciousness and unconscious space, and separation of reality and reality space into power structure. With the development of technology, the image of the yellow image comes closer to us like reality, which will express the space of unconsciousness that we could not think of.
Keywords
Fantastic Realism; Reproducibility of Images; Visual Effects; Hyper-mediated; Non-mediated; Magic Realism;
Citations & Related Records
Times Cited By KSCI : 2  (Citation Analysis)
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