• Proceedings of the Korea Contents Association Conference
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• 2010.05a
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• pp.508-510
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• 2010

디지털 기술의 발전은 디지털 미디어의 발달을 가져왔고 이는 곧 디지털 미디어의 다양한 영역 확장으로 이어졌다. 기존 미디어의 한계를 벗어난 다양한 시도들은 새로운 패러다임을 만들어 내며 하나의 미디어 영역을 구축해 나아가고 있다. 그런 영역 중에 하나인 Facade projection은 현실 공간이나 인위적 공간에 프로젝터로 이미지나 영상을 투영하여 공간의 디지털화, 가상현실, 착시와 같은 효과들을 만들어 내며 미디어 작품이나 상업적인 미디어로서의 가능성을 보여주고 있다. 본 연구는 Facade projection에 사용되어지는 디지털 이미지나 영상들이 어떤 방식으로 만들어지고 있는지 사례분석과 그 과정을 연구 분석하고자 한다.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2013.05a
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• pp.186-189
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• 2013

소셜네트워크게임이 대중적인 산업으로 인정받은 이후 국내외의 수많은 전문업체들이 비슷한 유형의 게임들을 제작 및 발표하고 있다. 본고는 2년간의 연구개발을 통하여 개발된 소셜네트워크게임의 작품개발 계획과 목표에 관하여 분석한 후 개발되어진 캐릭터디자인의 요소들을 분석하여 각 매개체들이 갖고있는 이미지의 형상화에 관한 의미를 되짚어 보고자 하였다.

• Proceedings of the Korea Contents Association Conference
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• 2017.05a
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• pp.215-216
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• 2017

<복수는 나의 것>, <올드 보이>, <친절한 금자씨>는 죄와 복수, 구원의 문제를 다룬 박찬욱 감독의 복수 삼부작으로서, 보이스 오버를 활용한다는 공통점이 있다. 이 연구는 박찬욱 감독의 복수 삼부작이 각 내러티브의 주제에 따라 내러티브 정보를 통제하고 관객의 심리적 거리감을 조절하기 위해 보이스오버 전략을 어떻게 구사하는지 논의한다. 이를 위해 각 작품의 플롯, 초점화 유형, 보이스오버의 특징들을 분석한 결과, 보이스오버를 통해 관객의 정서적 참조점을 형성하고, 인물과 이야기에 대한 동일시나 감정이입을 통제하는 복수 삼부작의 특성을 확인하였다.

• Proceedings of the Korea Society of Elementary Mathematics Education
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• 2010.08a
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• pp.1-12
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• 2010

초등학교 6학년을 대상으로 6회 총 120분 동안 1996을 활용해서 1에서 100까지 수를 만들게 하는 활동을 한 결과를 제시하고 분석하였다. 이 퍼즐 과제 활동은 아이들의 수학적 사고를 많이 향상시켰으며, 수학적 성향을 강화시켰다. 특히, 이 과제에서 아이들은 협동의 이점을 알게 되었고 수학적 의사소통의 중요성도 경험하는 계기가 되었다. 무엇보다도 지수, 제곱근, 가우스 함수의 아이디어가 먼저 제시되고, 후속학습이 일어났다. 계산기가 어떻게 활용되어야 하는지에 대한 아이디어도 제공했다.

• The Korean Publising Journal, Monthly
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• s.254
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• pp.6-7
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• 1999

최근 베스트셀러 목록의 변화가 심상치 않다. 여전히 대형 베스트셀러가 보이지 않는 가운데 종합 순위에 문학서와 인문서의 강세가 눈에 띈다. 문학서의 경우 문예지를 통해 정식으로 등단했거나 이전에도 베스트셀러를 냈던 작가의 작품이, 인문서의 경우 일간지 등을 통해 낯익은 필자들의 저작이 대부분이라는 점에서 베스트셀러의 성격 변화에 대한 의견이 분분하다. 전반적인 출판시장의 축소 때문에 일시적으로 이들 책이 베스트셀러 상위를 차지한다는 분석과 출판시장의 거품이 빠지면서 정상적인 궤도를 찾아간다는 분석이 대부분이다. 두 의견 모두 이런 현상의 원인을 출판시장의 불황에 두는 것 같지만, 이 현상의 성격을 전자는 대형 베스트셀러 대망론으로, 후자는 독서계의 거품이 빠지는 구조조정의 과정으로 본다는 점이 다르다.

• Proceedings of the Korea Contents Association Conference
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• 2018.05a
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• pp.43-44
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• 2018

일본 애니메이션을 중심으로 발전한 오타쿠 문화는 일본에서 약 20여 년의 역사를 지니고 있다. 일본 애니메이션 작품이 해외에 소개될 때 이따금 해외의 현지에도 그와 비슷한 문화가 형성되곤 한다. 본문은 중국과 일본의 오타쿠 문화 비교연구를 통해 중국의 오타쿠 문화가 대중에게 올바르게 인식될 수있도록 중국과 일본의 오타쿠 문화를 분석하는데 목적이 있다.

• Cartoon and Animation Studies
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• s.35
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• pp.181-208
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• 2014

Kon Satoshi is a representative animation film director who explores human's intrinsic self-identity based on ambivalence and delivers a message for self-reflection of entity. The aim of this study is to analyze the persona of character according to the way how a self incorporates with another self in his film; that is to say, how a mask of the personality expresses and realizes itself from the perspectives of the Jung's analytical psychology. The persona, defined as the upmost external personality, involves social behavior playing a specific role to establish constant relationship with others in a society. With increasing demand in a society, individuals get to adapt to outer environment by playing his/her given role in various masks of personality. In this way, although persona acts as a major function in relationship with outer world, it would exert a negative influence on formation of self-identity because of the inconsistency between consciousness and unconsciousness when immersed only in mask of personality, complying excessively with the demand of group. However, persona does not always have a negative effect on relationships. Developed adequately to fulfill its social function, persona is helpful to establish a healthy self-identity with balanced control between inner world of unconsciousness and outer world of consciousness. From these perspectives, this study can identify how the desire of mask hidden inside of each character expresses to function in a positive or negative way by analyzing characters in the film according to integrated pattern and correlation between consciousness and unconsciousness. Additionally, I hope that the psychological research methods in this study will be full of help for interpreting on a character analysis as a theoretical approach.

• Cross-Cultural Studies
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• v.43
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• pp.327-354
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• 2016

Rimbaud's prose poem, Barbare in Illuminations, is known for its abstruseness with regard to forms, themes, metaphors. This paper first analyzes the poem's grammatical structure to make sense of such an inscrutable piece of work, then discusses its autotextuality in order to decipher its meaning by comparison with Rimbaud's other works. Autotextuality, a method of literary interpretation of Rimbaud's prose poem presented by Steve Murphy, refers to the intertextuality between the author's works. Despite some previous researches focusing on the intertextuality of Barbare, previous authors have failed not only to find its meaning but also to determine its significance. The abstruseness of Rimbaud's Barbare is sometimes considered an example of the meaningless of Rimbaud's work. However, examining the textual structure and the autotextuality builds meaning, rather than rendering the work meaningless. Barbare which consists entirely of noun phrases and metaphors means destruction, fusion and the pure power of regeneration in the original context of Rimbaud's work. This poem is Rimbaud's answer to Baudelaire's poetic question, Any of where out of World, and presents a strange scenery that uses 'the eternal female voice' to reach the Vulcan in the North Pole. Interpretation of Barbare could provide a methodology for reading the difficult Illuminations. The kind of analyses used are, for example, analysis of the text, analysis of verbal indicators, autotextuality, and an understanding of the joy and the solitude in the silence of the poem. Understanding Barbare may provide a method of interpreting the abstruseness of Illuminations. Through this approach, we can connect and combine every fragment of the Illuminations, so that we can reconstruct the story and the adventure contained therein.

• Journal of Service Research and Studies
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• v.11 no.2
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• pp.79-93
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• 2021

The size of the domestic art market has increased 21.9% over the past five years as of 2018 to KRW 448.2 billion and the number of transactions has also increased 31.6% to 39,367 points maintaining growth for the fifth consecutive year. Art distribution platforms are diversifying from galleries and auction-style offline to online auctions. The art market consists of three areas: production (creation), distribution (trade), and consumption (buying) of works and as the perception of artistic value as well as economic value spreads interest is also increasing as a means of investment. Consumers who purchase works and think of them as a means of investment technology have an increased need for objective information about their works, but there is a limit to collecting and analyzing objective and reliable statistics because information provision in the art market distribution area is closed and unbalanced. This paper identifies objective and reliable art distribution status and status through big data collection and structured and unstructured data analysis on art market distribution areas. Through this, we want to implement a system that can objectively provide analysis of authors in the current market. This study collected author information from art distribution sites and calculated the frequency of associated words by writer by collecting and analyzing the author's articles from Maeil Business, a daily newspaper. It aims to provide consumers with objective and reliable information.

• Sijohaknonchong
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• v.22
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• pp.57-83
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• 2005

This article reviewed ‘Gojangsijoseonju(고장시조선주)' which was written by Gojeong-ok(.고정옥), a scholar of Korean literature. and showed the features and importance in the history of Korean literature. Gojeong-ok was not properly studied in the history of Korean literature for the time being because he went to North Korea during the Korean war. Even for the researcher on Korean literature.' the literary works of Gojeong-ok were not introduced properly. However, the systematic studies on Gojeong-ok and his literary works should be done, and should be well appreciate his work in the history of the research for Korean literature by his achievements. This article considered his literary achievement through his book, 'Gojangsijoseonju'. 'Jangsijo(장시조), that was named by Gojeong-ok for 'Saseolsijo(사설시조), stood in highly important position to explain the history of literarature in late period of Chosun(조선) Dynasty. He tried the analysis on the fifty (50) selected 'Saseolsijo' and made commentaries on them in his book. And he suggested the original and creative theory on 'Saseolsijo' at the time of the book published. This article considered his understandings on the poems of classical literature, revealed in his literary works, and especially, the features on the theory for the 'Jangsijo'. Through this process, it could be clearly understand his views on literary works in itself. By considering the analysis of literature that was introduced with the commentaries, it could be seen the aspects of the specific analysis on each literature. Through these works, it could be looked forward to getting more detailed investigating clue on the view of Gojeong-ok for the poems of classical literature.