• Title/Summary/Keyword: 작품 분석

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Cinderella - She was Only Beautiful (신(新)데렐라 - 아름답기만했다 작품 분석)

  • Cho, sunghee
    • Proceedings of the Korea Contents Association Conference
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    • 2018.05a
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    • pp.311-312
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    • 2018
  • 신데렐라가 찾고 있는 잃어버린 신발은 현대인들이 추구하는 행복, 꿈, 무의식, 허구이며, 그 여정은 비가시적인 공간 속으로 길을 내고 찾는 여행이다. 동화 신데렐라 이야기의 각색, 구두의 이미지 변환과 역설적 표현으로 풀어나갔으며 본 작품은 제 12회 전국무용제에서 금상 및 최우수 연기상 수상작이다.

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Corpus-Based Literary Analysis (코퍼스에 기반한 문학텍스트 분석)

  • Ha, Myung-Jeong
    • The Journal of the Korea Contents Association
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    • v.13 no.9
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    • pp.440-447
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    • 2013
  • Recently corpus linguistic analyses enable researchers to examine meanings and structural features of data, that is not detected intuitively. While the potential of corpus linguistic techniques has been established and demonstrated for non-literary data, corpus stylistic analyses have been rarely performed in terms of the analysis of literature. Specifically this paper explores keywords and their role in text analysis, which is primary part of corpus linguistic analyses. This paper focuses on the application of techniques from corpus linguistics and the interpretation of results. This paper addresses the question of what is to be gained from keyword analysis by scrutinizing keywords in Shakespeare's Romeo and Juliet.

William Shakespeare's Influence and Inspiration on Musical Works (음악 작품으로 본 셰익스피어(William Shakespeare)의 영향력과 영감)

  • Kiel, Hanna
    • The Journal of the Korea Contents Association
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    • v.18 no.4
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    • pp.503-515
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    • 2018
  • This paper reevaluates the influence and value of Shakespeare inherent in the history of music, focusing on the works of playwright William Shakespeare who have had an absolute influence on the history of music and various musical works derived from his work. To consider ways referred to the original work of Shakespeare, and at the same time to analyze the different musical pieces with his same material, and also about the musical implementation according to theatrical devices provided by Shakespeare through the four aspects of 'Shakespeare's musical descriptions and texts', 'Configuration model and its variants', 'Portrayal of person and human character' and 'Genre diversity and Creative possibility'.

A study on 3D Animation Direction Method of Robert Zemeckis Focusing on and (로버트 지메키스의 3D 입체 애니메이션 연출 방법에 관한 연구 -<폴라 익스프레스>와 <크리스마스 캐롤>을 중심으로-)

  • Kim, Ho
    • The Journal of the Korea Contents Association
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    • v.13 no.8
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    • pp.93-100
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    • 2013
  • Works of director Robert Zemeckis have attracted much attention after the appearance of in which realistic digital characters appeared. Although he quitted animation production after , his 3D animation contributed to the 3D stereoscopic animation direction considerably. This study compared and analyzed representative 3D stereoscopic works of Robert Zemeckis with special reference to the theoretical background of 3D stereoscopic, cubic effect awareness factor using single eye sight and dual eye sight and matters of consideration in the direction of 3D stereoscopic image. This study also examined an expression method used in his works to improve cubic effects focusing on and .

mise-en-scen of Digital 3D Short Animation in a Viewpoint of 'Triple Articulation' by U. Eco Focuseed on 3D Digital Animation 'Birthday Boy' (에코의 삼중 분절 개념으로 본 디지털 3D 단편 애니메이션의 미장센 - <버스데이 보이Birthday Boy>를 중심으로 -)

  • An, Se-Ung
    • The Journal of the Korea Contents Association
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    • v.6 no.12
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    • pp.278-286
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    • 2006
  • The purpose of this study was to investigate factors of film aesthetics, a core of creative power for works, and reference indicators to establish the successful model for works by analyzing Mise-en-scene through case works focused on domestic digital 3D short snimation that has developed consistently in recent years. As to the frame of analysis for Mise-en-scene, this study applied to the concept of triple articulation under discussion in U. Eco's film semiotics, but each factor is semes, figures, and cinemorphes. The case works were focused on by a film director Park Se Jong who was nominated for the Academy Award in 2005, and secured its objectivity.

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A Study of the Characteristics of Skylights and Roof Structures in the Works of Mario Botta (마리오 보타 작품에 나타난 천창과 지붕구조의 특성 연구)

  • 김용립
    • Archives of design research
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    • v.16 no.4
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    • pp.243-254
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    • 2003
  • The aim of this study is to analyze the skylights and roof structures designed by Marie Botta from the viewpoint of the space, the form and the light source, and thus to find out their characteristics. For this purpose, his 13 major works were selected and analyzed according to the principle of design, which could explain the characteristics of skylight and roof structures sufficiently. Trough this study, the followings are realized. 1) The skylights are the main light source in the interiors of his buildings that are comparatively dark, being enclosed by thick materials such as bricks. The roof structures have been precisely designed to disperse the light effectively 2) The skylight and roof structures play the role of form-creating elements in his buildings. They create the unique images for the exteriors and endow form to the interiors. 3) The skylight also serves as a window to communicate with nature outside. Through the skylight, people in his buildings are able to perceive the flow of time and enjoy the scenery of the sky. 4) The light that showers through the skylight and adjusted by roof structures produces special atmosphere in his projects. In his interiors, people can experience a somewhat miraculous and sacred feeling with the light from above. 5) The skylight has meaning as a symbol. It symbolize the relationship between the earth and the sky. Also, in religious projects, a skylight provides a symbolic vision of Heaven for Christians. Comparing with recent works presented in our country, which emphasize simple interiors using artificial light, Botta's works suggest another form of design differentiated from the works of our designers in that Botta's works not only take advantage of natural light by using skylights and roof structures but also utilize them as form-creating elements.

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A Study on compiling way of gosijo anthology - Focusing on the classic gosijos(模範의 古時調) wascompiled by Anhwak(安廓) - (고시조 앤솔로지 편찬 방법 연구 - 자산 안확의 <모범의 고시조>를 중심으로 -)

  • Kim, Tai-Woong
    • Sijohaknonchong
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    • v.43
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    • pp.67-94
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    • 2015
  • This paper presents a method and necessity of this research to study the gosijo Anthology compilation method. The cataloging work was carried out 53 species of gosijo Anthology ranging from 1910-2000's, in order to proceed with the study. There was no way to analyze the compilation of all gosijo Anthology ranging from 53 species in this article. For this reason, select the classic gosijos(模範의 古時調) of Anhwak(安廓) conducted a study gosijo Anthology compilation method. The classic gosijos(模範의 古時調) of Anhwak(安廓) are no new works, will be named as one of the subheadings of the magazine. But not less that 100 can work with and all the works reveal the artist. It also select a topic classification scheme. This point is analyzed with focus on the text to be responsible enough to think that the role of gosijo Anthology. The classic gosijos(模範의 古時調) is thought to have great significance in a few aspects. First, the gosijo The Anthology is only pyeongsijo(平時調) and can be called only sijojip which the artist recorded all the work. Second, the work presented in this gosijo Anthology are the popular songs contained in a number of Gagip(歌集) majority. Third, there is a new artist appears gosijo Anthology does not appear as a writer in the gosijosa(古時調史). They BakDaegil(朴大吉), ChoiSeobung(崔瑞鵬), OhHuisang(吳喜常), JangWooByouk(張友璧), AnSapil(安思弼), AnYungi(安胤基). Fourth, gosijo Anthology reveals the Woodae gagaek(歌客) locality and the foundation of JoSeon(朝鮮) gagok(歌曲).

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Analysis of the narrative space in the Disney animation -Focus on Semiology of Roland Barthes- (디즈니 애니메이션 <피노키오>에서 나타난 공간의 서사성 분석 - 롤랑 바르트의 기호학을 중심으로-)

  • Kim, min-kyung
    • Proceedings of the Korea Contents Association Conference
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    • 2018.05a
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    • pp.505-506
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    • 2018
  • 애니메이션은 화면을 구성하는 모든 요소를 제작자의 의도에 따라 창조할 수 있다는 부분에서 메시지를 전달하는 표현 도구로써 언어적 성격이 강하다. 이에 애니메이션 작품을 대상으로 선정해 작품 속에서 묘사되는 공간의 역할과 그 상징의미에 대해 고찰하고 그것이 어떻게 기호화 되어 있는지에 대해 분석하기 위한 선행연구를 진행하였다.

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A Study on the Visual Effect of Super High Frame Rate Movie (초고속프레임 영화의 시각적 효과에 관한 연구)

  • Liu, Jing-dong;Choi, Won-Ho
    • Proceedings of the Korea Contents Association Conference
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    • 2019.05a
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    • pp.93-94
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    • 2019
  • 초고속 프레임(Super High Frame Rate, HFR)은 관객에게 탁월한 이미지의 우월성을 전달한다. 그럼으로써 실제 눈으로 보지 못한 장면의 생생함을 통해 작품성에 기여하는 것이다. 이에 연구자는 영화에 나타난 초고속 프레임의 장면을 통해 시각적 효과를 분석하고자 한다. 특히 를 중심으로 초고속 프레임의 특징을 분석하여 향후의 작품제작에 기여하고자 한다.

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Effects of the Space Storytelling Factors for Building Artwork on Decision Making Processes of Apartment Purchasing (건축물 미술작품의 공간스토리텔링 적용이 아파트 구매의사결정에 미치는 영향)

  • Kwon, Hyeog-In;Lee, Jin-Hwa;Kim, Mi-Young
    • The Journal of the Korea Contents Association
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    • v.13 no.8
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    • pp.396-408
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    • 2013
  • The purpose of this research is to derive space storytelling factors newly among the evaluating factors of the building artwork and to present their roles and functions and to verify the effectiveness thereof. Random sampling was carried out on 204 residents who experience space storytelling in Ilsan Wi-City. The new evaluation factor was extracted by deriving the space storytelling factor through a theoretical study on the building artwork evaluation factors: formativeness factor, sociality factor, and environmental factor. And the effects of the space storytelling factor extracted in this way and the existion sculpture evaluation factor on the facilities affinity and the purchase intention were examined. This study will serve as a momentum for the building artwork to be harmonized with the surrounding fine view within urban space and to raise the quality of life of the residents.