• The Journal of the Korea Contents Association
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• v.14 no.4
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• pp.67-77
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• 2014

This study focuses on clarifying narrative strategy of the epilogue system of TV nature documentary. TV nature documentary epilogue system is different from making film. Because it has stories about production team's daily life and incidents while they make films in nature. Therefore, TV documentary epilogue system has distinctive narrative features comparing to the documentary itself. This study analyzes into the distinctive narrative features of TV documentary epilogue system. According to Frye, there are four types of narrative based on narrative structure. 'The tears of Antarctica' has achieved reconciliation between nature and human by it's narrative structure of comic romance and comic character. Therefore, comic romance's narrative features of TV documentary epilogue system overcomes tragic features of the documentary itself.

• Broadcasting and Media Magazine
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• v.18 no.4
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• pp.9-21
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• 2013

• Journal of Broadcast Engineering
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• v.26 no.3
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• pp.308-320
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• 2021

Conventional image quality studies have been focused on 'naturalness' and has relied on memory color. Memory colors are mainly formed for familiar objects with prior experience, and the more faithfully these memories are reflected, the more naturalness of the reproduced image quality increases. In particular, the brightness and saturation of memory colors play an important role in increasing the preference of image quality as well as naturalness. Therefore, in the case of existing image quality studies, image quality characteristics were studied focusing on natural objects and people with memory. We extracted representative images of each genre (sports, documentaries, news, entertainment and music, and movies), adjusted the brightness, contrast, and saturation of each image, and conducted an experiment to evaluate perceived quality. Based on situational context, the results of this classification indicated that genres of television content can be divided into two categories: proximate and indirect experiences. Proximate experience best characterizes outdoor sports, dramas, and nature documentaries, where their image qualities have shown to have a strong correlation with brightness and contrast. On the other hand, indirect experience best characterizes news, music shows and SF/action movies. The image quality perception for indirect experiences was shown to be closely related to and optimized by contrast and saturation.

• Journal of The Korean Association For Science Education
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• v.38 no.2
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• pp.293-304
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• 2018

In spite of a growing number of recent studies that indicate students are coming to view scientists with more varied images, the stereotypical image of scientists remains in many students' minds. In this study, the authors explore how college students change their perceptions of science and scientists through the use of a documentary that focuses on scientists' daily lives, including laboratory life, and their emotional ups-and-downs. We analyzed 109 college students' essays on perceptions about scientists after watching the documentary. As a result, 64.2% of the college students declared that there was a change in their perception of scientists. The students' new perceptions of science and scientists are as follows: 1) scientists undergo emotional ups-and-downs just like any normal person; 2) scientists experience numerous failures while researching; 3) science does not have a fixed answer and scientists undertake research with creativity; 4) scientists conduct research in collaboration, but also in highly competitive environments; 5) scientists are often frustrated with their socio-economic status. The students' previous perceptions on science and scientists were mainly stereotypical ones that have been reported in previous studies. In addition, of the other college students who did not change their perceptions, the majority declared that they have new perceptions such as 1) - 5). Only a small percentage of students (7.3%) had unchanged stereotypical perceptions. These results are interpreted as that college students relatively easily change their stereotypical images of scientists after watching the documentary but, alternatively, the results can be interpreted that the most stereotypical images of college students are not perceptions that form a deep impression, but rather they are simply depictions of representative images of scientists given from outside sources (e.g. the mass media and school).

• Journal of Digital Convergence
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• v.12 no.1
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• pp.525-530
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• 2014

This experimental research explores the effect of screen size of smart media on viewer's evaluation and presence. For this experimental research, 2 groups of subjects composed of university students were exposed to TV document video clips which were shown by two different size of smart media, and evaluation and presence related questions were asked analysed. This research found that subjects exposed to large smart media showed higher degree of image aesthetic evaluation and presence than those exposed to small media. but the effect of screen size of smart media on viewer's program evaluation was not found. Through this study, screen size of smart media is main factor which has effect on image aesthetics and presence of TV documentary.

• The Bulletin of The Korean Astronomical Society
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• v.39 no.2
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• pp.72.2-72.2
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• 2014

빅 히스토리(거대사)는 빅뱅부터 생명과 인류의 등장, 그리고 문명에 이르기까지 인문학과 자연과학을 모두 아우르는 융합 학문분야로, 최근 들어 중등 및 고등 교육기관 교육자들의 관심을 차츰 받고 있는 분야이다. 미국에서는 현재 빌 게이츠의 지원 아래 '빅 히스토리 프로젝트'를 운영하며 중등학교 교사들이 이용할 수 있는 자료를 구축하고 제공하는 등 활발한 교육 및 연구가 이루어지고 있지만, 아직 우리나라에서는 관련 연구가 교육이 활발히 이루어지고 있지는 않다. 이번 연구에서 우리는 1) 빅 히스토리 프로젝트, 2) 새로운 모습으로 올해 소개된 다큐멘터리 '코스모스', 3) 빅 히스토리 관련 서적들의 콘텐츠를 정리하고, 이들을 시대별, 주제별, 그리고 소주제별로 분류하여 얼마나 다양한 방법으로 접근할 수 있는지 보일 것이다. 향후에는 이 콘텐츠를 대학의 교양교육과정에서 어떻게 이용할 수 있는지를 제시하는 것이 목표이다.

• The Safety technology
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• no.179
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• pp.15-17
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• 2012

극지(極地), 그곳은 말 그대로 '맨 끝에 있는 땅'이다. 흔히 남 북 양극지방을 통칭하는 말이기도 하다. 극지에 대한 일반 국민들의 관심은 2009년에 진수된 우리나라 최초의 쇄빙선 아라온호의 명성으로 극대화됐다. 거기에 얼마 전 TV 다큐멘터리 '남극의 눈물' 방영도 일반인들에게 극지에 대한 친숙함과 이해를 높이는 데 한몫 했다. 얼음과 눈, 그리고 살을 에는 추위뿐인 동토의 땅에서 대한민국 태극기를 펄럭이며 극지의 모든 것에 대해 연구하는 과학기지가 있다. 바로 남극 세종과학기지와 2014년 완공되는 장보고과학기지, 그리고 북극의 다산과학기지다. 인천광역시 연수구 송도동에 자리 잡은 극지연구소(KOPRI, Korea Polar Research Institute)는 극지와 그 관련지역에서의 기초 및 첨단 응용과학 연구, 남 북극 과학기지 운영 등을 지원하는 극지 전문기관으로, 국토해양부 한국해양과학기술원 부설기관이다. 이곳은 우리나라 유일의 극지연구전문기관으로, 미래의 기후 변화와 무한한 생물종을 연구하는 과학자들의 열의가 대단하다. 그 뜨거운 열기의 중심에는 바로 안전이 자리 잡고 있다. '극지'라는 특수지역을 무대로 삼아 국가적인 연구를 수행하고 있는 만큼 '안전'은 연구 활동을 뒷받침 하는 주춧돌이자 왕성한 연구활동을 이어나갈 수 있게 하는 원동력이 되고 있다. 안전을 위시해 전문적인 극지 연구를 하고 있는 이곳, 극지연구소만의 특별한 안전관리 현장을 찾아가봤다.

• The Journal of the Korea Contents Association
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• v.16 no.9
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• pp.502-511
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• 2016

This article reviews the film acting studies of Kracauer presenting the basic approach of traditional film theory. It is to provide a foundation for film acting theory in order to activate the domestic acting studies. While Kracauer explaines the difference between traditional stage actor and film actor in 'Remarks on the Actor' of Theory of Film(1960), he suggests the characteristics of the cinema acting and its media technical meanings. He emphasizes the acting forms presenting the postwar new realism in his film acting studies. His approach takes the perspective of 'physical reality' or 'camera reality' which is the basic premise of film theory. Kracauer insists the naturalness of the actors, listing the features of professional actors, non-professional actors and Hollywood stars as they are a familiar classification for the types of actors. He does not prefer the Hollywood stars, whether it is fiction or documentary, professional or non-professional actors, but he emphasizes negative acting, the ability to express words by doing nothing, based on indeterminacy or indefiniteness of the film. Kracauer's film acting studies has affected later film theory and media-related acting, and has become the principles of cinema textbook and acting.

• Journal of Science Education
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• v.34 no.1
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• pp.84-92
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• 2010

We analyzed learning materials from web sites of the Ministry of Environments, the Ministry of Land, Transport and Maritime Affairs and Korea Energy Management Corporation to help people to develop and utilize web-based multimedia teaching materials. The contents of web-based multimedia teaching materials for environmental educations were generally concentrated in 304 cases of natural environments (22.1%), 250 cases of environmental contaminations (16.5%) and 187 cases of environmental preservation plans (12.4%). It did not significantly deviate from traditional teaching-learning contents being conducted focusing on environmental pollutions of the past. The types of web-based multimedia teaching materials for environmental educations were 934 cases of teaching plans (61.8%), 156 cases of documentaries (10.3%) and 128 cases of e-text information (8.5%). The web-based multimedia teaching materials by school-levels showed that there were 796 for primary schools (35.3%), 588 for middle schools (26.1%) and 320 for high schools (14.2%). It also showed that environmental education with similar contents were provided even in advanced schools. Therefore, it is believed that there needs development of various types of teaching materials while the fields of environmental education contents are covered with connectivity according to school-levels.

• Cartoon and Animation Studies
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• s.39
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• pp.111-132
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• 2015

Although Rotoscoping technique has been used for a long time to mimic the natural and smooth motion since the early 20th century, its artistic value was devalued as tricks because it traces the already recorded images. But the fact that the rotoscoping images can cross the boundaries between animation and live action in an infinite integral freedom in the digital era became rather expansive new aesthetic possibilities of representation of the reality. In addition, Jonas Odell's animations such as (2010), (2008), (2006) are good example to prove that the rotoscoping images also can serve as means to enhance its narrative. This study is to analyze how rotoscoping images act as a unique role in relation with the narrative based on the said person's real stories and realistic images. I argue that his animated films constantly contain these three characteristics -Images to mediate Auditory sensitivity as a record of inner metaphysical reality, anonymous images to represent a specific existential character, and images that act as physical representation that holds the physical space/time and related memory. This reveals that rotoscoping images in this digital era went beyond reproduction for natural movements or special type of style. It rather suggests new layers of experience, and acquires new value in animation. I hope that this study could serve as a foundation to rediscover and re-position the value of rotoscoping images as well as good opportunity to introduce very talented swedish animation artist who already received global attention with his unique philosophical and aesthetic style.