• Journal of the Korea Institute of Information and Communication Engineering
• /
• v.19 no.1
• /
• pp.41-49
• /
• 2015

The common way to obtain a stereoscopic image of a subject at a distance is to place two cameras on the parallel axis rather than crossing axis. To find the IAD and maximum focal length, left and right images are obtained by varying the IAD of cameras and the focal length of the camera lens and the depth budget for the obtained images is analyzed through post production. Then, the database for IAD and focal length of the camera lens with the depth range that does not cause visual fatigue and visual discomfort are developed. These data are used to design fuzzy control and deduce the IAD and focal length of the camera lens to shoot a subject at a distance, and the function of the fuzzy control is confirmed through the actual shooting within the range of deduced IAD and focal length of the camera lens.

• Journal of radiological science and technology
• /
• v.6 no.1
• /
• pp.21-26
• /
• 1983

DSA는 해상능(解像能)에 있어서는 일반적(一船的)인 혈관(血管) 조영술(造影術)에 비해서 다소 못미치지만 소량(小量)의 조영제(造影劑)로도 혈관구조(血管構造)를 잘 관찰(觀察)할 수 있으며 큰 차이의 조직(組織)두께차를 적절히 수용(受容)할 수 있으며 필름의 소모도 적게 되었다. DSA는 경동맥검사(頸動脈檢査)에 가장 중요한 위치를 차지하며 많이 시행(施行)되고 있다. 혈관(血管)의 모양을 변화(變化) 시키는 여러 질환에서 혈관(血管)상태나 혈류(血流)의 변화(變化), 내경(內經)도 알수 있다. 최근에는 흉부(胸部)나 후두(喉頭) 등(等)에도 적용하여 일반검사(一般檢査)와 비교(比較)하여 좋은 결과(結果)를 얻고있다. 또 확대촬영(擴大撮影)이나 입체촬영(立體撮影)까지 응용(應用)하여 좋은 성적을 얻고 있다. DSA는 보고자 하는 혈관상(血管像)만을 단시간에 볼 수 있고 유연성(柔軟性)이 있고 비침습성(非侵襲性)(noninvasive)이며 간단한 검사방법(檢査方法)이라는 점 등(等)에서 매우 유용(有用)한 검사(檢査)라 하겠다.

• Proceedings of the IEEK Conference
• /
• 2009.05a
• /
• pp.219-221
• /
• 2009

In this paper, we present stereoscopic conversion based on movie shot information. To overcome the low stereoscopic quality of automatic stereo conversion technologies, the usage of the shot type is expected to provide more satisfactory stereoscopic perception. In general, movie clips are produced with a variety of shot techniques such as long shot, closeup shot, medium shot, etc. Each shot has its own characteristics that can be utilized during the conversion process. Furthermore, description sceme for shot and camera information is presented in XML. XML shot editor generates XML shot data. and conversion module parses such data and converts 2D image into stereoscopic image.

• Proceedings of the Korea Information Processing Society Conference
• /
• 2015.04a
• /
• pp.927-928
• /
• 2015

무안경 3D 입체 디스플레이 장치는 패럴렉스 배리어(parallax barrier)와 렌티률러 렌즈(Lenticular lens)의 기반의 장치로 구분된다. 무안경 업체 디스플레이 장치를 통하여 입체영상을 디스플레이하기 위해서는 다중 시점(multi-view) 촬영 영상들의 서브픽셀 인터레이싱 방법을 통하여 하나의 영상으로 합성되어야 한다. 본 연구는 렌티큘러 렌즈 기반의 입체 디스플레이 장치에서 렌티큘러 렌즈의 속성에 따라 적응적으로 서브픽셀 인터레이싱 될 수 있는 기법을 제안하기 위한 사전 연구로서 기존에 발표된 서브픽셀 인터레이싱 기법의 종류를 분류하고 각 기법의 특성을 분석하고자 한다.

• Journal of the Korea Society of Computer and Information
• /
• v.14 no.6
• /
• pp.117-123
• /
• 2009

In this paper, An algorithm which converts 2D video frames into 3D video frames of parallel looking stereo camea is proposed. The proposed algorithm finds the disparity information between two consecutive video frames and generates 3D video frames from the obtained disparity maps. The disparity information is obtained from the modified iterative convergence algorithm. The method of generating 3D video frames from the disparity information is also proposed. The proposed algorithm uses coherence method which overcomes the video pattern based algorithms.

• Journal of Korea Multimedia Society
• /
• v.16 no.8
• /
• pp.994-1004
• /
• 2013

3D stereoscopic cinema emerged as a new dominant media format. In principle, the stereoscopic cinema imitate the vision of the human being has two eyes. The stereoscopic cinema is filmed with 2 connected cameras at the same time and projected these 2 different images. With the stereoscopic glasses, the human being can see the overlapped images as a single 3D stereoscopic image. To make 3D stereoscopic cinema, it is very important to systemize the process of the 3D stereoscopic cinema production and to use the principle of the 3D stereoscopic cinema. This paper investigates the possibilities of the using the 3D stereoscopic principles such as the I.O.D, convergence point, parallax and the 3D comfort zone. Using the principle of the 3D stereoscopic cinema can be the technique of directing the film. Using the example of 3D stereoscopic short film My Birthday, I investigate the main technique of the 3D stereoscopic cinema.

• Smart Media Journal
• /
• v.1 no.1
• /
• pp.10-16
• /
• 2012

Stereo and multi-view cameras have been used to capture the three-dimensional (3D) scene for 3D contents generation. Besides, depth sensors are frequently used to obtain 3D information of the captured scene in real time. In order to generate 3D contents from captured images, we need several preprocessing operations to reduce noises and distortions in the images. 3D contents are considered as the basic media for realistic broadcasting that provides photo-realistic and immersive feeling to users. In this paper, we show technical trends of 3D image capturing and contents generation, and explain some core techniques for 3D image processing for realistic 3DTV broadcasting.

• The Journal of the Petrological Society of Korea
• /
• v.23 no.2
• /
• pp.139-144
• /
• 2014

A series of the planar cathodoluminescence (CL) and backscattered-electron (BSE) images of magmatic zircon from the Paleozoic Yeongdeok pluton in the southeastern Korean Peninsula were taken using a scanning electron microscope for a 3D reconstruction of internal zonation of zircon. Seven zircon crystals mounted in epoxy were serially polished with average $3{\mu}m$ thickness to their disappearance. Their 3D reconstruction of zonation was performed using the Volume Viewer function in the ImageJ software. The 3D oscillatory zoning pattern of zircon was apparently shown in all the analyzed crystals. This method can further be applied to zircon crystals of multiple growth histories as well as other geological materials.

• Journal of the Korea Institute of Information and Communication Engineering
• /
• v.17 no.3
• /
• pp.665-671
• /
• 2013

Even though a dual lens stereoscopic camera allows for convenient stereoscopic photography, the necessity for the research comes up, since the dual lens stereoscopic camera can cause visual discomfort during zoom-in due to the fixed convergence point. We propose a method based on which a convergence point can be adjusted to prevent visual discomfort during zoom-in for a dual lens stereoscopic camera. First, the relational model is classified into nine kinds and defined, depending on locations of focus, object, and convergence point. And then, the method to minimize visual discomfort is suggested by adjusting convergence point on the given model. We also implement the suggested methods with anaglyph computer graphic and demonstrate the superiority of them.

• Journal of the Korean Society of Surveying, Geodesy, Photogrammetry and Cartography
• /
• v.10 no.2
• /
• pp.25-30
• /
• 1992

Most algorithms in computer vision and digital photogrammetry assume that digital stereo pairs are registered in epipolar geometry. But, an aerial stereo pair is not likely to be in epiplar geometry since the attitude of the camera at the instant of exposure is different at every exposure station. In this paper, stereo digital imagery is obtained from aerial stereo pair by scanner. Then procesure to resample the digital imagery to epipolar geometry using exterior orientation elements after absolute orientation is described. As a result, a stereo imagery in epipolar geometry is produced from stereo digital imagery. Epipolar imagery in this paper is applied to the image matching method by digital image correlation technique. Then, a digital elevation model is produced from the result of image matching. The digital elevation model in this paper is compared to the other digital elevation model produced by analytical plotter. As a result, an economical method to generate digital elevation model is presented.