• Journal of Internet Computing and Services
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• v.17 no.6
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• pp.41-51
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• 2016

The appearance of 3D-Touch interface provided the basis of a new interaction method between the users and the mob ile interface. However, only a few smartphones provide 3D-Touch features, and most of the 2D-Touch devices does not provide any means of applying the 3D-Touch interactions. This results in different user experiences between the two interaction methods. Thus, this research proposes the Virtual Force Touch method, which allows the users to utilize the 3D-Touch Interface on 2D-Touch based smart devices. This paper propose the suitable virtual force touch mechanism that is possible to realize users' inputs by calculating and analysis the force touch area of users' finger. This proposal is designed on customized smartphone device which has 2D-Touch sensors.

• Journal of Digital Convergence
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• v.18 no.6
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• pp.425-433
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• 2020

Digilog book using augmented reality is a form that augmented reality is implemented by illuminating the camera embedded in the mobile image on the page registered as an image marker after downloading the application, which shows a fragmentary limitation in the content implementation method. Therefore, in this study, we proposed a pop-up multi-tracking method that enables two-way interaction in a digit log book using augmented reality technology. Through this, we commissioned an authorized agency to test the technical differentiation of augmented reality content for two prototypes of existing book-type Digilog Book and Pop-up-type Digilog Book. A test report was issued. The pop-up type digit log book suggested in this study enables the user to implement the interactive contents according to the user's action (movement). This can induce the interaction between the virtual image and the printed picture book and give the learner an interest and immersion, so that it is possible to express the interaction of the digital log book.

• The Journal of the Korea Contents Association
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• v.10 no.10
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• pp.120-127
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• 2010

Today we always can take a picture and enjoy it anywhere and anytime with a propagation of digital camera and camera phone. Even though the amount of digital picture content produced in every day life has been increasing, the way of enjoying it was just with phones or PC monitors. A small size screen of a cell phone and a desktop monitor are not suitable environment for enjoying digital picture, so the new market for digital photo frame has been opened. Until now, various kind of digital photo frames of many manufactures have been released for several years, but they have similar interaction way each other due to the limitation of their hardware specification so don't fill the intuitive mental model that users have about the product called a photo frame. Thus, this research aims to suggest an interaction way of digital photo frame providing with better usability and emotional satisfaction according to the spatial environment that it's located and users' behaviors.

• Journal of Digital Convergence
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• v.17 no.5
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• pp.379-384
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• 2019

The purpose of this study is to investigate the problems of the rapidly increasing voice interface and to find out what results will be obtained when the new gesture interaction is applied to the product, and to suggest the improvement method for a better user experience. Through the literature review, I have conducted a theoretical review on the changes in the product interface used in the product and the difference between them, and then conducted in-depth interviews on the 20-30 users who used voice recognition as a product trigger. As a result, it was concluded that the decline in the reliability of accuracy leads to a decrease in the preference of voice recognition interactions and an needs of appropriate interface for the functional aspect of non-relavancy in physical distance as a product trigger. This study is meaningful in that it has found a problem with the study of the product trigger interface and suggested improvement measures, and hope to be helpful in follow-up study.

• Journal of the Korea Convergence Society
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• v.12 no.6
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• pp.1-8
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• 2021

The purpose of this study is to study the interaction structure of a smart farm for controlled environment horticulture. As a research method, interaction factors were analyzed by defining the growth stages of humans, plants, and plants, which are the subjects of interaction during the production, distribution, sales and consumption stages of smart farms. Additionally, on-site survey was used to differentiate between one-time, short-term, and long-term, depending on the behavior and operation of the interacting entity and time. As a result, the research came up to a finding that 1) Human and Plant are based on interactions of 'one-time, short-term' 2) Plant and Smart Farm as 'short-term' 3) Smart Farm and Human as 'short-term and long-term'. For this reason, this study is meaningful in deriving the relationship between the subjects and the interaction elements in the production stage of the smart farm and presenting a new interaction structure model by structuring them.

• Journal of the Korean Society for Computer Game
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• v.31 no.4
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• pp.197-203
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• 2018

As people's interest in Virtual Reality has recently increased, peripherals have also made many progress. There is a lot of research being done from VR environment to VR configuration through scanning at room level with various interface devices that can interact with objects in the environment. According to current VR research Home VR uses multiple haptic interfaces to interact with objects configured in the VR environment, the method uses room scanning to some extent is beyond the spatial constraints and may use tracking equipment to interact with real objects. And advances in 3D printers have enabled the distribution of commercial 3D printers and home 3D printers, and made it easy for 3D printers to create models of their choice at home or at home. Considering the above two factors, We think it is necessary to study the difference between a model's object that people feel when interacting directly with an easy-to-create model in a VR environment. Therefore, in this paper, we are going to implement objects produced by 3D printers in VR space and study the differences between using real objects and other general interaction equipment through user testing with those that are actually implemented.

• Proceedings of the Korean Information Science Society Conference
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• 2002.04b
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• pp.592-594
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• 2002

본 논문에서는 테이블형 가상 공간인 가상워크벤치 상에서 자연스럽고 직관적인 사용자 인터랙션을 이용하여 삼차원 객체를 모델링 하는 방법에 대하여 소개한다 먼저 일반적으로 삼차원 객체를 모델링하기 위하여 많이 이동되는 이차원 스크린 기반의 환경과 삼차원 가상 현신 시스템을 기반으로 하는 환경의 특징에 대하여 살펴본다. 삼차원 가상 현실 시스템을 기반으로 하는 모델링 환경에서는 사용자와의 인터랙션이 삼차원 공간상에서 이루어지기 때문에 직관적이지만 객체를 정확하게 선택하거나 조작하는데 어려움이 따른다. 따라서 이러한 단점을 보완해 주기 위하여 테이블형 가상 공간에서 그리드 기반의 객체 생성 및 스냅핑을 적용한 객체 조작 방법을 제안하고 이의 응용 가능성을 살펴본다.

• Proceedings of the Korea Information Processing Society Conference
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• 2006.11a
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• pp.257-260
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• 2006

가상현실에서의 사운드는 충돌이나 접촉 등의 인터랙션을 전달함에 있어서 그래픽 영상보다도 효과적인 경우가 많다. 그러나, 기존 연구에서는 발생 가능한 충돌음을 임의적으로 녹음한 후 실시간에서 단순 재생하는 방법으로 재현하고 있는 것이 대부분이다. 그러나, 가상환경은 미리 주어진 시나리오에 의해 플레이되는 것이 아니기 때문에 실시간으로 주어지는 인터랙션에 대해 적합한 충돌음을 실시간에 합성해야 한다. 본 논문에서는 녹음된 음의 단순재생을 피하고 실시간 가상환경의 충돌음 발생 요인을 바탕으로 유사한 물질의 충돌음을 하나의 대표 모델로서 표현하는 방법을 제안한다. 즉, 모든 샘플들을 저장하는 대신 하나의 고유음과 필요한 속성 표현을 제공하는 것이다. 이러한 고유음 표현은 실시간에 속성 요소의 변형에 의해 다양한 상황에 적응적인 음을 생성하게 된다. 이러한 충돌음 표현의 생성과 타당성을 파악하기 위해 충돌음을 방생시키는 물질들에 대한 진동음의 스펙트로그램 분석을 행하였고, 유사 물질별로 하나의 고유음 표현을 생성하여 해당 물질의 실제 충돌음과 비교함으로써 주요 주파수 패턴의 유사함을 확인하였다.

• The Journal of the Korea Contents Association
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• v.21 no.3
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• pp.103-113
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• 2021

Rather than a directing method of existing animations, VR animation needs a different method of direction. Existing animations were displayed on a screen in movie theaters. But using an existing direction method for the 360° perspective in a VR animation makes it difficult for the user's gaze to move in a way the directors have intended. I analyzed 3 VR animations with a theoretical background of Rudolf Arnheim's visual perception theory and Bruce Block's visual factors that bring high attention. In the process of perception of space, focus on the gaze, movement of the gaze, the 'movement' factor was used most often to attract the gaze. An interactive VR animation attracts user's gaze by allowing users to participate in important points of the story. With an analysis of the animation, it proposed a gaze attraction through the movement of the character with an interaction directing method for reducing motion sickness. Also, it proposed intuitively attracting gaze movement by using GUI and attracting user's participation by using an interactive event with an interaction directing method of storytelling comprehension. With two types of directing proposal, we expect it to be utilized as a basic research method for attracting users to be immersed in storytelling while reducing cyber motion sickness, which is a problem in VR animation.

• Archives of design research
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• v.16 no.3
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• pp.191-200
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• 2003

This paper summarizes the characters of virtual reality contents and its design problems, and suggests user centered approach in design methodology of VR contents. Based on case study of former VR contents design project, I developed a new VR contents design process in experience design perspective. This design process was applied on Tangible Space Initiative project of KIST, which showed positive roles of this design process as a dear communication media between project players, and an active generator of user-centered interaction design.