• The Journal of the Korea Contents Association
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• v.11 no.12
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• pp.976-985
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• 2011

The purpose of this research is to investigate the usage of voice scripting for speech characterization. The ultimate goal of acting is for an actor to create one's character both in physical and vocal sense, and to present them on stage. Toward this goal, actors train themselves with various methods and techniques as well as character analysis. Most of their efforts are put into for better physical and vocal expression. The vocal characterization on stage is heavily governed by the proper speech based on the effective respiration and voice. This paper provides the way of how to use sound scoring for effective vocal characterization on stage.

• Journal of Digital Convergence
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• v.10 no.11
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• pp.595-601
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• 2012

Narrative art is primarily narrative fiction realistic possibility for human figures into the contents of the work to build the core structure of the narrative, and the most important factor. Constitute the narrative structure of the story, while leading configuration is the subject of the act. Portrait of the artist's work presented in this perspective is the default attitude that gives the order to the drama itself, because it is the drama of aesthetic structure will eventually work through the people in the know. Mixture of aesthetic pleasure and aesthetic understanding of the regular drama is when you think that consciousness is through characters in his works is a shortcut to identify the writers think about the narrative structure.

• Journal of Korea Entertainment Industry Association
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• v.14 no.8
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• pp.141-152
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• 2020

This thesis is a study on the creation of characters of "personality actors and character actors" among the concepts of "star persona" of S. Prince. This study selected 7 representative films of Jung Woo-sung, a representative personality actor in the Korean film industry, and analyzed how 'Jung Woo-sung-character' is embodied in the film as a character component suggested by R. Dyer. In the traditional sense, the actor's acting has been highly valued for transformation and impersonation in character creation, but discussing the method of creating a character focusing only on the actor's acting in a movie acting implemented in combination with advanced technology I don't think it's suitable for movie acting research. Theorists such as R.Dyer and Edgar Morin, who studied film actors and stars, also emphasize that 'movie actors are different from theater actors' (by the film medium). Therefore, in this thesis, a detailed analysis of the acting of a personality actor was avoided. As Morin pointed out that the character in the movie can be implemented through the actor's image and type, not playing the type of role. I tried to propose the significance of this character creation method of the personality actor by analyzing actor Jung Woo-sung and his character.

• Journal of Korea Entertainment Industry Association
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• v.15 no.5
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• pp.85-98
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• 2021

The present thesis is a study about a character actor's characterization from the concept of 'star persona'. Conducted in 2020, this is a follow-up study about a personality actor's characterization. Lee Sung-min was selected due to his wide acting spectrum among domestic actors and his brilliant expression of differing characters as a character actor. The study discusses characterization methods for character actors on the basis of his role of high-ranking North Korean bureaucrat 'Ri Myung-un' in the film 'The Spy Gone North'. Stanislavski claimed that character building or characterization was the pinnacle of the acting art. However, such an expression of personality requires hard work and devotion from an actor. The actor Lee Sung-min practiced the North Korean dialect in order to act the role, and added the way the elite speak in North Korea to this dialect. He achieves a style of acting that raises tensions within the drama by spitting out lines in one breath and by making the audience fixate their gaze within character solo shots for which the character's emotions and lines serve as the core, with the purpose of maximizing dramatic tension and situational reality. Continuity and angle also serve extremely important roles in terms of expressing a character's personality development, affect, and emotions. The present thesis discussed the character development methods for a character actor's role of 'Ri Myung-un' in the film 'The Spy Gone North'.

• Proceedings of the Korea Contents Association Conference
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• 2012.05a
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• pp.123-124
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• 2012

21세기의 여러 가지 공연 문화 중에 뮤지컬 장르는 현대 문화의 아이콘이라고 할 만큼 우리 생활 속에 친근하게 자리 잡고 있다. 특히 한국 창작 뮤지컬 분야는 그 소재를 우리 역사 속 인물을 제 창조 하여 국민들의 공감대를 형성 하는 경우가 늘어나고 있다. 하지만 해외에 비해 창작을 해온 역사가 아직은 짧고 전문 인력이 부족 하기 때문에 지금도 완성이 아닌 현제 진행형이라고 볼 수 있다. 뮤지컬 원효는 우리 역사 속 인물인 원효 대사를 새로운 인물로 재창조 하여 창작된 뮤지컬로 작품속에 녹아 있는 '일체유심조'사상과 요석 공주와의 관계를 통해 원효 대사가 파계하는 모습 등을 여러 가지 사건과 음악을 통해 보여주고 있다. 뮤지컬은 작품 속에 등장하는 인물들의 존재 이유가 명확할 때 작품의 의도 또한 잘 전달 되어 질 수 있지만 뮤지컬 원효에서 여자 주인공 역할인 요석 공주는 주인공임에도 불구하고 인물의 목표와 장면마다의 연계성에 대한 부재가 크다고 판단되었다. 본고는 뮤지컬 원효에 등장하는 인물 중에서 중심인물인 요석 공주의 시점으로 장면을 분석하고 더 나은 공연이 되기 위해 나아갈 방향성을 제시해 보고자 한다.

• KOREAN POULTRY JOURNAL
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• v.44 no.5
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• pp.86-88
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• 2012

165년의 전통을 이어오면서 세계 최고의 사료브랜드로 부상한 카길애그리퓨리나는 지난 1960년대 한국에 진출한 이후 양계사료를 비롯한 특수사료 시장까지 확대하며 국내 축산업 발전에 큰 역할을 담당해 왔다. 카길애그리퓨리나는 '인류를 풍요롭게 하는 세계적 리더가 된다'는 비전아래 '동물을 건강하게, 삶을 풍요롭게'라는 사업목표를 세우고 '차별화된 가치 창조'라는 사명감으로 전 임직원이 신뢰할 수 있고 창조적이며 진취적인 자세로 업무에 임하고 있다. 본고는 지난 2010년 국내 사료회사로서는 처음으로 양계사업본부를 만들어 새로운 비젼을 제시하고 있는 카길애그리브랜드 퓨리나 김진형 본부장(전무, BU장)을 만나 본부의 역할과 사업 방안을 들어보았다.

• 종축개량
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• v.12 no.9 s.79
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• pp.97-102
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• 2007

지식기반 중심의 경제를 육성하고 미래를 창조하는 교육.문화에 적극 투자하면서 노동부합의 친환경 도시로 서민을 위한 따뜻한 복지정책을 펼치고 있는 포천시장을 만나 봤다.

• The Science & Technology
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• v.35 no.7 s.398
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• pp.13-14
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• 2002

• The Journal of the Korea Contents Association
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• v.13 no.1
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• pp.137-146
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• 2013

Anton Chekhov was able to deliver a significant influence to the 20th realist drama types and styles, because his deep thoughts about diverse aspects of human life were realistically expressed on stages. Western realistic actors endeavored to embody their routines based on their words, behaviors, and habits. Chekhov used his outstanding talent to identify the characteristics of people, created unforgettable drama characters, and focused on their behavioral motives. From his philosophical point of view, Chekhov argued that secrets are hidden in life itself, and that everything, shown on the stage, should be as it is in our actual daily life. The realistic acting, recognizing the difference between the daily truth and the truth mentioned in works, pursued acting styles by which audiences regarded play characters as the real people.

• The Korean Publising Journal, Monthly
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• s.143
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• pp.4-5
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• 1994

신중하며 충분한 논증을 거친 자료적 탐색이 있으며, 왜 그렇게 보고자 했는가에 대한 전자의 관점이 명백히 설명되는 저술들 속에서 위대한 천재들의 창조적 업적을 이해할 수 있다면 이보다 좋은 독서는 달리 없다. 인물전기는 고정된 목록에서 벗어나 보다 의외적인 접근을 보이는 책을 읽는 것이 시야도 넓히고 생각의 깊이도 더해준다.