• Title/Summary/Keyword: 음악사용

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Private Music on Demand Service in Wireless/Wired Networks (유무선망에서의 개인 주문형 음악서비스 시스템 구현)

  • Kim, Seung-Cheon;Hwang, Ho-Young;Ro, Kwang-Hyun
    • The Journal of the Institute of Internet, Broadcasting and Communication
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    • v.10 no.6
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    • pp.195-200
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    • 2010
  • This paper introduces a new mobile music service, private music on demand (PMOD), which is implemented by mobile DJ in wireless and wired networks. The newly introduced PMOD service is based on the concept that users can have music services at anytime and by any form they want. The mobile DJ implementing PMOD services, therefore, enables users to do more than simply listening music through networks.

The Comparison of features for Speech/Music Discrimination (음성/음악 분류를 위한 특징 비교)

  • Lee Kyong Rok;Seo Bong Su;Kim Jin Young
    • Proceedings of the Acoustical Society of Korea Conference
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    • spring
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    • pp.157-160
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    • 2000
  • 본 논문에서는 멀티미디어 정보에서 원하는 정보를 추출하는 멀티미디어 인덱싱 중 오디오 인덱싱의 전처리 부격인 음성/음악 분류실험을 하였다. 오디오 인덱싱에 있어서 음성/음악 분류기는 원 오디오 신호에서 정보를 가진 음성 부분을 분리하는 역할을 한다. 실험에서는 음성/음악 분류에서 널리 쓰이는 멜캡스트럼(Mel Cepstrum), 정규화 로그 에너지(normalized log energy), 영교차(Zero-Crossings)를 특징 파라미터로 사용하였다[l, 2, 3]. 특징공간은 GMM(Gaussian Mixture Model)에 의해 모델링 되었고, 오디오 신호의 분류는 각각 3가지 분류항목(음성, 음악, 음성+음악)과 2가지 분류항목(음성, 음악)을 적용하였다. 실험결과 3가지 분류항목 적용시와 2가지 분류항목 적용시 모두 멜캡스트럼을 사용하였을 때 가장 좋은 결과를 보였다.

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Study on Electronic Music Production Techniques 'Focused on Sampling Techniques' (전자음악 제작 기법에 관한 고찰 '샘플링 기법을 중심으로')

  • Kwon, Hyun-woo;Lee, Seny
    • Proceedings of the Korea Contents Association Conference
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    • 2015.05a
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    • pp.97-98
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    • 2015
  • 기술의 발전과 함께 한 전자음악 제작 기법은 디지털 시대가 본격화 되면서 컴퓨터와 소프트웨어로 확대되고 있다. 샘플링 기법 또한 컴퓨터와 소프트웨어의 발달로 새로운 음악 창작 기법 영역으로 인정받고 있다. 저작권과 윤리적인 문제가 남아 있지만 변형의 음악으로서 새로운 음악 기법과 창조적인 음색 창조가 가능한 샘플링은 현재까지 많은 뮤지션들에의해 사용되고 있다. 본 연구는 샘플링의 발전 양상과 실제 전자음악에서 사용된 샘플링을 분석해 전자음악 제작에서의 샘플링의 과정과 음색 제작을 분석해 보고자 케미컬 브라더스(Chemicl Brothers)의 <스타 기타(Star Guitar)>의 샘플링 방법을 분석해 보았다.

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Music Therapy Interventions for Mathematical Development of Young Children with Special Needs: A Review of Literature (지적장애영유아의 수학개념 발달을 위한 음악치료 활동에 대한 이론적 고찰)

  • Kwak, Eunmi Emily
    • Journal of Music and Human Behavior
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    • v.7 no.1
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    • pp.1-15
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    • 2010
  • The purpose of this study is to inquire into the theoretical background of music therapy interventions for the improvement of mathematical concepts among young children with special needs. The researcher provides a basis of theoretical background about musical activities as an effective tool for young children to understand and promote their mathematical concepts, and the necessity of practical application in the field of mathematics education is suggested. Music, as a multi-sensory modality, has an ability to hold and maintain one's attention, and can be used as a memory aid and a powerful and effective motivator and reinforcer for young children. Therefore, musical activities can be used to facilitate mathematical concepts in the field of education for young children. Possible musical activities for promoting mathematical development are suggested, and the necessity for developing various musical activities is discussed.

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Music Genre Classification based on Musical Features of Representative Segments (대표구간의 음악 특징에 기반한 음악 장르 분류)

  • Lee, Jong-In;Kim, Byeong-Man
    • Journal of KIISE:Software and Applications
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    • v.35 no.11
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    • pp.692-700
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    • 2008
  • In some previous works on musical genre classification, human experts specify segments of a song for extracting musical features. Although this approach might contribute to performance enhancement, it requires manual intervention and thus can not be easily applied to new incoming songs. To extract musical features without the manual intervention, most of recent researches on music genre classification extract features from a pre-determined part of a song (for example, 30 seconds after initial 30 seconds), which may cause loss of accuracy. In this paper, in order to alleviate the accuracy problem, we propose a new method, which extracts features from representative segments (or main theme part) identified by structure analysis of music piece. The proposed method detects segments with repeated melody in a song and selects representative ones among them by considering their positions and energies. Experimental results show that the proposed method significantly improve the accuracy compared to the approach using a pre-determined part.

Music Pattern Analysis of K-POP (K-POP의 음악 패턴 분석)

  • Kang, HyunGoo;Kouh, HoonJoon
    • Journal of Digital Convergence
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    • v.11 no.3
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    • pp.95-100
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    • 2013
  • K-POP is getting population at the all over the world. K-POP is based on the hook song that made using repetitive lyrics and melody. The characteristics of the music is a bit simple and cheerful rhythm and melody easy to sing along, interesting lyrics and great dance skills. K-POP is spreading to various countries via various social networking services such as YouTube, Facebook, Twitter. K-POP dominated by the digital music market, showed a growing tendency to shorten the length of music, to create a music that can give a strong impression. And 60 second pre-listening function increased music used the chorus in the first part. But it was generated the result that made obscures the configuration of the music and the meaning of the lyrics. In this paper, we study the characteristics of K-POP music and will present three directions of the hook song music production. Finally, we compared to Kangnamstyle of Psy using the proposed three standards.

Case study of Music & Imagery for Woman with Depression (우울한 내담자를 위한 MI(Music & Imagery) 치료사례)

  • Song, In Ryeong
    • Journal of Music and Human Behavior
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    • v.5 no.1
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    • pp.67-90
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    • 2008
  • This case used MI techniques that give an imagery experience to depressed client's mental resource, and that makes in to verbalism. Also those images are supportive level therapy examples that apply to positive variation. MI is simple word of 'Music and Imagery' with one of psychology cure called GIM(Guided Imagery and Music). It makes client can through to the inner world and search, confront, discern and solve with suitable music. Supportive Level MI is only used from safety level music. Introduction of private session can associate specification feeling, subject, word or image. And those images are guide to positive experience. The First session step of MI program is a prelude that makes concrete goal like first interview. The Second step is a transition that can concretely express about client's story. The third step is induction and music listening. And it helps to associate imagery more easily by used tension relaxation. Also it can search and associate about various imagery from the music. The last step is process that process drawing imagery, talking about personal imagery experience in common with therapist that bring the power by expansion the positive experience. Client A case targets rapport forming(empathy, understanding and support), searching positive recourse(child hood, family), client's emotion and positive support. Music must be used simple tone, repetition melody, steady rhythm and organized by harmony music of what therapist and client's preference. The client used defense mechanism and couldn't control emotion by depression in 1 & 2 sessions. But the result was client A could experience about support and understanding after 3 sessions. After session 4 the client had stable, changed to positive emotion from the negative emotion and found her spontaneous. Therefore, at the session 6, the client recognized that she will have step of positive time at the future. About client B, she established rapport forming(empathy, understanding and support) and searching issues and positive recognition(child hood, family), expression and insight(present, future). The music was comfortable, organizational at the session 1 & 2, but after session 3, its development was getting bigger and the main melody changed variation with high and low of tune. Also it used the classic and romantic music. The client avoids bad personal relations to religious relationship. But at the session 1 & 2, client had supportive experience and empathy because of her favorite, supportive music. After session 3, client B recognized and face to face the present issue. But she had avoidance and face to face of ambivalence. The client B had a experience about emotion change according depression and face to face client's issues After session 4. At the session 5 & 6, client tried to have will power of healthy life and fairly attitude, train mental power and solution attitude in the future. On this wise, MI program had actuality and clients' issues solution more than GIM program. MI can solute the issue by client's based issue without approach to unconsciousness like GIM. Especially it can use variety music and listening time is shorter than GIM and structuralize. Also can express client's emotion very well. So it can use corrective and complement MI program to children, adolescent and adult.

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A Convergence Study on Music-color Association Responses of People with Visual Impairment Mediated by Emotion (시각장애인의 정서 기반 음악-색채 연합에 대한 융복합적 연구)

  • Park, Hye-Young
    • Journal of the Korea Convergence Society
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    • v.10 no.5
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    • pp.313-321
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    • 2019
  • The purpose of this study was to examine music-color association response(MCAR) of people with visual impairment through music-emotion scale and music-color scale. The study was conducted on 60 participants(30 congenital/ 30 adventitious) who are using services of two welfare centers at S and B cities. For this, four basic emotions (happiness, sadness, anger, and fear) mediated by music were selected, and MCAR to emotion-inducing music were analyzed through self-report method. As a result, first, there were found contrasts in MCAR between happiness and sadness according to type of emotion, however, similar in anger and fear. Second, in MCAR among three variables of the music-emotion scale(valence, arousal and intensity), valence was congruent with MCAR according to type of emotion, arousal marked high scores in negative emotions, and scores of intensity in happiness and sadness were higher than those in anger and fear. Third, there were no significant differences between two groups of people with congenital and adventitious visual impairments. It is meaningful that this study showed the MCAR can be mediated by music through investigating those of people with visual impairment.

Speech/Music Discrimination Using Spectrum Analysis and Neural Network (스펙트럼 분석과 신경망을 이용한 음성/음악 분류)

  • Keum, Ji-Soo;Lim, Sung-Kil;Lee, Hyon-Soo
    • The Journal of the Acoustical Society of Korea
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    • v.26 no.5
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    • pp.207-213
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    • 2007
  • In this research, we propose an efficient Speech/Music discrimination method that uses spectrum analysis and neural network. The proposed method extracts the duration feature parameter(MSDF) from a spectral peak track by analyzing the spectrum, and it was used as a feature for Speech/Music discriminator combined with the MFSC. The neural network was used as a Speech/Music discriminator, and we have reformed various experiments to evaluate the proposed method according to the training pattern selection, size and neural network architecture. From the results of Speech/Music discrimination, we found performance improvement and stability according to the training pattern selection and model composition in comparison to previous method. The MSDF and MFSC are used as a feature parameter which is over 50 seconds of training pattern, a discrimination rate of 94.97% for speech and 92.38% for music. Finally, we have achieved performance improvement 1.25% for speech and 1.69% for music compares to the use of MFSC.

Analysis And Appilcation of Cluster Voicing (클러스터 보이싱의 분석과 적용)

  • Hwang, Hyung-Yun;Cho, Tae-Seon
    • Proceedings of the KAIS Fall Conference
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    • 2012.05a
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    • pp.205-208
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    • 2012
  • 2차 세계대전 이후 현대음악은 기존의 12음 기법을 유지하면서 이전과는 다른 음소재(音素材)나 작법(作法)이 출현하게 되었다. 이중 온음 이내의 좁은 음정간격에서 다수의 음이 나는 톤 클러스터(Tone Cluster)는 현대음악에서 작곡기법으로 사용되고 있다. 이러한 클러스터 보이싱은 재즈음악과 대중음악에서도 종종 사용되고 있으며 본 연구를 통해 다양한 클러스터 보이싱을 만들어 보고 적용시켜 보았다.

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