• Conservation Science in Museum
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• v.17
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• pp.69-84
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• 2016

Yuso is the term for decorative tassels of a braided string which hangs a scroll painting. This study, drawing on extant research concerning the yuso made for Joseon period portrait scrolls of kings and meritorious retainers, focuses on the yuso created to hang literati portraits. Concretely, It examines yuso of seven portraits in the collection of the National Museum of Korea in order to characterize their appearance and determine their material composition. The study found that most of the yuso are sixteen-strand strings braided into a rounded cross-section(dongdahoe). The seven yuso, of which six are red and one indigo-blue, reflect the popular style associated with Joseon period literati portraits. The yuso for the portrait of Yun Geup(duksu 3503) is made from gilded paper. Analysis showed Fe particles present in a red pigment underlying the gold layer, suggesting the presence of red ochre(seokganju), an iron oxide mineral. The yuso of the portrait of Shin Im(duksu 4846) is used a paper which contains gold as well as traces of Pb, Hg and Ag. The paper in the yuso for the portrait of Yi Seongwon(bongwan 10122) mainly consisted of Ag, indicating silver paper having been used in its fabrication. The inner paper in the yuso of the portrait of Yi Seogu(sinsu 1065) is a leather combined with Ag, Fe, and Br, according to chemical analysis. The FTIR of the leather sample reveals that the spectrum in the fingerprint region is nearly identical to that of sheepskin, indicating the yuso was made from gold-coated sheepskin.

• Journal of Korea Foundry Society
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• v.44 no.1
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• pp.19-23
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• 2024

• Korean Journal of Heritage: History & Science
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• v.54 no.3
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• pp.52-67
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• 2021

This study is an attempt to explore the roles of and the collaborative relationship between Daheojang and Maedeupjang. Daheojang and Maedeupjang share a similar manufacturing process. However, in modern times, Daheojang totally disappeared, and Maedeupjang was designated as an intangible cultural property. The present study will investigate the role of Daheojang and Maedeupjang based on the literature of the Joseon dynasty. Daheojang were craftsmen who made bands and strings of woven or twisted silk strands. They made mangsu and tassels or made knots to produce magnificent artifacts. Maedeupjang complete all steps of the process, from refining, dyeing, combining threads, daheo, maedeup, to the tassel. Daheojang in the Joseon dynasty was the center of this process. Daheojang belonged to almost all Uigwe because it used items ranging from large uso to cushion straps. Dahoe is a craft with various items and techniques. It has been widely used to produce majestic items like formal dresses, ritual ceremony pieces, and mountings, as well as daily items like jodae, pocket straps, and norigae. Based on the records of Uigwe in the late Joseon dynasty, the study explored the collaborative relationship between Daheojang and Maedeupjang. Sambang, the room where both Daheojang and Maedeupjang belong, was the room to produce the royal chair. The royal chair essentially includes large uso. The large uso is an artifact that ties a knot in a thick circle more than two meters long. While Daheojang made rounded daheo, Maedeupjang made delicate and balanced knots. Also, they produced royal inscriptions together with a royal seal with decorative mangsu and a seal of thick rounded daheo. In order to learn about traditional technology, it is necessary to study the system of the times and social trends. Therefore, the study focused on Daheojang, who were common master craftsmen during the Joseon dynasty but now are not familiar to most people.

• 한국문화재보존과학회:학술대회논문집
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• 2003.09a
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• pp.76-76
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• 2003

• Proceedings of the Korean Society of Propulsion Engineers Conference
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• 2006.11a
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• pp.3-6
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• 2006

In this study, 3D Design and the Structural Analysis using FEM are conducted for developing the Release Devices. On these bases the prototype devices are made and the reliability has been improved through many environmental tests.

• 한국연소학회:학술대회논문집
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• 2012.04a
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• pp.79-81
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• 2012

Flame stabilization conditions and combustion noise characteristics induced by premixed flames in sudden expansion channels were experimentally investigated. Nozzle size and channel scale were varied continuously, and variation of flame behaviors was examined. Combustion noise was observed at specific configurational conditions, and their mechanism was investigated. This study will help understand premixed flame instability at the burner surface.

• Journal of Korean Medical classics
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• v.20 no.3
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• pp.143-157
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• 2007

통과분석(通過分析)"금궤요략심전 혈비허노병맥증병치제육(血痺虛勞病脈證幷治第六)" 조문중우재경주석적특미(條文中尤在經註釋的特微), 득출여하결론(得出如下結論) : 인위혈비적발병원인(認爲血痺的發病原因), 주요시양허위외불고(主要是陽虛衛外不固), 기주요증상(其主要症狀), 시신체불인(是身體不仁). 여풍사소치적풍비구별개(與風邪所致的風痺區別개). 음양구미중적음양(陰陽俱微中的陰陽), 해석위(解釋爲)'해인영(該人迎), 부양(趺陽), 태계위언(太溪爲言)'. 인위허노천증적병인시기허혹양허(認爲虛勞喘症的病因是氣虛或陽虛), 여일반인위시신불납기적관점유소부동(與一般認爲是腎不納氣的觀點有所不同). 인위건중적중시사운지축(認爲建中的中是四運之軸), 음양지기(陰陽之機), 구체지비위(具體指脾胃). 영위생성우수곡(營衛生成于水穀), 수곡전수우비위(水穀轉輸于脾胃). 비위시음양순환적관건(脾胃是陰陽循環的關鍵). 위료화음양조영위(爲了和陰陽調營衛), 강조필수사용구우중기지입적치법(强調必需使用求于中氣之立的治法).

• Journal of the Computational Structural Engineering Institute of Korea
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• v.12 no.3
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• pp.363-370
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• 1999

This study presented an modeling method for the connections in mixed structure with reinforced concrete columns and steel beam using finite element method. The contacting surfaces between concrete and steel are modeled using master-slave contact algorithm and the incompatible mode elements were used in the steel tube subjected to bending. The characteristics of mixed structure was that diaphragm was used for transferring force from beam to column. The three dimensional nonlinear analysis was performed and the analytical results compared with experimental results in order to prove modeling method.

• Journal of the Korean Society for Aeronautical & Space Sciences
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• v.30 no.2
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• pp.122-129
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• 2002

An optimization of satellite honeycomb platforms under sever space environment is performed. There are many optimization constraints for space environment to be considered. A modified method of feasible direction and a genetic algorithm are used to optimize the satellite platform structures. The design constraints are concerned with bearing stresses at joints and natural frequencies. The results from the optimization methods are compared. The numerical results show that natural frequency constraints are dominant to reach the optimum design. This study verifies the design of satellite honeycomb platforms and suggests an optimal platform design.

• Journal of the Korean Society of Costume
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• v.52 no.6
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• pp.1-13
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• 2002

This paper investigated the costumes of young girl dancers in Yon wha dae moo(연화대무: Lotus Stage dance) which were documented on the Ak-hak-guae-bum(악학궤범: Protocol of music) and the Jin-yeon-eui-guae(진연의궤: Archives of Royal Feast). The fashion of the costumes can be changed into three phases, based mainly on the changes of Hap-rip(합립: silk hat), Dan-eui(단의: long jacket) and Sang(상: apron type skirt). In the first phase the costume consisted of Hap-rip, round neck-line Dan-eui and tiered skirt decorated with pleat and Yu-so(유소: decorated cords). In the second phase. it consisted of Hap-rip, v-shape neck-line Dan-eui and skirt without pleat. In the third phase, it consisted of Yeon-wha-gwan(연화관: Lotus shape cap), round neck-line Dan-eui of later era and skirt with pleat and Yu-so. Yon-wha-dae dance appears to be adopted from Ja-ji-mu( 자지무: chinese dance) that originated in West and Central Asia. In both dances. young girl dancers danced mainly jump and spin. The costume of round neck-line Dan-eui seems to have been affected by the fashion in Dang Dynasty when young girls loved to wear Dan-ryung(단령: male coat with round neckline). And it satisfied the need of mobility for the dance which was Performed mainly with jump.