• The Journal of the Korea Contents Association
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• v.19 no.9
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• pp.212-220
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• 2019

This study evaluates the extent to which the government's financial support policy, the Audio-visual investment fund, contributed to raising capital for Korean films. Audio-visual investment fund in the Korean film industry, which has been formed through the public sector support since 1999. The Audio-visual investment fund is a leading financial support policy for the Korean film industry, and began with the investment of the Small and Medium Business Administration and the Korean Film Council. It has become an important source of Korean film production costs and has spread to other cultural industry sectors, as a way of capital procurement for a start-up companies and cultural projects. This study reconstruct the data of the organizations such as the size of a new investment fund by public sector, the ratio of public capital contribution, the amount and number of investment in Korean films, investment multiplier compared to equity investment, and the internal return rate(IRR) of liquidation funds in the Korean film capital market from 1999 to 2017. The purpose of this project was to provide the basis for assessing the achievements of the Audio-visual investment fund policy in contributing to the growth of the film industry.

• The Journal of the Korea Contents Association
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• v.21 no.2
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• pp.1-14
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• 2021

Recently, crowdfunding platforms have received attention as one of the content investment platforms for the public. This research attempts to explore the influencing factors on the success of movie euqity crowdfunding project. We use 'number of texts', 'number of images', 'star influence power', 'IP-based movie project', 'movie production stage', 'box office prediction', 'investment capital ratio', 'amount of surplus available investment', 'profit calculation method' and 'minimum investment amount' as independent variables. And we examined how these factors affects the achievement rate of movie crowdfunding. As a result of multiple regression analysis, 'movie production stage', 'investment capital ratio', 'amount of surplus available investment' and 'profit calculation method' have a significant effect on the crowdfunding achievement rate. In addition, the results of this research can be used for reference when planning film crowdfunding projects.

• The Journal of the Korea Contents Association
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• v.14 no.7
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• pp.83-92
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• 2014

We examined the annual film distribution portfolio of a Korean film distributor, Lotte Entertainment, investigating how the company puts big-budget films and low-budget movies together. As a result, the distributor was found to invest more than 80% of its whole budget in producing medium-size movies. The more successful box office, however, was witnessed from big-budget films that the company spent more than 6 billion Korean wons. With respect to genre, comedy and drama were the most and second-most frequently produced. However, Those two genres were not the most successful genres in the box office. Korean movie-goers favored actions and thriller the most and second most. Comedy took only the third place of the Korean box office, signifying a discord between the portfolio and the Korean box office.

• Digital Contents
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• no.8 s.87
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• pp.78-84
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• 2000

네트 코드명J 미션임파서블 카피켓 여기 네 개의 영화제목은 단순한 영화가 아니다. 동네 골목마다 지천으로 깔려있는 비디오 대여점에서 몇천원을 투자하여 빌려 볼 수 있는 영화여서가 더욱 아니다. 영화 스토리 전개가 디지털 콘텐츠 세계의 진면목을 만끽할 수 있는 영화로 구분할수 있어서가 더더욱 아니다. 정보의 바다와 기회의 대륙으로 불리는 인터넷을 모르면 영화조차 보기 힘든 디지털 사회가 도래함을 극명하게 증명한 영화들이기 때문이다. 정보의 바다로 만족하지 않고 60억 지구촌 소비자를 리얼타임으로 한 울타리에 묶어놓은 인터넷이 90분동안 살아 움직였던 그 감동을 우선 기억할 필요가 있겠다. 인터넷 세계를 알면 박진감 넘치는 스토리 전개에 영화보는 재미를 만끽할 수 있지만 컴맹에서는 영화감상 그 자체가 곤혹스런 일이며 지루한 시간 죽이기에 불과할 뿐이다.

• International Area Studies Review
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• v.12 no.3
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• pp.135-149
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• 2008

This paper studies the determinants of the pattern of penetration of US films. The global dominance of US films has been an important issue. There has been several factors that make US films competitive global film market. Market size, large investment and political hegemony have been regarded as important determinants. But the number of varieties has not been considered, although the variety is important in the pattern of differentiated products such as films. This study is purposed to analyze the export pattern of US films and to find factors that affects the pattern of trade in films. The export pattern of US films to the seven leading countries in production of films is analyzed. The US tends to export more to the country with smaller number of films produced domestically. This paper concludes that number of films is the important determinant of the pattern of trades in US films.

• The Journal of the Korea Contents Association
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• v.12 no.11
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• pp.88-99
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• 2012

Korean Film Council (KOFIC) is entrusted by the Ministry of Culture, Sports and Tourism, Republic of Korea, aiming to support and promote Korean films. With the government's policy for balanced regional development, KOFIC head office will be relocated to Busan. Busan is famous for the Busan International film Festival and their effort for Korean film industry. Until now, the Korean film industry is concentrated on the Seoul metropolitan areas. With the relocation of KOFIC, it is the time for KOFIC to recognize and promote and Busan as the Second key Cluster of Korean film industry. With the cooperation with Busan Film Commission, KOFIC needs to set up the new promotion plan for Korean film industry for future including building new film production studio, raising regional film production fund, and scouting new talented filmmakers.

• The Magazine for Energy Service Companies
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• s.8
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• pp.20-23
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• 2001

미국의 유니버설 스튜디오에 버금가는 서울종합촬영소와 영화진흥위원회 홍릉사옥이 ESCO 조명사업을 실시했다. 전체 조명기구를 고효율 형광등과 안정기로 교체한 것. 영화진흥위원회는 총 1억 2천여만원이 투자된 이번 사업을 통해 약 $38\%$의 에너지절약효과를 기대할 수 있게 됐다.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.8 no.5
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• pp.1259-1265
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• 2007

In order to accelerate the development of the Film Industry of Korea it is quite necessary to evaluate the value of Film Production Company appropriately and then to activate investment through its work of estimating. So far however, the researches on the evaluation model for Korean Film Production Company has been rarely conducted considering those of any other advanced countries. Therefore, the appropriate valuation model among numerous valuation model for film firms has not been provided until now. So the purpose of this article is to suggest the rational decision making criteria for the investment of Film Production Company by comparing with DCF, FCF, and ROV model through the empirical research focused on case study. According to the results of research, ROV model is more efficient and available comparing other two methods.

• The Journal of the Korea Contents Association
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• v.20 no.3
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• pp.179-189
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• 2020

This study analyzes the status and results of equity crowdfunding film projects from 2016 to 2018. The film project is conducted in the form of general corporate bonds and participating bonds, and 41.5% of the total bonds were issued, 9.5 billion won. In addition, a t-test analysis of the movie's the breakeven point and audience numbers showed that statistically significant and the average number of audience members was low. Therefore, this study suggests the following for the sustainable growth of the equity crowdfunding film project. Equity crowdfunding brokers should reinforce the review of the possibility of achieving the breakeven point of the film and the factors affecting the box office in the investment manual, and should also actively attract projects on the big films that are likely to be successful. This study is meaningful in that it analyzes the equity crowdfunding film project, which has not yet been widely studied in Korea, and is expected to provide implications in the subsequent research and system improvement process.

• Journal of Korea Fair Competition Federation
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• no.129
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• pp.2-9
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• 2006

영화산업은 한류의 영향과 함께 우리 문화의 발전을 기약하고 나아가 21세기에 우리 경제를 이끌어 갈 성장산업으로 인식되고 있다. 영화산업이 지속적으로 경쟁력을 갖추고 한류 확산에 기여하려면 제작에 대한 투자 등 양적 증대와 함께 장르 다각화, 작품성 향상 등 질적인 성숙과 함게 경쟁법적 차원에서 소비자가 질 높은 영화를 선택할수 있도록 자유롭고 공정한 경쟁질서가 확립되어야 할 것이다. 이를 위해서는 무엇보다 소위 빅3 소속 계열사들의 자발적인 공정경쟁질서 확립이 급선무이다.