• The Journal of the Korea Contents Association
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• v.11 no.6
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• pp.176-184
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• 2011

The purpose of this study is to analyze the Korean War photographs in Korean history textbooks. This paper deals with the ways of describing Korean War in history textbooks. The Korean War photographs adopted in this study, using qualitative and quantitative analysis. The photographs analyzed for this study were in the 6 different textbooks in high school level. This paper focuses on how photographs of the textbooks help students create various memories about Korea War. The photographs of the textbooks, before the 7th Educational Process, decribe Korean War as victorious war. Meanwhile, the Korean War photographs in Korean modern and contemporary history textbook emphasize traumas of the war.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.23 no.2
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• pp.45-68
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• 2012

Archives have directly and indirectly served for memory. What is collected in archives, how it is presented to users, and how users understand and use the documents affects how a given society remembers its past. Some archival scholars see that how users interpret documents from their perspectives and by social interests may play a central role in constructing social memory because memories are often triggered by individual and social concerns of the present time. Therefore, knowing what causes users to seek for a certain materials, how they use those materials and why can offer a clue to learn how archives serve for social memory. In the Web space, the interaction between users and archives/archival materials can be easily observed. Beyond making access simple for users and promoting archival documents using Web technology, archives can serve the broader purpose of memory by skillfully exploiting the characteristics of Web 2.0 and digital cultures in a way to observe how users engage in and contribute to archival contents available on the Web. This study examines the discourses on memory in the archival context, and in particular, how archives can serve as platforms for memory within the new environment of Web 2.0 technologies. It surveys discussions on memory in relation to archives, history, and evidence, focusing on the user and use context as it is represented in the archival literature. This paper discusses how that technology provides features that allow us to see collective memory being constructed in the archives, and presents examples of how the Web 2.0 technology can structure the way users share their memories in building a larger narrative around the archive.

• Journal of the Korean Institute of Landscape Architecture
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• v.46 no.4
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• pp.21-35
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• 2018

In recent years, there has been a tendency to reuse 'landscapes of memory,' including industrial heritages, modern cultural heritages, and post-industrial parks, as public spaces in many cities. Among the various types of landscapes, 'modern historic landscapes', which were formed in the 19th and 20th centuries, are landscapes where the debate between conservation and removal is most frequent, according to the change of evaluation and recognition of modern history. This study examines conflicts between conservation and removal around modern historic landscapes and explores the value judgment criteria and the process of formation of those landscapes, as highlighted in the case of the demolition controversy of the old Japanese general government building in Seoul, which was dismantled in 1995. First, this study reviews newspaper articles, television news and debate programs from 1980-1999 and some articles related to the controversy of the Japanese general government building. Then it draws the following six factors as the main issues of the demolition controversy of the building: symbolic location, discoveries and responses of new historical facts, reaction and intervention of a related country, financial conditions, function and usage of the landscape, changes of urban, historical and architectural policies. Based on these issues, this study examines the conflicts between symbolic values that play an important role in the formation of modern historic landscapes and determines conservation or removal, and the utility of functional values that solve the problems and respond to criticisms that arise in the process of forming the modern historic landscape. Especially, it is noted that the most important factor that makes the decision is the symbolic values, although the determination of the conservation or removal of modern historic landscapes has changed according to changes in historical perceptions of modern history. Today, the modern historic landscape is an important site for urban design, and still has historical issues to be agreed upon and addressed. Thi study has contemporary significance from the point that it divides the many values of modern historic landscapes into symbolic values and functional values, evaluates these, and reviews the background social context.

• 건강소식
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• v.36 no.7
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• pp.14-15
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• 2012

훅 불면 날아갈 것 같은 가냘픈 체구의 소녀가 2010년 광저우 아시안게임에서 값진 동메달을 거는 모습을 기억하는가? 한국 리듬체조 역사상 처음으로 개인종합 동메달을 따낸 순간이었다. 2년이 지난 지금 손연재는 국제체조연맹(FIG) 세계랭킹 5위까지 올라가며 이제 대한민국을 뛰어넘어 세계 톱클래스 선수로 인정받기에 이르렀다.

• The Korean Publising Journal, Monthly
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• s.113
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• pp.20-20
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• 1992

변변한 유통기구가 없던 시절 대학천은 책의 중간 기착지로서의 역할을 했으며, 책문화의 명소 가운데 하나로서 기억될 만한 곳. 그러나 주차난과 협소한 공간 등 열악한 환경과 인력난으로 인해 차츰 그 기세가 수그러들면서, 40여년 역사를 지닌 대학천의 해체설이 나오고 있어, 안타까움을 불러일으키고 있다.

• Digital Contents
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• no.6 s.157
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• pp.84-88
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• 2006

드디어 4년을 기다렸던 그날이 왔다. 아직도 2002년의 ‘오필승코리아’응원가와 ‘대한민국’을 외치던 함성이 귓가에 쟁쟁하다. 월드컵 4강 신화의 장면을 즐기며 뜨겁게 달아올랐던 가슴 벅찬 희열의 느낌을 아직도 느낄수 있다. 환희와 열기로 가득했던 2002년 6월의 기억이 이제 4년만에 다시 우리에게 다가온다. 이번호 모바일 핫토크에서는 역사적인 2006년독일월드컵을 맞이하여 휴대전화로 즐길 수 있는 월드컵이벤트와 콘텐츠를 소개코자한다.

• 프린팅코리아
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• s.15
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• pp.142-151
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• 2003

기술과 사회변화의 관계에 대한 생각을 기록하고 확산시킬 영구적인 수단을 필요로 할 때면 , 나는 자연스럽게 책을 쓰는 것을 머릿속에 떠올린다. 물론 정보와 아이디어를 저장하고 전달하는 방법에는 다른 것들도 있다. 예컨대 정보를 한 개인의 기억 속에 저장했다가 이를 구두로 전달할 수도 있을 것이다. 사실 인류 역사 대부분의 기간 동안 정보의 저장과 전달은 바로 이런 방식에 의존했으며, 비문자 언어권 사회(nonliterate society)들에서는 아직도 그렇게 하고 있다. 본고는 미국 피쩌 대학의 루디 볼터 교수의 글이다

• 프린팅코리아
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• v.11 no.12
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• pp.112-115
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• 2012

2012 서울사진축제(Seoul Photo Festival)가 11월 21일부터 12월 30일까지 40일간 서울시립미술관 서소문 본관, 서울시청사, 서울역사박물관 등 서울 곳곳에서 펼쳐진다. '천 개의 마을 천 개의 기억' 이라는 주제로 열리는 제3회 서울사진축제는 본전시, 특별전, 시민워크숍, 시민강좌, 사진의 달, 사진 공모 등 다양한 프로그램으로 진행된다.

• The Korean Journal of Archival Studies
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• no.45
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• pp.121-153
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• 2015

Struggles to gain acknowledgement of identity have a characteristic of movement to recover human dignity. Participants in this movement come to confirm themselves as the subject of rights and communicate one another, free from oppression. Being guaranteed the opportunity to participate in the public opinion formation process is an indispensable element of human rights. In 1980, though it was short and incomplete, Gwangju experienced communal autonomy under the condition that state power was temporarily stopped. The contents and memories of the Gwangju Democratization Movement that intended to protect autonomy of civil society, resisting pillage of state power, remain intact in the 1980 Archives for the May 18th. The 5.18 archives were registered in UNESCO's Memory of the World in 2011, with its value of human rights and protection of democracy being acknowledged. The 5.18 archives have memories of resistance and struggles for justice, and sacrifices and pains of citizens under oppressive political authority in Gwangju, 1980. Thus, these archives are related to the historical struggles for democracy, and suggest a lesson on the transition process towards democracy to us. Preservation and utilization of the documentary heritage constantly lead the memories of historical events to the present, and enable exchanges of experiences and ideas between the present and the future. This study, through the process of UNESCO's Memory of the World registration and post-registration process, beyond the value of archives, tries to examine how historical events are led to the present, through the archives and to discuss the other values of archives.

• Journal of architectural history
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• v.15 no.4
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• pp.23-36
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• 2006

Since he was a leading figure in nineteenth century architecture, Viollet-le-Duc's architectural theory is crucial to the foundation of modern architecture. He has been called a Gothic Revivalist, a Structural Rationalist and a Positivist. The first title was perhaps due to his vigorous restoration of Gothic works such as $N\hat{o}tre$ Dame, but he did not adore the Gothic style just for itself. Rather, he hoped to deduce some principles from the style. So how did he manage this? In his book "Entretiens sur l'Architecture (Lectures on Architecture), published between 1864 and 1872, he mentions using Descartes' four rules for reaching architectural certainty in contrast with the chaotic situation during that modernising period. Furthermore Viollet-le-Duc's theory can be seen as a serious attempt to translates Descartes' philosophical rules into systems of architectural speculation. Descartes' four rules of doubt are anchored in mathematical propositions, and without mathematical distinctions, none of these rules are valid. In other word, mathematics for Viollet is the yardstick of judgement between distinctness and indistinctness. Many architectural problems arise from this view. In this paper, the validities of applying Descartes' method of doubt to architectural discourse will be discussed in order to address the question:-Did Viollet-le-Duc clearly grasp Cartesian method by which memory was erased from the world?