• The Science & Technology
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• v.31 no.3 s.346
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• pp.26-28
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• 1998

1518년 이탈리아 출신의 선교사로 중국에 들어와 서양과학기술을 처음소개한 마테오 리치(1552-1610년)는 직업적 과학자는 아니지만. 서양의 기하학을 동양에 보급하는 업적을 남겼다. 로마대학에서 과학과 신학을 전공한 리치는 중국에서 선교활동을 하는 동안 임금에게 자명종을 바쳐 환심을 끌었으며 동문산지등 많은 수학책을 남겼다. 서양의 천문학도 소개했고 특히 세계지도를 만들어 보급했는데그가 그린 지도인 양의현람도는 현재 숭전대 박물관에 보관되어 있어 더욱 관심을 모으고 있다.

• The Science & Technology
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• v.32 no.7 s.362
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• pp.68-70
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• 1999

고려대 박물관에 보관되어 있는 우리나라 국보 230호인 '혼천시계'를 만든 사람은 17세기 조선 현종때의 천문학자 송이영으로 알려졌다. 이 혼천시계는 1930년께 서울 인사동에서 엿장수의 고물로 나온 것을 당시 동아일보 시장 김성수씨가 집 한채 값을 주고 매입하여 보관하게 된 것인데 가로 118.5cm, 두께 52.5cm, 높이 99cm 크기로 나무상자 속에 기계시계와 혼천의가 장치된 것이다. 국보 '혼천시계' 주인공을 조명해 본다.

• Bulletin of the Society of Naval Architects of Korea
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• v.41 no.2
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• pp.100-106
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• 2004

2003년에, 충남 부여시에 건립 중인 백제역사민속박물관에 전시할 '백제사신선'에 대한 복원을 추진할 때, 백제의 해양 활동과 원양 해선에 관한 자료와 역사 고증 자료를 찾아 보았으나 설계나 조선 공작에 도움이 될 만한 자료를 국내에서는 구할 수가 없었다. 2001년 하절에 일본 신호상선대학을 방문하였을 때, 일본의 견당사선에 관한 자문을 상선학부의 송목철 명예교수와 정겸광행 교수에게 구하였던 바, [일본서기]와 회화 등에 일본의 원양해선인 견당사선에 관한 유익한 자료가 있다는 고견을 들었으며, 그 때 견당사선에 관한 참고 자료도 얻을 수 있었다. 그리고 일본의 원양 해선인 견당사선은 백제선식의 선박이라는 것을 여러 자료에서 발견하게 되었다. 이 논문에서는 일본의 견당사선의 실체를 추적하여 백제선의 선형과 선양을 도출하려 한다. (중략)

• Journal of the Korea Safety Management & Science
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• v.16 no.3
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• pp.421-432
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• 2014

This study is intended to analyze the relation between G. D. Weisman's Way finding 4 elements the accessibility and efficiency of consumers as to eternal area for Seoul historical museum. The findings are summarized as the following three aspects. First, G. D. Weisman's Way finding element introduced in this study had a significant impact on visitor satisfaction.. It leads to the following conclusion: The higher the impact is, the greater accessaccessibility and efficiency are. Second, among 4 elements, the factor that had the biggest impact on the accessibility was 'visual-perceptual accessibility'. Thus, 'visual-perceptual accessibility' should be considered first to boost the accessibility to consumers. Third, among 4 elements, the factor that had the biggest impact on the efficiency was 'sign system'. Thus, 'sign system' should be considered first to boost the efficiency to consumers.

• Proceedings of the Korea Information Processing Society Conference
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• 2020.11a
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• pp.532-533
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• 2020

본 연구는 두 가지의 HMD를 기반으로 화성능행도병에 관한 문화유산 MR 콘텐츠 시스템을 제안한다. 화성능행도병 중에서 서장대야조도를 대상으로 지류와 실물모형 위에서 3D 모델을 증강하여, 역사적 정보제공과 훈련과정 체험을 가능하게 한다. 이를 통해 박물관·미술관 관람객들에게 새로운 형태의 조선 시대 기록화 콘텐츠를 제공함으로써 역사적 기록에 대한 정보를 효과적으로 전달하고, 색다른 시각적 효과와 흥미 요소를 제공할 수 있을 것이다.

• Journal of architectural history
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• v.31 no.2
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• pp.19-26
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• 2022

This study tries to find out the commonalities and differences during the 20th century between the characteristics of Hanyang Sijeon revealed in previous studies by identifying the location of the Sijeon (market zones) installed in Namdaega, Gaeseong, the relationship between lots and streets, and the characteristics of the building arrangements. As a result, the integrated structure of the front and the doga, the market structures of Gaeseong, which have been passed down since the Goryeo Dynasty, influenced and developed those of Hanyang. In particular, additional furnaces were installed in the front, which led to the birth of Pimat-gil alleys. In determining the size of urban space, the scale of Gaeseong City was also applied to Hanyang, which became the basis for determining lots and roads around the market zones.

• 보존과학연구
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• s.35
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• pp.121-127
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• 2014

The Vietnam homecoming box that has been collected in National Museum of Korean The Vietnam homecoming box that has been collected in National Museum of Korean Contemporary History got severely damaged such as rot, attached foreign substance, fading, color, wood decay. In particular, the bottom of the box was unstable state that deteriorated by pests and the left strut was severely damaged by some deep cracks and pests. The metal bands were remained on the side and bottom of the box, and all the bands were seriously corroded. On the bottom-right of the lid, black foreign matter was adhered to the surface. In the process of conservation treatments, the cleaning, filling cracks, reinforcing the bottom of the box, attaching the metal bands were proceed in order after the investigation of the state.

• MISULJARYO - National Museum of Korea Art Journal
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• v.96
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• pp.224-238
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• 2019

In commemoration of the 1,100th anniversary of the foundation of the Goryeo Dynasty, the National Museum of Korea and the National Institute of Korean History are working together on a project to reveal memorial inscriptions(墓誌銘) in the Goryeo Dynasty. So far, It founded that four newly identified memorial inscriptions of Goryeo Dynasty. Among them, I would like to introduce two memorial inscriptions in overseas and a memory inscription that was first identified as being housed in the National Museum of Korea. Kim Yong Sik's memorial inscription is currently housed at the Smithsonian Museum's FreerSackler Gallery in the U.S.A.. Kim Yong Sik(金龍軾, 1129~1197) is a bureaucrat in the middle time of Goryeo Dynasty. He came from a family of influential people in the Andong province. In Goryeo times, provincial figures have been able to make inroads into central politics through the bureaucratic select examination(科擧). Kim's family came from the capital of Goryeo in that way. However, Kim did not rise very high. This inscription is meaningful in that it shows this ordinary middle class's life to study Goryeo history further. Sangdanghyeongoon(上黨縣君) Gwak Ssi's memorial inscription is currently housed at the Kyoto university museum in the Japan. Sangdanghyeongoon Gwak Ssi(郭氏(Mrs. Gwak), ?~1149?) is a bureaucrat class woman in the middle time of Goryeo Dynasty. There is not much information about her. But the method of marking the location of the her tomb is unique. Her tomb is located at the northern foot of the temple, Baekhaksa(白鶴寺, White Crane's temple). That marking method is sometimes confirmed in Goryeo period's historical text. This inscription is significant in that it shows practical example of that methods. Min Su's memorial inscription is missing after Japanese occupation time, but confirmed that currently housed in the National Museum of Korea. Min Su(閔脩, 1067~1122) is a bureaucrat in the middle time of Goryeo Dynasty. Although his track record is partly recorded in Goryeosa(高麗史, Historia of Goryeo Dynasty), the discovery of this inscription has made new research possible. I hope that more and more memory inscription of Goryeo will emerge from somewhere and contribute greatly to the study of Goryeo history.

• Conservation Science in Museum
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• v.13
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• pp.71-80
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• 2012

So-hwan earring(small hoop earing) is orbicular earring that have only main hoop. In this study, So-hwan earring from Baekje tombs are analyzed scientifically and those is attempted to find the correlation between scientific results and historical constituent. Six earrings were excavated from Habjung-ri sites in Buyeo and formative features and material characteristics of them were analyzed by microscope and XRF. As a results, various toreutics about producing gold silver alloy, pressure welding and amalgam plating that existed in Baekje from Ungjin period to Sabi period.

• Korean Institute of Interior Design Journal
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• v.21 no.2
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• pp.46-55
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• 2012

This study aims to analyze the design concepts of Libeskind's Jewish museums through their comparisons for figuring out his design intentions and characteristics in the realization process. Libeskind's realized four Jewish museums are chosen for this study. For more concrete study, their extracting and application process are also reviewed. The comparison of his museum designs can be good examples in that they show different design approaches on the same architectural type, Jewish museum, to tell their something in common from differences. He could realize his architectural thoughts and configuration methods made by experimental drawings for the first time as real buildings through a series of Jewish museum projects. The commonness of Libeskind's Jewish museums lie on their sharing design concept of Jewish 'history and memory', especially Holocaust, and realized as in contrast to surroundings and 'labyrinth' of spatial configuration to maximize spectator's experiences. As Libeskind regards museum architecture as a carrier of 'time and place', he tried to reflect surrounding context including places, cities, persons and events about museum programs. As a result, unprecedented museums which are not related to traditional museum systems about circulation and spatial configuration are suggested for users to experience Jewish life and history through architecture.