• 한국복식학회:학술대회논문집
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• 한국복식학회 2004년도 제29회 정기총회 및 춘계학술대회
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• pp.52-52
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• 2004

생태학은 세계를 하나의 생명체로 인식하는 전체적이고 통합적이며 유기적인 자연관을 모색하고 있으며, 이를 근저로 하고 있는 생태학적 세계관은 자연과 인간을 분리하지 않고 하나의 통합된 관계망으로 인식하고 있다. 특히 패션디자인에서는 80년대 이후 생태학의 개념을 응용한 에코 패션이 등장하여 오늘날까지 다양한 방식으로 활발하게 유행ㆍ전개되고 있다. (중략)

• 한국의류산업학회지
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• 제14권5호
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• pp.720-729
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• 2012

This study investigates trends and design characteristics of recent eco fashion designs on websites. For such purposes, 1185 pictures were collected from the websites of 12 eco fashion brands from 2006 to 2010 to analyze current status and design characteristics. Content analysis and statistical analysis using SPSS will be conducted for data analysis. The results of the research are as follows. First, the change difference according to the year of the eco fashion design. The focus was on, the natural image (from 2006 to 2008), the romantic image (from 2008 to 2009), and vintage, multi, and modern (from 2010). It was noticeable that the forms, colors, and materials changed simultaneously with the various images. The changing progress of eco fashion design was on the design changes according to fashion image changes. Second, after an examination of the characteristic difference of eco fashion designs according to seasons, the difference was shown as a natural and romantic image in the S/S season as well the vintage and classical image focused on the F/W season. It is figurative that S/S season shows a romantic image as well as magnifies a sportive image that is natural and active. Multi, natural and vintage images mostly appeared for the F/W season. In conclusion, eco fashion design is influenced by fashion trends, yearly changes, and seasons.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2012년도 춘계 종합학술대회 논문집
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• pp.317-318
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• 2012

현대의 디자인 산업은 환경을 파괴하던 산업구조를 벗어나 에코디자인을 필두로 친환경적 디자인에 몰두 하여 업사이클에 큰 관심을 보이고 있다. 다양한 산업과 함께 패션 장신구 산업도 친환경적 디자인을 적용, 업사이클 장신구를 개발해야 할 때이다. 이 논문은 다양한 측면에서 업사이클의 개념을 이해하고 사례를 탐구하여 패션장신구 산업의 업사이클 방향을 제시한다.

• ESCO지
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• 통권86호
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• pp.74-75
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• 2014

비닐백이 시장을 점령하기 전 어머니 손에 들려있던 알록달록한 장바구니를 기억하는가! 비록 색상과 모양은 평범했지만 환경을 생각하는 면에서는 최고였다. 장바구니가 평범한 역할을 벗어나 요즘 '에코백'이란 이름으로 주부는 물론 학생, 직장인들에게도 사랑 받는 패션아이템이 되었다. 에코디자인의 대표주자이며, 지구를 지킬 수 있는 친환경 소재로 거듭나고 있는 에코백의 무한한 변신을 만나보자.

• 복식문화연구
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• 제15권6호
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• pp.952-964
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• 2007

This study is about the design for environment which is central social interest in recent days. This study focused on both experimental designs which convey meanings and practical designs which can be produced within the fashion industry and then influence on the wide range of consumer, human and surrounding environment. The purposes of this study are to categorize national and global fashion designs for environment, to analyze data based on the fashion pipeline from planning to discard, to suggest systematic actions, and to establish fashion design for environment model. Through these processes, this study helps in making fashion designs for environment more understandable, and demonstrates one future direction for using environment as fashion industry's innovative strategy. This study attempts to create business and at the same time suggests design actions based on social belief. The results of this study are following. Fashion designs for environment were categorized by organic fabric, new-to-the-world fabric, reduce, multi-function, reproduce, order-made, recycle, and reuse. The results show that fashion designs for environment have been implemented throughout the fashion pipeline, and applied the concepts of design for environment including green, sustainable slow, and natural design principles. Furthermore, labelling and service from supply side, green purchasing from demand side, and integration from both sides are suggested as company's and society's systematic actions.

• 한국의상디자인학회지
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• 제16권2호
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• pp.111-126
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• 2014

The purpose of this study is to identify the antecedents of the attitudes toward purchasing fast fashion brands. As antecedents, fashion consciousness, eco-fashion consumption decision, ongoing search behavior, and shopping enjoyment were considered. It was hypothesized that fashion consciousness influence the attitudes toward purchasing fast fashion brands both directly and indirectly through eco-fashion consumption decision, ongoing search behavior, and shopping enjoyment. Data were gathered by surveying university students in Seoul, using convenience sampling. Three hundred five questionnaires were used in the statistical analysis, exploratory factor analysis using SPSS and confirmatory factor analysis and path analysis using AMOS. The hypothesized relationship test proved that fashion consciousness influences the attitudes toward purchasing fast fashion brands both directly and indirectly through ongoing search behavior and shopping enjoyment. In addition, eco-fashion consumption decision influence directly influences the attitudes toward purchasing fast fashion brands. The results suggest some effective marketing strategies for marketers in the fast fashion industry.

• 한국복식학회:학술대회논문집
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• 한국복식학회 2005년도 International Costume Conference PROCEEDING
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• pp.224-225
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• 2005

• 복식
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• 제60권8호
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• pp.151-167
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• 2010

This research is to analyze ethics in fashion design for more valuable and sustainable human life against the increasing alienation of the human being, the global ecological crisis resulted from contemporary consumption society. I expect that it can be helpful to plan ethical fashion design practice more effectively. For this, the documentary study and practical case study have been executed. The results are as follows. The ethics in design can be defined as the responsibility to reform the social, environmental problem of consumptive design, to sustain together without human alienation, environment disruption and to do social good for total human being ultimately. The ethical design practice means to suggest solutions to problems of human rights and environment and to act willingly. Based on this, ethical fashion design appeared as responsible design solution which has two directions. One is the fashion design for coexistence and sharing, including the design for all which considers even underprivileged minority, the design to promote public issues as well as to donate some profits. The other is the eco fashion design for sustainable environment, including eco-friendly design which is reductive and slow in whole design process, the design to inform the seriousness of environmental crisis as well as to donate some profits. The last one of the most important ethical responsibility as fashion designer is to abide by vocational ethics, that is, the prohibition of design piracy.

• 복식문화연구
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• 제21권4호
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• pp.511-520
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• 2013

This study examines the development of knitwear design using environmentally friendly Hanji (Korean traditional handmade paper) yarn. While its environmentally friendly features make Hanji yarn suitable for eco-fashion design, Hanji products, generally produced in limited quantities, are highly unlikely to become a commercial success due to their high prices. Therefore, a new technology allowing the production of low-cost Hanji yarn is in high demand, as is its application across multiple products in addition to knitwear. The significance of this study lies in that it suggests ways to design knitwear which reflect the versatility of modern eco-fashion to meet the needs of consumers. This study presents knitwear designs, specifically party wear and everyday fashion, that utilize the advantages of Hanji yarn and represent 2013 S/S color trends. Two outfits will be featured - one for women in their 20s and 30s and the other for women in their 30s and 40s. Also, this paper includes a literature review and an accounting of online research on Hanji yarn and eco-fashion designs.

• 한국콘텐츠학회논문지
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• 제12권12호
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• pp.103-110
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• 2012

다양한 산업분야에서는 '녹색경영'이 화두가 되어 환경보호를 최우선 과제로 에코디자인을 실천하고 있다. 인류의 탄생과 함께 시작된 장신구는 지난 20세기의 대량 생산과 소비의 가속화로 자원고갈과 환경오염문제를 증폭시키고 있다. 또한 세계의 경제의 위기 속에 소비자의 욕구가 위축되어 장신구 산업의 돌파구가 절실히 필요한 실정이다. 본 연구에서는 기존의 폐품을 재사용하여 합리적인 가격의 다양한 원자재 종류와 활용방법, 개성과 감성을 표현하는 고품격 장신구디자인을 개발함으로서 변화 있는 패션 연출 가능성을 모색하였다. 에코디자인을 통한 개성 있는 장신구가 장신구의 가치를 재조명 할 것이다. 시대적 합리성까지 고려하는 소비자들의 감성과 욕구를 만족시키기 위해 폐품과 귀금속의 조화를 통한 업사이클링 장신구 디자인방안을 제언하였다.