• Korean Architects
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• s.561
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• pp.90-93
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• 2016

• Proceedings of the Korea Contents Association Conference
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• 2018.05a
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• pp.131-132
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• 2018

빈센트 빌렘 반 고흐(1853-1890)는 후기 인상주의를 대표하는 인물이다. 후기 인상주의는 프랑스 미술사에 있어 인상주의를 뒤이은 미술 사조로 20세기 예술 중 특히 야수파와 표현주의에 지대한 영향을 끼쳤다. 반 고흐의 인생과 작품은 시대를 초월해 많은 문학, 영화, 소설, 시, 음악 등을 통해 소개되고, 재현되었다. 본 논문은 이러한 고흐의 인생과 작품세계가 유화 애니메이션을 통해 어떻게 각색되고 재현되는지 살펴보고자 한다. 이를 위해 후기 인상주의 배경과 특성 그리고 고흐의 고독한 일생 및 작품세계에 대한 문헌고찰을 진행하고, 이를 바탕으로 유화애니메이션 에 대해 사례분석을 진행한다.

• Journal of the Korean Society of Costume
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• v.51 no.5
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• pp.147-156
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• 2001

The painting style has much influenced on the creativity of design in the developmental process of modern fashion. This fact tells that pure art and fashion design have the same purpose in the end. In this paper. the color Autonomy of Matisse was analyzed and how its result influences on modern fashion design was investigated. Matisse is, in fact. the leader of Fauvism and the painter who brought the Fauvism painting to its perfection in the purest state. Matisse achieved the revolution of new color with only the color in expressing formative factor. Matisse's color autonomy are fusion technique, flatness, decoration, simplicity, etc. To sum up the influence that this autonomy played on modern fashion design, intensive pure color expression, strongly-supplemented color effect among primary colors, decoration of color, simplicity of color, that is to say. he gave rise to the revolution of color, Many modern designers are applying this method to the theme of fashion and motive, color the technique of expression. Thanks to this. the new formative artistic expression could be adapted in fashion, and it also induced the inspiration of original design, with great contribution to bringing the era of its own distinct individualism in modern times.

• Korean Journal of Fisheries and Aquatic Sciences
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• v.15 no.4
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• pp.333-344
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• 1982

Major species of zooplankters were idcentified from the specimens collected from Lake Ok-Jeong for 1 year period and the descriptions are given together with the list of tile species and some drawings. Assuming from the dominant species present in the lake, the Lake Ok-Jeong is considered to be a fairly progressed eutrophlc lake. For a few species, some Questions are presented in taxonomical and biogeographical view points.

• The Journal of Natural Sciences
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• v.7
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• pp.121-131
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• 1995

Orientalism showed in early 20th century as change of Style. Modern characteristics is understanded through big stream of change before historical conception. Change of style in West began by artist having oriental and exotic taste. These are mimesis of outershape about Japanese, Moroco, north Africa etc. Theses are called chinoiserie & turquise taste. Stream of 20th century style is continued expressionism. Cubism, Sur realism, Pop Art etc. but in my thesis orientalism is caused change of 20th Century after exotism (after showed as Primitivism ). In modern costume, concerned works of Paul Poiret changed body concious. He's a image creator as Yve St. Laurent, Chanel, Balenciaga. At that time Russia Ballet, Fauvist, vivid colors are back ground of series of modern costume. Soft and sleek body, transparent stocking, minaret tunic, turban is begin of oriental image. Modern costume and modern art are begins as change of aesthetic taste before historical conception.

• Cartoon and Animation Studies
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• s.49
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• pp.25-52
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• 2017

As the expansion of the cultural industry expands, various competitive structures are formed and the methodologies for producing commercial success are being discussed. Among them, Hollywood studios use political relationships and apply ideologies that can produce the best interests. Also, they use a structure that can convey this ideology, which is a mythology. The myth has satisfied the public for a ling time. Campbell suggested that strategies come from the myth, and the ideology emerged as a result of what mythology has to do with existing powers. Disney and Dream Works use the mythology and combine their own values into ideology. Disney and Dream Works choose conflicting ideologies in a different growth background. If Disney is recognized as an educational animation by the ruling class, Dream Works are supported by the public for their actions against Disney. Disney has conservative and patriotic personality, Dream Works is more liberal and progressive. Disney's structure came out first, and Dream Works parodied it. So we can compare Disney and Dream Works with similar myths to create a storytelling structure that embodies ideology. As a result, Disney and Dream Works have been choosing the 9 stages the key of Ideology form the 17 stages of the mythology and reduced them to the introduction, growth and completion. In the first units of the introduction, Disney dealt with the subject of social leaders who sacrificed to the ruling class and Dream Works hinted at the overthrow of the ruling class through the irony. If Disney had deployed colored races in the main characters, Dream Works used a variety of races from the main characters to others. In the second units of growth, Disney organized the process of accepting the value of the ruling class, and Dream Works showed the individual values, not the values of society. In the third units completion, Disney showed the main character who live in the world of the ruling class rebuilded, and Dream Works removed the ruling class and went back to the Individual life. Through the structure of Disney and DreamWorks, we learned how to utilize the mythical structures that transform according to ideologies. The right way to organize works will require the strategic approach to storytelling.