• The Journal of the Korea Contents Association
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• v.16 no.1
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• pp.521-529
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• 2016

This paper presents the historical development process and expressive style of motion graphics which are intended to artistic expression, and discusses the value of artistic expressions in motion graphics through the works and activities of F5 and Semi-Permanent which are the representative organization of that. Commercial use of digital motion graphics has been rapidly widespread and used in most of the picture contents by changes in the digital video production environment with the development of the computer. Motion graphics begins with a graphic design applied to the motion graphic content and is transferred from the abstract representation of the animation at the same time. Since then motion graphics have been developed as an independent genre on the basis of graphic design and animation, and take the important position for the understanding and development of the contemporary design and content industry. Moreover, the motion graphics which present the experiment of various techniques and the aspect of mixed genres contribute to the development and diversification of the visual image. This paper is covered on not only F5 and Semi-Permanent that have published experimental artistic motion graphics but also the analysis of the developed ways and expressive patters to produce experimental motion graphics of their works. Furthermore, it discusses the experimental artistic value of these works.

• Trans-
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• v.1
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• pp.1-19
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• 2016

Arts have changed continuously reflecting the times with the political atmosphere and social systems. As political, economic, and social big changes have occurred since World War II, antihistorical tendencies rejecting modernism in the early 20th century have come to appear in culture and arts as well. With these social changes, radical, avant-garde and artistic tendencies with strong experimental spirits, which rejected modernism took place especially in American dancing world. Trends of improvised elements and experimental trials were dominated discovering expressions of new movements in intentions and expressions of works. The purpose of this study is to investigate the effects on choreographic forms of modern dance until today by exploring choreographic characteristics of this postmodernism. To examine post-modernist inclinations in works, Trisha Brown who led American post-modern dance stressed dance for expressions of movements in themselves and pure movements by actively accepting into dance works American social flows which played a major role in postmodernism starting from 1960s. American modern dancers considered body in itself as important one and any emotional expressions and individual sensitivity is excluded as their physical expressions are factual, realistic, and due to their movements. They imprinted dance as valuable art by recreating ordinary behaviors into dance, using space excellently and forming experimental dance shapes. Therefore, it can be said that through analyzing brown's works, we proposed a new direction getting out of limits of arts and provided a direction of essential dance alt to movements of modern dance and choreographic shapes.

• Journal of Korea Entertainment Industry Association
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• v.14 no.8
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• pp.163-174
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• 2020

The purpose of this study is to derive the characteristics of the creative process of convergence performing arts. Therefore, the PADAF-Play and Dance Art Festival, a representative convergence performing arts festival in Korea that has been held steadily every year since the first event in 2011, was selected as the subject of the study. Through PADAF, a representative convergence performing arts festival in Korea, qualitative case studies were selected through process-oriented discovery to study the characteristics of the creative process of convergence performing arts, which is a key feature of performing arts in the 21st century. For realistic and empirical research, the 8th and 9th PADAF participated in the entire process from the initial stage of preparation to the closing ceremony and conducted several in-depth interviews with PADAF officials and participating artists. Looking at the characteristics of the convergence performance art creation process through PADAF, creators overcame difficulties that they had not thought of in different ways in the process of meeting different heterogeneous genres, but through understanding other genres, experiential values through convergence, sharing as collaborators, and various ways of communication. The characteristics of the convergence performing arts creation process, which is focused on PADAF, are "Rhizom thinking" by French philosopher Gilles Deleuze(1925-1995), "Collective intelligence," and "Experimental Value for Experimental Creation" by creators. Through this derivation, we will help the changing performing arts scene based on the basic human desire to understand convergence performance art a little more and communicate through the extended expression of convergence.

• Journal of Convergence for Information Technology
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• v.10 no.5
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• pp.126-133
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• 2020

This study was conducted with a randomized control group pretest-posttest study design to investigate the effects of a combined arts education program combining choral and respiratory training on the respiratory function, stress, and quality of life of university students. Twenty-five university students were randomly assigned to the experimental group (n=13) who participated in the combined arts education program and the control group (n=12) who participated in the general arts education program. As a result, there was a significant difference in the lung capacity, respiratory strength, stress and quality of life scale before and after the experiment in the experimental group (p<0.05). In addition, the results of the rest of the tests showed significant differences (p<0.05), except for the result FEV1. Through the results of this study, the combined art education program that combines chorus and breathing training will be beneficial as a program to improve stress reduction, breathing function and quality of life of university students.

• The Journal of the Korea Contents Association
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• v.18 no.6
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• pp.88-101
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• 2018

The collective narratives on global crisis such as the displaced, uneven distribution of resources, invasion of human rights is more than a recurring theme or polemics in the fields of contemporary arts. In the latest projects from Olafur Eliasson, Rirkrit Tiravanija and Ai WeiWei, art works are presented as performative 'platforms' for tackling these undiscriminating reality of human conditions. Here, 'the users' as driving forces of possible change, are postulated as prospective actors/players who lead and collaborate to defy the status-quo. Crossing over the on/off lines, the everyday-activities of exchanging, sharing and networking are strategically deployed and its meaning reconfigured within the context of post/production discourse. This historical, yet unsettling juncture between art and life, dystopian reality and utopian idealism has its formal-conceptual links to Russian Constructivism, Brechtian Learning-Play and Joseph Beuys' Social Sculpture. Based on Nicolas Bourriaud's notion of Postproduction, this paper aims to provide a diachronic analysis on collaborative dispositions of participatory arts practices.

• Proceedings of the Korea Contents Association Conference
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• 2006.05a
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• pp.310-313
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• 2006

People have regarded animation as the subculture for childishness or children compared with other art fields. Although many such aspects changed, of course recently, animation has focused on the commercial side rather than the cultural or artistic side as usual. However, the animation of art using various experimental expression is also continuously manufactured among short animations. Therefore, the purposes of this study were to look at Quay brother's animation with an experimental and an authorial disposition rather than commercial side. And then it is going to analyze the grotesque of . Moreover, it is going to consider the meanings who are going to express with this animation through grotesque expression.

• The Journal of Korean Institute for Practical Engineering Education
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• v.3 no.2
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• pp.11-17
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• 2011

As a rapid rate of social change and competitive, paradigm of industry environment manufacturing products and services is shifted. Engineers design, develop, manufacture the products and services are strongly asked competency of different new creative practices. This means while industrial structure has been shifted from mass production to various allied production and social engineering based production, qualifications of engineers are required to individual creative competency as alternatives. In order to improve the competency, engineer become the creative people have ability to develop the professional knowledge competency and expand the competency to convergence the new product and services with sensing the life and social structure shift, human engineering, psychology, and emotion. For the competency, we develop the training program "improving convergence, creativity through Art." we intend that the program should be composed of creative engineering mechanism combined creative arts mechanism. It has been operated to the engineers for 17 weeks. we will discuss the program result and research direction and utilization in depth.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 1993.04a
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• pp.153-173
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• 1993

폭약은 탄광에서 석탄이나 각종 광물을 캐거나, 건설토목현장에서 암반 제거를 위해서 주로 사용되었다. 전쟁에서 군사용으로 파괴를 위한 목적으로 사용되기도 하였으나, 최근의 동서화해 분위기와 남북통일이 무르익는 시대적 조류로 볼때 더이상 파괴용으로의 사용은 제어될 것이고 이제는 평화를 위하여, 건설을 위하여, 산업발전을 위하여 더 많이 사용되어지고 응용되어질 것이다. 작금의 첨단산업의 발달과 산업의 고도화로 우리 화약 업계에도 첨단발파기술의 개발에 많은 관심과 연구.개발을 진행중이다. 첨단발파기술의 응용사례를 소개하면, 건축토목 분야에서 노후 고층빌딩 및 굴뚝의 철거, 노후 교량 및 공장시설의 철거등에 활용되고 있으며, 위락서비스 분야에서 응용으로는 불꽃놀이를 들 수 있다. 최근에는 첨단 과학 장비를 이용하여 각종 꽃불의 모양이 음악과 미술등 예술적인 기능을 기억시킨 컴퓨터를 활용하여 보다 고차원의 공예술품(공학-예술)을 만들어낸다. 아울러 각종 기공식 발파시에도 예술적 기능과 웅장함을 가미하여 그 화려함을 극치에 다다르게 한다. 그외에도 로켓트 발사추진제등의 우주 개발에의 응용, 석유시추등 해양개발에의 응용, 각종 공학 실험연구에의 응용, 폭발 가공에의 응용, 의학에의 응용, 철강산업에의 응용 등으로 그 숫자를 이제는 일일이 나열하기 힘들 정도로 광범위해졌다.

• Journal of KSNVE
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• v.3 no.4
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• pp.300-312
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• 1993

폭약은 탄광에서 석탄이나 각종 광물을 캐거나, 건축토목 현장에서 암반제거 를 위해서 주로 사용되었다. 전쟁에서 군사용으로 파괴를 위한 목적으로 사용되기도 하였으나 최근의 동서화해 분위기와 남북통일이 무르익는 시대적 추세를 볼때 더 이상 파괴용으로의 사용은 억제될 것이고 이제는 평화를 위하여 건설을 위하여 산업 발전을 위하여 더많이 사용되어지고 응용될 것이다. 작금의 첨단산업의 발달과 산업 의 고도화로 우리 화약업계에도 최근에는 첨단발파기술의 개발에 많은 관심과 연구 개발을 진행 중이다. 첨단발파기술의 응용사례를 소개하면, 건축토목분야에서 노후 고층 빌딩 및 굴뚝의 철거, 노후교량 및 공장시설의 철거 등에 활용되고 있으며, 위락 서비스분야에서 응용으로는 불꽃놀이를 들 수 있다. 최근에는 첨단과학장비를 이용하여 각종 꽃불의 모양이 음악과 미술등 예술적인 기능을 기억시킨 케비테이션 를 활용하여 보다 고차원의 고예술품을 만들어낸다. 아울러 각종 기공식 발파시에도 예술적 기능과 웅장함을 가미하여 그 화려함을 극치에 다다르게한다. 그외에도 로켓 발사추진제등의 우주개발에의 응용, 석유시추등 해양개발에의 응용, 각종 공학실험 연구에의 응용, 폭발가공에의 응용, 의학에의 응용, 철강산업에의 응용 등으로 그 숫자를 이제는 일일이 나열하기가 힘들 정도로 광범위 해졌다.

• Proceedings of the Korea Contents Association Conference
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• 2016.05a
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• pp.33-34
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• 2016

불이 타오르는 비주얼이펙트 효과는 관련 CG 소프트웨어의 발전에 따라 그 사실적 구현과 완성도는 괄목한 만한 성장을 이루었으나 단순히 툴에 의존하는 작업방식은 예술적인 측면은 결여된 획일적인 시각효과의 양산이라는 폐단을 불러왔다. 본 연구에서는 수학적인 접근방법을 통해 예술적인 결과물의 질적 향상을 도모할 수 있는 기술과 예술 상호 융합적인 효율적 작업공정 구축을 제안하는데 그 목적을 둔다. 본 연구는 수학적인 알고리즘을 바탕으로 시각화를 위한 비주얼이펙트 솔루션을 구축하기 위한 실험단계를 순차적으로 진행해 나감으로써 시뮬레이션중인 유체 화염효과가 물체와 충돌하는 정확한 타이밍에 불이 옮겨 붙는 비주얼이펙트를 구현하기 위한 방법론을 제시하며 숙련도가 낮은 작업자라 할지라도 쉽게 사용이 가능한 접근성이 용이한 기술을 제시한다.