• 한국실내디자인학회논문집
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• 제16권2호
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• pp.115-122
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• 2007

The purpose of this study is to extract design concepts, especially in relation to light, as a part of extracting design concepts in architectural interior design. This study consists of two steps. Firstly, appropriate design concepts are extracted from various design characteristics. Secondly, these concepts are classified in the frame of other components of architectural space, as well as in the frame of the plastic characteristics of light. Various design characteristics were analyzed, those of which relating to the plastic character of space, namely, visual phenomenon. As a result of the analysis, 32 concepts were extracted. These concepts, in the frame of other components of architectural space (space, form, structure, opening of space, material, color, inside & outside relationship), were classified, as well as In the frame of the plastic character of Light (transparency, perception, direction, ornament). As the results of this research, the suggested design concepts will be a study material, available to the interior designers as well as students who want to utilize the organized study concepts.

• 한국실내디자인학회논문집
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• 제20권4호
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• pp.21-28
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• 2011

As people have paid much attention to their health along with increased interest in high quality of living, they have managed their health in organized manners. Space is a physical field which directly and indirectly interacts with human life, there is a little research on its therapeutic aspect and it is only negatively applied for development of products and alternative medicine. This study aims to identify research trends and flows targeting previous research on therapeutic approaches in domestic space design and present basic materials on space design approaches in a therapeutic view, which will be helpful in ultimate development of space design in theories and practices. As a result, it was discovered that there were only a few papers which were searched with direct key words on curative environment, which indicates that specific studies as therapeutic approaches are insufficient. When the studies were analysed according to annual publications, research on residential welfare and medical space was active, and research on design methodology, design techniques, and design plans was active, but research on psychology, behaviors, laws and institutions was relatively insufficient, which indicates studies on physical and psychological aspects of space design are necessary. In conclusion, it is suggested that further studies on therapeutic environment for direct and specific persons should be defined and classified although there have been relevant studies in various fields.

• 한국실내디자인학회논문집
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• 제16호
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• pp.98-105
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• 1998

Today the worship of entertainment i.e television has created a situation of diminshing monumental environments with increasing leisure time. Let us examine retrospectively the characteristics of the Urban theater Architecture. Two aspects would stand out as Theater Architecture gets closer to the urban tradition or trends to make a part of a city come to life. One aspect is an introvert purity. The other is an extrovert organic structure on the edge of connecting urban scenary with anything hoping to find the renewable element which could be revived eternally in architecture.

• 한국실내디자인학회논문집
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• 제28호
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• pp.17-24
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• 2001

This study aims at the spatial analysis in semiotic architecture focusing on the early works of M. Graves and P. Eisenman, the representative architects of semiotic architecture. This study on the semiotics of architectural space can be started with literaeur's approaches which recognizes it as the language. Thus, to applicate semiotics in architectural space means a methodology reaching for essential architecture. The conclusions of the study as per the above mentioned aims and intentions are as follows: The viewpoint of spatial analysis in M. Graves's semiotic architecture is defined the semantic metaphorical space of denotative context : That of P. Eisenman's described the synthetic deep of connotative self-restraint.

• 한국실내디자인학회논문집
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• 제36호
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• pp.102-110
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• 2003

This Study is concerned with the architectural problems particular to the design of the sanctuary in Catholic churches. The paper is meant to address two distinct groups - clerics and architects. Architects do not tend to think the church buildings theologically or liturgically, and priests, though they are often trained in the arts, do not tend to look at buildings the same way architects do. Hence, my goal is to adequately address the concerns of each in a language the other will understand, thereby building a bridge of communication between the two groups. The two main concerns of the study are to provide guidelines and reflection lot liturgically correct buildings, and to re-establish the traditions of church buildings. I discuss the idea of the sanctuary in the Catholic church,(in chapter 2) and examine each of the main furnishings of the sanctuary with regard to history, liturgical use, symbolism and related pastoral concerns.(in chapter 3,4).

• 한국실내디자인학회논문집
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• 제21권1호
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• pp.51-58
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• 2012

The purpose of this study is to present the cognition of speculative aesthetics in the architectural space. Architectural space as the subject of the aesthetical study has been ignored such a long period though it should be centered of the whole architectural theory. Even it has not been dealt with independently but just only as a part of aesthetic or artistic field. Also it is also true that academic approach to the architectural space as per the aesthetic recognition has not been done so satisfactorily. The transcendental subjectivity as the aesthetic cognitive viewpoint of the architectural space means speculative aesthetics and the understands the essential meaning of the function and composition The conclusions of this study are as follows : The formalistic cognitive concepts including organic functional space between the whole and the part and anti-cubic synchronous space are included in the architecture of the speculative cognition, and finally the contextual cognitive concepts including the restoring analogical space of the in-depth constituent factors and associated centripetal spaces.

• 한국실내디자인학회논문집
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• 제21권1호
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• pp.111-118
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• 2012

The purpose of this study is to classify the epistemological critique between philosophy and architecture. Although there are various interpretations and criticism about the architecture, the fundamental critique of architecture is difficult. It is necessary to approach by the philosophic paradigm rather than architectural one. Therefore the procedure and method of study is to define the epistemology within philosophy and architecture, and present the classification viewpoint and the architecture case. The conclusions of this study based on purpose and process are as follows : The First, the philosophic epistemology is to mean the unity of subjective and objective. And the epistemological viewpoint of architectural philosophy is to define the construction's universality. The second, the architectural philosophy is a kind of the philosophy of art, and It is associated with the basis of aesthetics. Thus, the category of architectural philosophy like the aesthetics is classified with function directivity and form directivity, content directivity. The Last, epistemological critiques between philosophy and architecture are as follows ; 1) subject-object-integrated recognition critique (function directivity), 2) object-oriented recognition critique (form directivity), 3) subject-oriented recognition critique (content directivity).

• 한국실내디자인학회논문집
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• 제21권4호
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• pp.129-137
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• 2012

This study investigated the architectural characteristics and preservation status of traditional houses, designated as cultural assets in Jecheon. It aimed to provide basic information for cultural assets preservation policy in Jecheon by finding architectural characteristics of traditional houses. This study was conducted using the research methods of the existing literature and field survey to compare a current status of traditional houses. The result are as followings. Firstly, measures to protect the archetype of traditional houses are urgently needed. For systematic maintenance of local cultural assets, the relevant informations have to be constantly updated with ongoing management. Secondly, the site of traditional houses show the typical appearance of Baesanimsu(背山臨水). They were built with the hill or mountain in the north and agricultural land in the south. Types of placement are mostly closed type of 'ㅁ' shape. Thirdly, An-chae is found various type of 'ㄱ' shape, and Toet-khan was developed. Lastly, Sarang-chae is a mostly type of 'ㄴ' shape, and the traces of confucian thinking is found in floor plan.

• 한국실내디자인학회논문집
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• 제20권2호
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• pp.131-138
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• 2011

This study describes development process of residential architectural space in the Richard Meier's residential works through chronological analysis. By analyzing house layout, floor plan, elevation, materials and colors and light entering of his residential works, changes in his architectural space has been studied. Richard Meier's early work is designed as three-dimensional shape, and places emphasis on geometric form. However, recently completed residential works by Richard Meier focuses on the horizontal sun shading louvers, which has ability. In addition, teak and a special UV protective glass are used to control natural environment. Through this research, it was found that Richard Meier has maintained his architectural language in terms of the design layout of the house and planar with colors that appear on the initial project. Using light input methods and materials used for active development, it was found that many design elements were applied and developed.

• 한국실내디자인학회논문집
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• 제17호
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• pp.73-79
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• 1998

This study aims to show the present status of the expressions in the contemporary architecture in Kore under its pluralistic and equivocal situation. Non-residential buildings constructed since 1960 till 1997 have been analyzed focused on the rationality romantic property and koreanity which are the expressional aspects and its expressional characteristics in contermporary architecture in Korea such as the properties of the quasi-thematic approach limitary subsistence unexisting common ownership mixed copy and normative diversity have been grasped. These results prove that the common features after Modernism such as the restoration of humanity search for the architectural forms of plural meaning the pursuit for the regionality are also applied for the expressions of the contemporary architecture in Korea, Also this study can be the attempt to clarity the identity of the contemporary architecture in Korea and where it is now.