• Journal of Popular Narrative
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• v.26 no.4
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• pp.77-114
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• 2020

This article aims to examine the Sinpa of Along With the Gods: The Two Worlds. Along with the Gods: The Two Worlds was a box office hit with a 10 million attendance mark, but it was also criticized as a 'Korean Sinpa' at the time of its release. The original version of Along with the Gods is a Webtoon called Singwahamkke in Korean. The popularity of Singwahamkke and its adaptation, Along with the Gods was enormous, which prompted a very active research to be carried about the work. However there are only a few articles which analyze the Along with the Gods: The Two Worlds focusing on the Sinpa, even though the Sinpa of the Along with the Gods: The Two Worlds was a highly controversial issue when the movie was released. In this regard, this article tries to examine the Sinpa of the Along with the Gods: The Two Worlds closely, especially by comparing it with the original webtoon Singwahamkke Jeoseung. The body part of this article is composed of three major parts: chapters 2, 3, and 4. Chapter 2 contains an in depth explanation about the notion of Sinpa, the main conceptual research tool for this study. In chapter 3, the original webtoon Singwahamkke Jeoseung is examined closely. This chapter analyzes the 'Sinpajeok moment' in Singwahamkke Jeoseung and argues that despite the presence of Sinpa elements, the webtoon cannot be considered a 'Sinpajeok text'. On the other hand the main subject of chapter 4 is discovering what effect the adaptation from webtoon to movie had on this work, with a particular focus on the gender of Sinpa and Kim Ja-hong. Chapter 5, which corresponds to the conclusion, briefly evaluates the social significance of the controversy arisen in South Korea about the Sinpa in Along with the Gods: The Two Worlds. Sinpa is one of the most repeated code in the realm of Korean popular narrative. This is why the Sinpa of contemporary text is examined continuously even though there are already plenty of studies on the Sinpa. Everyone has called Along with the Gods: The Two Worlds Sinpa but no one has properly analyzed it. It is hoped that this article which closesly examined the Sinpa in Along with the Gods: The Two Worlds contribute to the field of Sinpa. It is also expected that this article can find appropriate contextual meaning of the series of Along with the Gods.

• Journal of the KSME
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• v.43 no.7
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• pp.48-55
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• 2003

이 글에서는 시대적 흐름에 따라 스포츠 과학화에 신파 역할을 할 수 있는 스포츠 공학이라는 분야의 필요성이 날로 증가하는 시점에서 스포츠공학의 역할과 전망에 대해서 설명하고자 한다.

• The Science & Technology
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• no.12 s.439
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• pp.90-93
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• 2005

'신파람(신나는 과학을 만드는 사람들)칼럼'은 중 · 고등학교 과학교사들이 직접전하는 교육 현장의 생생한 이야기들을 담는 코너이다. 이번호에는 '추천하고 싶은 이공계 관련 직업'에 대한 의견을 실었다.

• Proceedings of the Korean Society of Precision Engineering Conference
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• 2009.06a
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• pp.597-598
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• 2009

• The Journal of the Korea Contents Association
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• v.8 no.7
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• pp.161-173
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• 2008

Silmido [실미도 2003] captures the covered historical reality and describes the spectacular training process of the special army stationed at Silmido in vivid detail. As a result, a fictional space is turned into a reality film. The film shows ideological inconsistency of the critical view about the fascism of government authority and at the same time the political aid about government authority. The film creates dramatic and friendly effect through melodramatic and emotional exaggeration called sinpa about historical events to produce the pleasure of assimilation based on the trust of the audience. Here, individual assimilation is subjectivity achieved through the general sympathy coming from the tragic national discourse. Silmido appeals to the imaginary community not in a logical but in an emotional way. The spectacular action and realistic images are supported by national tragedy divided into the South Korea and the North Korea, and integrated sentimentalism to amplify the tragedy. Silmido tries to strengthen the tragic situation caused by the division ideology through this sentimentalism called sinpa. In contrast to the brutality of the relentless military regime, the sacrifice of good-hearted Silmido force members is heroically portrayed.

• Journal of Korean Theatre Studies Association
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• no.48
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• pp.421-446
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• 2012

The purpose of this paper is to shed light onto the historical significance and limitations of the Tsukiji Little Theater's modern performances. The Tsukiji Little Theater holds a position of great importance to the history of both Japanese and Korean modern theater. Some, however, are under the completely opposite impression. There are also mixed opinions about whether the Tsukiji Little Theater is a "model example" of the modern theatrical movement or a "bad example". Based on this controversy, we look into the definitive characteristics of the Tsukiji Little Theater based mostly on "the controversy over translated foreign plays", "the controversy of foreign plays versus original plays", "the value of kabuki" and "Shinpa as a rival". This paper looked into the differences in controversy over translated foreign plays in the Tsukiji Little Theater and the controversy in existing translated foreign plays. It mostly looks at the "casuistry of foreign plays" and the "cultural engineering theory of foreign plays"to get a grasp on the controversy surrounding existing translated foreign plays. Meanwhile, the "internally critical meaning" towards the original plays of renowned writers was strong in the controversy of foreign plays in the Tsukiji Little Theater. Kaoru Osanai defined the 1920s as a dark period, and persisted that because of the activity of the Shingeki movement, foreign plays were needed instead of low-level original plays. This study examines the characteristics of original plays and foreign plays publicly performed at the Tsukiji Little Theater to analyze the "controversy of translated foreign plays versus original plays". The Tsukiji Little Theater mostly put on shows with a strong sense of resistance or that defied the old times. This caused there to be a lot of emphasis put on the rebellious mindset towards old conventions and ideologies for most of the plays, both foreign and original, and the problem arises that little mind was paid to the integrity or beauty of the works. In looking at the "value of kabuki", this paper looked into Kaoru Osanai, who was deeply involved in kabuki actors. He evaluated traditional Japanese arts highly not because of the literary value of their scripts, but because he recognized the value of how they were performed. In order to create a new spectacle, music, dance and mime was taken in from countries around the world, and kabuki was regarded highly as a means of expression on stage. Finally, we also examine the recognized reasons for treating Shinpa as a rival. There is a relationship between these reasons and a complex about the audiences they drew. The Shinpa performances always had many spectators and were successful, but those at the Tsukiji Little Theater were so unpopular with the public that it was hard for them to financially run their theater group. The empty seats in their theater constantly made the modern intellectuals in the Shingeki movement feel inferior.

• Journal of Popular Narrative
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• v.25 no.1
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• pp.87-122
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• 2019

This paper examines how the melancholia and death drive foregrounded in Kwak Ji-kyun's films have changed the affect and production trend of South Korean melodrama films of the late 1980s and thereafter. It particularly analyzes Kwak's The Home of Two Women (1987) as his exemplary melodrama film. Kwak is not only an auteur filmmaker of the 1980s and 1990s but was also a herald of South Korean New Sentimentalist films back then. The New Sentimentalist filmmakers have aspired to sophisticate the South Korean melodrama film not only by de-sentimentalizing it from the shimpa quality but also separating it from excessive emotion of shimpa that had long dominated the national cinema. This affective sophistication is directly linked to the sense of loss and melancholia/depression of the characters in the film caused by the death of one's beloved. This New Sentimentalist affect is best represented in Kwak's The Home of Two Women through its depiction of the internal conflicts of artists struggling to artistically sublimate the death drive and sense of loss. By textually analyzing The Home of Two Women, this paper not only reevaluates Kwak's film style but also reposition the topology of the New Sentimentalists in Korean film history.

• The Research Journal of the Costume Culture
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• v.24 no.5
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• pp.588-599
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• 2016

The primary aim of this study was to analyze the fashion trend of wearing T-shirts with slogans at home and abroad and to consider the social influence of these shirts on fashion. The research method was based on the documentary method and the existing literature, and the study range was limited to the period from the middle of the 20th century to the present. Slogan T-shirts played important roles because they make the wearers highly visible wherever they go. T-shirts with slogans not only intentionally expressed the wearers' views on multiple social issues but they also made those issues more visible, thereby encouraging society to deal with them. The T-shirts also helped to form a social consensus regarding the issues. For this reason we referred to slogan T-shirts as 'the social fashion' in this research. Regarding the results, the research found that T-shirts with slogans were a social fashion that conveyed real political slogans and thus influenced people's political beliefs. Second, they politicized the issues in public interests with the public perspective. Third, the purpose of slogan T-shirts was to help people express their personality publicly and thereby bond with other people who held similar sympathies. Furthermore, the T-shirts conveyed multiple meanings in each message.

• Proceedings of the Korea Technology Innovation Society Conference
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• 1998.05a
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• pp.13-13
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• 1998

그동안 우리나라의 에너지사정은 2차례의 석유파동을 겪음에 따라 국가정책적으로 에너지의 중요성이 대두되었으며 이러한 실정은 총에너지소비가 70-80년대를 걸처서 약 7-8% 증가수준을 유지하였고, 90년대 초반부터 중반까지는 세계적으로 석유수급이 완화되어 석유가격의 안정, 하락추세 등의 영향으로 10%를 초과하는 증가추세를 나타냄과 동시에 에너지기술개발 활동 또한 활발히 전개되고 있었으나, 1997년말부터 갑작스럽게 닦아온 외환위기는 주변 몇몇 아시아국들과 마찬가지로 우리나라 사회전반에 혹독한 영향을 미치고 있으며 에너지기술개발에서도 예외가 아닌 듯 에너지가 수입에 의존하는 영향으로 직접적인 외환관리에 나섬에 따라서 에너지 기술개발 사업이 저공해 고효율 시스템으로 개발해 나가고자 함으로써 국가발전에 크게 기여할 수 있는 주요한 사안이 되었다. 지금까지의 기술개발은 초반의 고갈되는 에너지자원을 대체해 나갈수 있는 신재생에너지개발과 에너지절약기술사업에 중점을 이루었으나 점차로 에너지수급정책과 연계된 효율적인 에너지이용기술개발과 산업체 주도의 기술개발을 위한 실용화 중심 에너지기술개발을 위해 사업이 추진되었으며 최근에는 대외 경쟁력을 높여가는 중점개발분야에 많은 노력을 쏟아왔다. 따라서 본 연구에서는 현재의 경제 체제하에서 에너지기술개발의 방향과 국제적으로 대응해 나갈 수 있는 방향제시가 필요하며 이를위한 가시적인 분석을 하고자 한다. 첫째로 국내외 상황에서 본 에너지여건과 전망을 현재 IMF체제하에서 다루었으며, 둘째로는 앞으로의 에너지기술개발 방향성을 분석하기위하여 에너지기술개발 체계를 살펴본 뒤, 국내 에너지 주변 환경을 고려하여 단기, 중기, 장기별로 개발목표를 설정하고 에너지기술개발을 위한 새로운 도전을 시도하였다. 마지막으로, 에너지기술개발의 신파라다임은 에너지기술개발 계획이 지금까지 수행되어 온 특정기술의 집중 개발보다는 다양한 기술의 동시적 추진에 의하여 선진국과 기술 격차를 줄여나가는 방향을 제시하였다.

• Fashion & Textile Research Journal
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• v.22 no.1
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• pp.1-10
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• 2020

Romanticists realized the ideals of a more fantastic and better society for the present day in which they lived; in addition, dress was an important medium of expression of this period. The Incroyables were a group that expressed eccentric forms and abuses of luxury through their clothing, centering around the second generation of financial elite groups during the French Directoire. Incroyables created their own fashion that expresses their new image in dress, expressing the intense personal innerity of life, which was influenced by the romanticism of pursuing an internal expression of the subjective and emotional individual. This study used a literature review to analyze the characteristics of the Romanticism expressed in the Incroyables fashion. The research results were as follows. First, it was an expression of an emotional desire for and ancient regime. Incroyables fashion were based on bourgeois nostalgia for the days of the ancient regime that resulted in an emphasis on individual and original human views. Second, it was also a hybrid of Romantic classicism. It was a form emphasizing body form where body beauty expressed a classical form through a dress under the influence of neo-classicalism that desires to return to nature.