• Title/Summary/Keyword: 신라시대

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Design and Implement of Smart Phone Tour Game using A-GPS (A-GPS를 이용한 스마트폰 투어게임 설계 및 구현)

  • Kim, Hyeong-Gyun;Bae, Yong-Guen;Go, Mi-A
    • Journal of the Korea Society of Computer and Information
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    • v.16 no.6
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    • pp.111-118
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    • 2011
  • This paper proposed a smart phone tour game using A-GPS. This game is a fused content of tourism and education. This game is based on the historical background of Silla and spatial background of GyoengJu. Game event has occurred by comparing pre-measured GPS values and smart phone A-GPS values. The field test of event were used to correct the A-GPS error by 3 times. This paper has looked at game planning and run screen. In addition, the future direction of the game were discussed.

조선사업(造船事業)의 현황(現況)과 전망(展望)

  • cheol-Su,Kim
    • Bulletin of the Society of Naval Architects of Korea
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    • v.2 no.1
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    • pp.20-23
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    • 1965
  • 우리나라는 연해(沿海)에 풍부(豊富)한 수산자원(水産資源)을 가진 동서남(東西南)의 삼해(三海)에 면(面)해서 멀리 탁 트인 태평양(太平洋)을 바라보는 위치(位置)에 있다. 이와같은 지리적(地理的)인 조건(條件)을 구비(具備)하고 있는 우리로서 어찌 바다에 관심(關心)을 갖지 않을 수 있겠는가? 풍부(豊富)한 수산자원(水産資源)이 있음에도 "배"의 부족(不足)으로 마음껏 이를 획득(獲得)하지 못함은 실(實)로 안타까운 일이다. 건국이래(建國以來) 조선산업(造船事業)에 힘을 기우려 이를 발전(發展)시켜왔으나 아직도 수요량(需要量)에 미달(未達)하여 약(約) 256,000여톤(餘屯)의 선박(船舶)이 부족(不足)한 실정(實情)에 있으며, 매년(每年) 1,3000여만불(餘萬弗)의 외화(外貨)가 선박운임(船舶運賃)으로 지출(支出)되는 현시(現時)에, 조선(造船)에 여러가지 애로(隘路)가 많다고 좌수방관(座手傍觀)하고만 있을 수는 없다. 이웃나라의 일본(日本)은 자국선박(自國船舶)뿐 아니라 널리 선박수출(船舶輸出)의 해외시장(海外市場)을 가지고 연간(年間) 200여만톤(餘萬屯)의 건조량(建造量)을 자랑하고 있다. 그러나 우리의 역사(歷史)위에도 통일신라시대(統一新羅時代)의 해양제패(海洋制覇)의 기록(記錄)과 임진란당시(壬辰亂當時) 우리해군(海軍)의 활동(活動) 등 우리선조(先祖)들이 그분들의 손으로 건조(建造)한 선박(船舶)으로써 활약(活躍)한 바 있고 지금의 우리도 차츰 조선업(造船業)을 부흥(復興)시켜 현재(現在) 4,000톤급(屯級)의 선박(船舶)을 건조(建造)하는 단계(段階)에 이르고 있는 것이다.

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Immortality,Taoism, and Tombs in the old Silla Kingdom (신선의 왕국, 도교의 사회 신라 -적석목곽분과 그 시대를 중심으로 -)

  • Kim, Tae-Sik
    • Korean Journal of Heritage: History & Science
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    • v.36
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    • pp.181-226
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    • 2003
  • In archeological aspects the 4th-6th centuries of the Silla kingdom has been callded the era of wooden chamber tombs with pebble and earth mounds(jeokseokmokwakbun). Moreover, the era is also regarded the age of the traditional and 'primitive' Korean religion which originated from inside the Korean Peninsula or the kingdom. However, the tombs and their burial accessories reveal that it is Taoism, not shamanism, that prevailed throughout the silla kingdom and its people during the jeokseokmokwakbun period. Above all things, almost all of the tombs excavated up to date yield in great quantities cinnabar and mica, which have been considered the best elixir of life in the Taoist world. Moreover the instruments to make the medicine for the deceased has been founded inside a tomb. The jeokseokmokwakbun tombs are famous for their great amount of buried articles and their grand scale. The tombs also have a large amount of gold, silver and beads, which are all thought to be the other cure-alls in taoism. Then why the silla people made the tombs and buried those elixirs of life for the deceased? The best answer we can imagine is this : for eternal living! In other words, cinnabar and mica are for the everlasting life of the deceased, the tombs were desingned as the 'eternal house' where the dead are living a immortal life. Needless to say, immortal living, even after he or she dies, is the ultimate purpose of taoism.

Evaluation of water engineering ability for the Byeokgolje (벽골제의 수공학적 능력 평가)

  • Jang, Myung Ho;Kim, Min Hwan
    • Proceedings of the Korea Water Resources Association Conference
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    • 2021.06a
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    • pp.286-286
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    • 2021
  • 벽골제는 전북 김제시에 위치하고 있으며 우리나라의 고대 저수지이다. 벽골제는 고대 농경사회의 대규모 토목사업으로 건설되었다. 약 2.5km의 제방이 현존하고 있다. 축조 시기는 삼국시대 서기 330년이다. 이후 통일신라 원성왕(AD.790)과 고려 현종 및 인종 때 보수되었으며 조선 태종(AD.1415)에 대대적인 보수를 하였다. 세종 2년(AD.1420)에 심한 폭우로 유실되었다. 그 후 일제강점기 1925년에 김제 간선수로로 개조함으로써 원형이 크게 훼손되었다. 벽골제는 우리나라뿐만 아니라 동아시아 고대 저수지로서 중요하다. 벽골제의 축조방식(부엽공법)과 측량기술은 일본 오사카부의 사야마이케(저수지)에 영향을 주었다. 사야마이케는 고대저수지로서 원형이 보존되어 있으며 유네스코 세계 유적으로 등재하기 위한 준비가 충실하게 진행되어 왔다. 본 연구에서는 벽골제가 고대저수지로서 가치를 인정받고 보존하기 위해 발굴되고 있다. 더불어 벽골제의 수공학적 능력 평가가 필요하다고 판단된다. 벽골제 유역을 대상으로 현재 지형과 최근이 수문자료를 이용하여 평가하였다. 발굴된 벽골제를 기준으로 유역을 설정하였다. 벽골제 유역 특성을 토대로 강우 분석을 수행하여 홍수량과 벽골제를 기준으로 수면적과 용적을 산정하였다. 벽골제에는 5개 수문이 있으며 3개는 Sluice Gate 형식(장생거, 중심거, 경장거)이고 2개의 월류형 형식(수여거, 유통거)으로 구성되어 있다. 최근에 수여거는 발굴 중이며 유통거는 미발굴 상태이다. 발굴된 수문의 규모를 토대로 수문 개방 정도에 따라, 웨어의 첨단고에 따라, 제내지의 수위를 조합하여 시나리오를 구성하였다. 시나리오에 따라서 최고수위를 산정하여 벽골제의 능력을 평가하였다. 이를 근거로 벽골제의 붕괴 원인을 추정해 보았다.

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A Study on the Relationship between the Heritagization Process and Local Community in Gyeongju, a World Heritage City (세계유산도시 경주의 유산화 과정과 지역공동체의 관계에 관한 연구)

  • HAM Yerim;KIM Euiyeon
    • Korean Journal of Heritage: History & Science
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    • v.56 no.1
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    • pp.226-256
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    • 2023
  • Gyeongju has been the capital of Silla Kingdom for about 1,000 years, and many cultural heritages of the Silla period, such as the Wolseong Palace Site, Daereungwon Ancient Tomb Complex and Donggung Palace and Wolji Pond, are located in the city. Due to these characteristics, the process of heritagization has been carried out in Gyeongju from the Japanese colonial era to after liberation. Heritagization means selecting things from the past due to the needs of the present and making them heritages. In the case of South Korea, national government-led heritagization was achieved during the Japanese colonial period, and after liberation because of the restoration of national culture and the construction of a national identity. Gyeongju is a representative example. On the other hand, Gyeongju's heritagization process was carried out with little consideration of the local community, and thus the local community and Gyeongju's heritage have been distancing. In 2002, Gyeongju's heritage sites were nominated as World Heritage Sites. With the nomination, the perception of the role of local communities in heritage has been changed, and institutional mechanisms to promote the participation of local communities have been continuously reorganized. However, Gyeongju's heritagization process, which was thoroughly conducted through the central government and expert groups, was the reason why Gyeongju residents actually thought Gyeongju's heritage and the locality of Gyeongju were formed through the central government and expert groups. This has been the result of Gyeongju residents' passive participation in heritagization or heritage management to date. This study analyzed the heritagization process of Gyeongju through literature research and conducted an interview survey of residents who have lived in Gyeongju for a long time to understand the impact of the institutional heritagization process on residents and the relationship with heritage. Based on the analysis results, it was suggested that local residents and communities could take the initiative in managing the heritage of Gyeongju.

A Study of the Bracelets Excavated from Fifth-and Sixth-century Silla Kingdom Tombs: Physical Characteristics and Wearing Practices (신라 5~6세기 무덤 출토 팔찌에 대한 연구 -물리적·형태적 특성 및 착장 양상을 중심으로)

  • Yoon Sangdeok
    • Bangmulgwan gwa yeongu (The National Museum of Korea Journal)
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    • v.1
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    • pp.174-197
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    • 2024
  • Personal ornaments made from precious metals that have been excavated from tombs dating to the Maripgan period (4th-6th century) of the Silla Kingdom are a major subject of analysis in the study of gender and hierarchy among the tomb occupants. Nonetheless, bracelets had been neglected until Ha Daeryong's recent research on determining gender through bracelets attracted attention. Accordingly, an examination and organization of the fundamental elements of Silla bracelets was needed. In response, this paper examines their physical characteristics, appearance, changes over time, and related wearing practices. The data for this study is derived from 176 bracelets, mostly made from silver or gold. Copper and glass bracelets are also included. Many of them were cast in a single-use earthen mold. Even the notched and protruding designs were created by casting rather than carving. Glass bracelets and bracelets with dragon designs were made using molds with round cavities. Excluding those produced using metal sheets, the rest of the bracelets are thought to have been cast in a mold with a long-string-shaped cavity and then bent round. After being bent, the two ends were either soldered together (closed type) or left open (open type). As demonstrated in the study by Lee Hansang, Silla bracelets evolved from plain rounded rod-shaped bracelets, such as the one excavated from the Northern Mound of Hwangnamdaechong Tomb, to versions with notched designs, and eventually to those with protruding designs, which gained popularity by the sixth century. The precedents of plain rounded rod-shaped bracelets are presumed to have been thin rod-shaped bracelets from the Proto-Three Kingdoms period. Bracelets need to be fit to the wrists so that they do not slip off easily when worn. The open type design was the preferable way to achieve this. Moreover, given the ductility of gold, silver, and copper, it seems that it would have been possible to stretch or deform them. In the end, I concluded that even if a bracelet is too small to pass man's hand, the open type could have been worn. Furthermore, if a closed-type bracelet were pressed into an oval shape, it would not be impossible for a man to put it on. When bracelets are divided according to their degree of deformability into type A (the open type) through type D, which is almost impossible to deform, type A is commonly found with wearers of thin hollow earrings, and types C and D (which are difficult to deform) are not found with wearers of thin hollow earrings, but only with wearers of thick hollow earrings. Therefore, it can be seen that men were allowed to wear bracelets, and the existing studies that differentiate between men and women based on the wearing of thin hollow earrings, thick hollow earrings, and swords remain valid.

Technique and Type of Line Expression in Goryeo Dynasty Metal Craft Engraving (고려시대 금속공예 선각(線刻)기법의 기술과 유형)

  • Kim, Serine
    • Korean Journal of Heritage: History & Science
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    • v.53 no.3
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    • pp.24-41
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    • 2020
  • The engraved line expression in metal crafts is a detailed technique of carving or decorating metal surfaces. This technique engraves a line using a tool on the surface of a metal craft. This technique was used extensively in articles made of various metal materials during the Goryeo Dynasty, and the range of patterns that could be expressed and the width of users was wide. In this paper, based on relics and literature, the concept of line representation of this engraving technique used in the metal crafts of the Goryeo Dynasty and the perceptions and terms of the Goryeo Dynasty were examined. In addition, the users engaged in this craft and the specific patterns and patterns of decoration were reviewed. Through these means, it was possible to confirm various aspects of a technique that was thought previously to involve just simple expression of lines using tools. In addition, through the literature, Geumseokmun Gate, and relics currently being transmitted, it was possible to confirm the utilization patterns of techniques used in various types of objects. Various uses have led to the combination with other metal craft techniques that were popular at the time, and while utilizing unique characteristics of the techniques, this maximized the molding of various patterns. In the meantime, it is true that the intaglio technique in metal crafts has not received much attention compared to the decoration techniques of other metal crafts, such as inlay, embossing, and openwork techniques in which decorative effects are maximized due to the recognition that the technique was used so widely in relics. However, the universality of the technique is premised on its wide use across all eras. As such, it was used in metal craft relics that reflect the various cultural characteristics of Korea and various cultural aspects that are currently passed down. On the one hand, technology has been passed down as a form of intangible heritage that embodies a longstanding craft culture which continues to the present in the fields of sculpture and intangible cultural properties. As such, the universality of Seongak contains many cultural meanings. In addition, the uniqueness of the technique is distinct, and it is deeply related to Goryeo, who was in charge of the use of technology and craftsmanship of the Joseon Dynasty and the metal craft technology that is currently handed down. I think research on future techniques should be continued in depth.

A study of intakes of vegetables in Korea (한국(韓國)의 채소(菜蔬) 음식(飮食) 문화(文化))

  • Cho, Mi-Sook
    • Journal of the Korean Society of Food Culture
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    • v.18 no.6
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    • pp.601-612
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    • 2003
  • In Korean history, vegetables were the major side dishes of meals and originally korean diets were based on vegetables. But recently people prefer meat dishes rather than vegetables and traditional vegetable cooking seems to be disappeared. So it is needed to be positioning the importance of vegetables in food culture of Korean. In present study, history of vegetable eating was reviewed and recent consumption pattern were analyzed. 1. Since the era of the three Kingdom's and Koryo dynasty, the kinds of vegetables varied and at Chosun Dynasty people used similar kinds of vegetables as nowadays except a few things. A Garlic and mug wort had been used from the age of tribes to present and an egg, apple, cucumber, lettuce from the three Kingdom and a bamboo sprout, a taro, a burdock, a radish, a turnip, a stone-leek, a scallion, a Chinese cabbage, a marsh mallow, a spinach and a crown daisy from Koryo Dynasty and a pepper, a pumpkin, a tomato, a cabbage, a salary, a kale, a turnip and a beet from Chosun Dynasty to present. A guard, a water shield plant, a yam and wild plants would have been used before but they would not use any more. 2. Current vegetable consumptions of Korean is 232.2kg/person/yr and comparing with world mean consumption(101.9kg), Koreans still eat the largest amount of vegetables than any other countries and among Asian countries, Koreans consume more vegetables than China(203.5kg) and Japanese people(111.6kg) do. 3.The most frequently consumed vegetables were vegetables for seasonings such as a garlic or stone-leek and for kimchi such as a Chinese cabbage, radish, and carrot. But from data of Korean National Health and Nutrition Survey(2001), kinds of vegetables which people had were only 72 items showing that the kinds of vegetables were limited. 4. A lot of wild plants that would have been used for famine relief are now disappeared and on the other hand, it is increasing of some new and foreign vegetables and herbs. Cooking methods and intake pattern of vegetables are changed and varied so a traditional cooking method such as namuel is less preferred than before. But vegetable wrapping and green vegetable juice, eating uncooked vegetables(sang-sik) are very popular.

Lead Isotope Ratio Data Base for Metal Objects at the National Museum of Korea (I) (국립중앙박물관소장 금속유물의 납동위원소비 데이터베이스 구축(I))

  • Kang, Hyungtae;Ahn, Juyoung;Huh, Ilkwon
    • Conservation Science in Museum
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    • v.8
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    • pp.81-95
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    • 2007
  • The Conservation Science Team of National Museum of Korea has established the data base of lead isotope ratio as the scientific research of bronze patina, which was acquired from conservation process of metal objects, and based on this result, it intends to conduct the research related to the production places of raw material for the bronze objects. As the equipment for analysis of lead isotope ratio of the bronze patina, the thermal ionization mass spectrometer (TIMS) was used. As part of the research, in 2007, the 11 samples of the bronze Patina from the objects, believed to belong to of Nangnang(Lelang), the 6 items of bronze patina from the flower-shaped bronze dishes, belong to Unified Silla period and 4 items from the Goryeo bronze bell were acquired and analyzed the lead isotope ratio. Based on the data of the lead isotope ratio from the galena of Korea, China and Japan, the provenance raw materials were estimated through the comparison of their lead isotope ratios. In the future, the Conservation Science Team of the National Museum of Korea will collect as much bronze patina as possible from the process of conservation treatment of metal objects, and analyze them in order to conduct the study of provenance with the type, period and the region of the objects.