• Title/Summary/Keyword: 스위트홈

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The Narrative of Catastrophe and the Ethics of Infection in the NETFLIX Drama, The Sweet Home (넷플릭스 드라마 <스위트홈>에 나타난 파국의 서사와 감염의 윤리)

  • Eum, Yeong-Cheol
    • The Journal of the Korea Contents Association
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    • v.21 no.10
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    • pp.138-148
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    • 2021
  • In this paper, the basic narrative of The Sweet Home is the story that the residents of the apartment fight and survive the monsters in the isolated circumstances from the outside. This paper analysed the narrative and revealed the characteristics of the NETFLIX drama, The Sweet Home, and dealt with the ethics of contagion, core issue of the drama. Firstly, in the drama Sweet Home, the boundary between the men and the monsters collapses from the contagion. The drama shows the aspects of the apocalyptical world through the optical images, and reveals the main contagion cause is the desire and fury of the human to dominate the others. In the drama, we can see the duality that the characters sometimes stand in solidarity with, and often abuse the others. This story reflects the times after 2000s that the boundary between the man and the monster eclipses. Secondly, the drama shows that the ethics of the others popping up after the contagion is violent and thus can go to the totalitarianism. When the residents are shot by the troopers of the nation, the governmental authority shows its brutality. In this situation, the residents recognize their past behaviors and embrace the others. However, in the point that the characters' selfless behaviors could cover up the complaints and the fury of young generations after 2000s, The Sweet Home is a problematic drama.

봄내음 가득한 잠실에서 온 편지

  • Gwon, Hui-Ran
    • 주택과사람들
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    • s.191
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    • pp.10-15
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    • 2006
  • 아파트는 고정된 구조와 획일적인 분위기를 지닌 곳으로 인식되게 마련이다. 그러나 공간을 '인간이 편안함을 느끼고, 아름다움을 창조해낼 수 있는 특성'을 가진 곳으로 생각하면서부터 아파트에도 새로운 모양이 생겼고, 전원주택의 한가로움까지 묻어나기 시작했다. 아파트의 단점을 완전히 보완한 박연록 씨의 스위트 홈으로의 초대

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Meanings of Family Reproduced by the Real Entertainment Program (리얼 예능 프로그램 <삼시세끼>가 재현한 가족에 관한 연구)

  • Jun, Mikyung;Lee, Jungwon;Kim, Jiwook
    • The Journal of the Korea Contents Association
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    • v.22 no.5
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    • pp.553-564
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    • 2022
  • The purpose of this study is to examine the family reproduced by fishing village episode 1. (삼시세끼, three meals a day), which attempted a new type of entertainment termed an experiential real entertainment documentary, was produced in a total of nine episodes from October 2014 to March 2015. This study analyzed fishing village episode 1, which was aired in 2015 and obtained the highest ratings, using narrative analysis. The development of was consistently structured in the order of 'wake up - free time - breakfast - lunch - dinner - rest - sleep'. The character construction of the characters was created through the arrangement of a main space and a main role for each of the characters. Also, the characters were in relationships through which they became the background of each other. Therefore, in the family reproduced by , a mother without a father and a father without a mother are impossible. Despite that all the cast members were male, the subtitles constantly gave them the roles of 'housewife/wife/mother', 'father/husband/dad', and 'son', while actively blocking the image of a homosexual family. The family created as such was a family with children, a family with both mother and father, a heterosexual family, and a nuclear family. As a result, reproduced the typical modern family, normal family, and standard family.