• Digital Contents
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• no.4 s.143
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• pp.64-69
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• 2005

소설의 세계에서 인물, 즉 캐릭터의 성격을 규정하는 것은‘심리’이다. 즉 그 혹은 그녀의 정신세계, 심리상태가 캐릭터를 규정하는 핵심이었다. 그래서 스토리 구조를 결정하는 데에도, 캐릭터의 심리가 중요한 것이 됐다. 그러나 소설과 달리, 디지털콘텐츠에서 인물의 특성을 규정하는 가장 중요한 축은‘행동’과‘외양’이다. 게임에서 인물의 심리라는 것이 도대체 무슨 소용이 있단 말인가. 웹에 등장하는 캐릭터(이를테면 미니홈피의 미니미)의 정신세계에 도대체 누가 관심을 가진단 말인가.

• Venture DIGEST
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• s.62
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• pp.16-17
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• 2004

간밤에 내린 비로 길거리는 온통 낙엽일색이다. 계절의 변화처럼 작가 이기열씨의 삶도 여러 다른 모습으로 바뀌었다. 한국 IT산업의 변화를 두 눈으로 목격한 IT전문지의 편집장에서 지금은 문학이라는 도구를 통해 여러 빛깔의 인생을 얘기하는 소설가의 삶을 살고 있다. IT산업에 각별한 애정을 가진 그를 만나 예순이 넘은 나이에도 새로운 삶을 살게 한 원동력과 벤처업계에 바라는 애정어린 조언을 들어보자.

• 프린팅코리아
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• v.10 no.6
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• pp.92-95
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• 2011

오는 6월 25일은 한국전쟁이 발발한지 61년이 되는 날이다. 6.25를 겪은 세대이자 '불과 얼음'이라는 6.25전쟁을 소재로 한 소설을 발표한 고산 고정일 동서문화사 대표를 만났다. 고정일 대표는 나이 16세에 출판사를 창업하여 55년을 한결같이 책만들기에만 힘써왔다. 오늘도 다른 사람의 책을 만들고 있으며, 이와 함께 자신의 소설과 동화를 지으며 하루하루를 살아가고 있다.

• The Korean Publising Journal, Monthly
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• s.170
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• pp.18-18
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• 1995

멀티미디어시대 서점가 베스트셀러 판매대에 19세기에 씌어진 고전소설이 등장하기 시작했다. 나다니엘호돈의 "일곱박공의 집"을 비롯한 일련의 책들은 대부분 당대의 문학사에 불후의 명작을 남긴 유명작가의 작품들이다. 이는 19세기 인류가 고민했던 주제들이 현대인들의 고뇌와 흡사하다는 데 있다. 위대한 문학은 시간이 지날수록 빛을 발하기 때문이다.

• River and Culture
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• v.1
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• pp.38-39
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• 2005

서울 청계천 복원 사업으로 인해 문화재 복원 등을 놓고 서울시와 시민단체가 갈등을 빚어 사업진행이 수월치만은 않은 가운데 소설가 박경리씨가 복원방식에 문제를 제기하는 기고문을 동아일보에 보냈으며 2004년 3월6일자 동아일보에 실렸던 기사를 하나의 보탬없이 동아일보의 양해를 얻어 그대로 수록하였다.

• Cartoon and Animation Studies
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• s.10
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• pp.137-148
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• 2006

The purpose of this article is to study the aspects of transformation of Treasure Island(1883), Robert Louis Stevenson's novel in two feature animations (1987) of Osamu Dezaki and (2002) of Ron Clements and John Musker by analyzing characters. In the original novel, as a typical wicked villain and traitor, Long John Silver functioned as an obstacle in Jim Hawkins' Bildungsroman. And Osamu Dezaki laid great emphasis on the friendship between Jim and Stiver His might be an excellent example of the faithful adaptation. But in Disney's , from initial mistrust, to friendly co-worker, to mentor and protege, and finally, to mutual rescuers, Jim and Silver have created a permanent bond that can never be broken - their coming together has changed both their lives forever. Jim's voyage of searching for treasure is not just for the discovery of material riches unimaginable but also for the discovery of his own true worth. Making the Sliver/Jim relationship more focused, Jim ends up discovering not just an obvious treasure; he discovers an inner treasure. From this viewpoint, this feature film could be an outstanding transformative adaptation.

• Journal of Korean Classical Literature and Education
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• no.34
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• pp.5-39
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• 2017

The purpose of this study is to establish genre knowledge that can be used to study classical Korean novels. Genre knowledge is important because it characterizes individual works based on their knowledge, as well as organically links them with the social context. In this study, I suggest that long classical Korean novels with similar contents can be analyzed using genre knowledge and analyze the "register" of the representative work Sohyeonsungrok as an example of a classical Korean novel. In the Sydney school, register connects genre and language. Register comprises field, tenor, and mode in the social context, and ideological meaning, interpersonal meaning, and textual meaning through language. These three meanings help us to understand how experiences are transformed into language, the relationship between participants, and the way a text is organized. Based on these frameworks, this study reveals that the linguistic features of Sohyeonsungrok is "an attitude that accepts a wide range of human emotions and desires and steadily waits for it to be included in norms." Classic Korean novels such as Sohyeonsungrok depict characters who are not wicked even though they cannot fully comply with social norms, and thereby create sympathy for family members living through Confucian ideology. This genre knowledge is useful for understanding the ideological implications of classical Korean novels.

• Journal of Popular Narrative
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• v.26 no.2
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• pp.191-219
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• 2020

This paper aims to identify the key features of the novel writing of Korean American immigrants and their meaning as one aspect of movement and contact occuring in the early modern period. The late return of the novels written by Nakcheong THUN in the 1930s is significant in that it restored ideas on the diversity of early modern mobility and confronted the history and culture of immigrants who were excluded from records and memories. Not only are these novels a product of the phenomenon of immigration, but they have also created a crack in the dichotomous perceptions of domination and subordination, center and periphery by envisioning it as a space that creates new history, culture, institutions and values. These novels treat the free love of intellectual, emotional, and ethical figures as a central event, demystifying Western free love, and at the same time, a society divided by various identities including class, race, and gender. The novels by Nakchung THUN visualize the active exchange between the immigrant and the indigenous community through the character of Jack, and imagines the heterotopia as a place where not for the immigrants' utopia, but for everyone's coexists. These novels have declared a kind of memory war on the subordinate and marginalized contact zones. The contact zones of the immigration area had been a place for experiencing extreme conflicts and discords, and at the same time, it has served as a place where various groups and communities are connected. The contact zones were common areas of solidarity and creation before being subject to division and occupation. The contact zones are far from the border or borderlands, so it is not a fixed and immutable deadlock. As a world free from central domination the contact zones have been a space that preoccupied history and culture through various encounters, and have been a community.

• The Journal of the Korea Contents Association
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• v.12 no.7
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• pp.29-39
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• 2012

This paper focused on the difference between an adaptation of novel and movie and the common process of making spy novel into an action-packed movie. The polyphony what Mikhail Bakhtin said turned out to be the way of description for double spy, a major motif of narrative in this novel and movie. There is a new possibility of adaptation that has a dialogical narrative, character description by multiple narrators and repetition of the same place. It was suggested the possibility of polyphonic adaptation by the consideration for a narrative aspect in the process of making the novel into the movie. This study will be expected to be help for studies of an adaptation between the novel and movie.

• The Journal of the Korea Contents Association
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• v.18 no.11
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• pp.338-347
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• 2018

This writing presents a structural methodology that conceptualize' Fransis Ford Coppola's perspective and adaptation style of his screenplay derived from the author Mario Puzo's original novel "The Godfather". This paper is divided into two different stages: The first stage, namely the "formal stage", encapsulates the analysis of narration and exploring the effects of structural transformations, such as deleting, creating and modifying from the novel to the screenplay. The second stage, entitled "semantic stage", is concerned with ascertaining the difference between the structure itself and the adapter's perspective on the original novel. The opening sequence of will be used as a case study to explore these issues in examining its adaptation style specifically while also offering a template for adapting a screenplay from a novel.