• Journal of Digital Convergence
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• v.11 no.12
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• pp.387-392
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• 2013

The purpose of this study investigate the main factors of the diffusion of digital contents and consumer's participation behavior, consumption culture and examine the experiential perspective to consumer's information selection behavior. In digital network, the social presence, challenge, self-presentation, arousal and emotional feeling were significant variables to flow experience. Experiential perspectives focused on the search of identity and self-determination were main basic perspective to explain the diffusion of digital contents, consumer participation. This research result applied to media and device strategy to up-coming digital convergence and adapted to product planning and development, user friendly navigation and emotional human-centered service module.

• The Journal of the Convergence on Culture Technology
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• v.9 no.6
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• pp.1039-1048
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• 2023

This article aims to find meaning-oriented consumption in the consumer society based on the female consumers' narratives of makeup consumption experiences. The case study of consumer narratives identified various meaning-oriented consumption behaviors among the female informants. The study also exemplifies the outcomes of meaning-oriented consumption and suggests a hypothetical framework that shows the process to get those outcomes from functional consumption to meaning-oriented consumption.

• Cartoon and Animation Studies
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• s.42
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• pp.315-335
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• 2016

Culture is being created and consumed as several form by human development. Populace is forming through movement of mass of people to specific place which influenced by urbanization and industrialization. Since cultural products are created on base of economic principles cultural content makers are make culture products after lot of study and analyze. In early days popular culture was accepted only by the meaning of the text which has settled already via country or company which was holding the capital. But today we can apply culture products freely by the power of public opinion and media art's growth. Especially fandom is giving the opportunity to consume the image of cultural products actively and offering the good influence to make it by several ways of activities to the culture producers. In this study, consumption as a cultural group formed by the fandom in public will be transformed into participatory groups by the influence of cultural activities with fan art reproduction. These changes in the consumption of culture products will make it in positive way. Thereby culture creator who thinks fandom as a group of culture capital maker only use it now for the indicator for predicting success of culture products. Will find out in this study how culture consumption is accomplishing by fan fiction and fan illustration in the fandom culture and how reproduced fan art is affects to culture creators.

• Bulletin of Korea Environmental Preservation Association
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• s.402
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• pp.2-5
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• 2012

올해 리우에서는 지속가능한 성장을 위해 전 세계가 하루빨리 녹색경제로 이행할 것을 촉구했다. 녹색경제의 혈관은 생산과 유통, 그리고 소비의 선순환 구조다. 우리는 녹색공공구매로 생산과 소비의 혈액 순환을 가져왔고, 그린카드로 소비활동의 새로운 패러다임을 제시했다.

• Journal of Conservation Science
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• v.35 no.3
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• pp.209-216
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• 2019

Lead isotope ratios in horse-shaped bronze buckles excavated from the Songjeol-dong site in Cheongju and the mid-western region of the Korean Peninsula have been determined by thermal ionization mass spectrometry. The lead isotope ratios of the samples with data provenance were plotted in zone 3 of the South Korean galena map. The results indicated that the horse-shaped bronze buckles could be made using galena located in the same area as the archaeological site. These results can be used as basic data for comparison purposes in future studies on the manufacturing technology and provenance of bronze artifacts.

• Vending industry
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• v.11 no.2
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• pp.39-41
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• 2012

일반적으로 중국은 전통차 문화가 워낙 강해 커피를 잘 안 마시는 것으로 알려져 있다. 중국의 자판기 산업이 좀처럼 돌파구를 못 찾는 것도 제 1의 타킷시장이라 할 수 있는 커피자판기 시장 개척이 수월치 않는 요인이 크다. 그러나 올해 KOTRA에서 발표한 자료를 살펴보면 중국에서의 커피 소비도 빠르게 늘어나고 있다고 한다. 청 장년층을 바탕으로 커피가 점차 인기를 끌어가고 있는 것이다. 이처럼 소비는 변하기 마련이다. 특히 커피는 범(汎)세계적인 음료로 점차 비중이 확대되고 있다. 아무리 전통차 문화가 강한 중국도 커피의 맛을 알게 되면 파급력이 엄청 커질 수 있다. 이렇게 보면 중국 내 커피자판기 시장도 희망은 있다. 안된다고 단정 지을 시장이 아니라는 얘기다. 과연 중국 커피시장에 어떠한 변화의 바람이 불고 있을까?

• Asia Marketing Journal
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• v.12 no.4
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• pp.27-54
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• 2011

This research attempted to present the efficiency of culture marketing to the organizations producing culture-art products and to the companies utilizing art and suggest the practical viewpoints to the culture and art policy agencies. The methodology used was to take an in-depth look at the consumer value cognition and benefits of culture-art products in contemporary consumption culture from a social context by conducting a total of 12 Focus Group Interviews, consisting of 58 males and females in their 10s~50s who can represent culture-art product consumers. The culture-art products refer to the artist's spiritual, actual act of creating or to the end products with economic exchange value. They are also sense goods and merit goods that affect the mental state of consumers. By looking at culture-art products as consumer merit goods, this research examined consumer value cognition of culture-art products based on the characteristics culture-art products. As a result, this research determined that consumers view culture-art products largely as 'aesthetic and sensuous merit goods', 'actual and individual merit goods', and 'social public property'. As 'aesthetic and sensuous merit goods', culture-art products are considered as the products of an artist's creative activities; as 'social public property', culture-art products have a public value in terms of ownership; and as 'actual and individual merit goods', culture-art products act on the spirit and reality of a consumer in terms of consumption. As a result of analyzing the benefits of culture-art products based on the above-mentioned consumer value cognition, it was observed that the benefits of culture-art-product consumption are chiefly divided into 'aesthetic character-oriented', 'social relationships-oriented', and 'individual benefits-oriented' depending on how consumers see culture-art products. A 3-conceptional structures model was constructed according to the relationship between consumer value cognition of culture-art products and the benefits. This research revealed that consumers who pursue the aesthetic value or sense of beauty as the central reason experience culture-art products themselves, enjoy intellectual quests, and pursue their satisfaction by expressing affection for and interests in culture-art products. On the other hand, consumers who pursue social value as the central reason as a means of communication by perceiving culture-art products as a public property of society, pursue sympathy with people close to them through the symbolic power of culture-art product consumption or the joy of self-display. Consumers who perceive art products as spiritual and actual merit goods and pursue consumer value as a central reason want to express their own personality, develop themselves, and differentiate themselves or identify themselves with others in the context of social relations for the ultimate goal of living a happy and satisfied life while pursuing to satisfy imminent and actual necessities as emotional stability and rest. The fact that culture-art product benefits could vary according to how a consumer perceives them implies that consumer value cognition of culture-art products and their benefits significant affect consumers' decision in choosing and consuming various culture-art products. It turned out that such benefits from the consumption of culture-art products reflect the complex contemporary consumption culture of rational consumption, symbolic consumption, experiential consumption, and social reflective consumption. This research identified conceptional structures of consumer value cognition on culture-art products and benefits that can be used for studying and understanding culture-art products consumers who pursue a variety of consumption values. They can also be used by private companies in utilizing art, as well as by national agencies in enhancing the population's quality of life. However, since this research could only conceptually grasp consumer perception of culture-art products and reveal the dimension of classification due to its own limitations arising from characteristic investigation, quantitative data on the benefits of culture-art product consumers should be measured in future studies through a quantitative investigation, while using the value cognition of culture-art products and the individual characteristics of consumers as variables based on this research.

• Life and Agrochemicals
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• s.275
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• pp.28-31
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• 2012

우리 농산업에게 2012년은 그간 예견되었던 위기가 표면화되고, 그에 대한 도전이 구체화 되는 시기가 될 것이다. 우리 농산업의 변화에 있어서 주목해야 할 키워드는 (1) FTA, (2) 건강, (3) 치유농업, (4) 농촌에 대한 재인식, (5) 애그리비즈니스, (6) 다문화, (7)신 소비문화의 등장, (8) 기후변화로 총 8가지가 대표된다. FTA는 한-미, 한-EU, 한-중이 복합적으로 작용할 시기이며, 건강은 여전히 가장 관심이 높은 분야이고, 치유농업은 소외계층, 학교폭력에 대한 새로운 대안으로 부각될 것으로 예상되고, 주 5일제 전면시행에 따라 우리 농업 농촌에 대한 국민들의 인식전환이 이루어질 것으로 예상된다. 애그리비즈니스 분야에서는 상품, 콘텐츠, 서비스, 소통을 모두 갖춘 농가만이 성공할 수 있다는 것이 드러나는 한 해가 될 것이며, 다문화 가정의 경우, '함께 사는 우리'가 되는 과정에서 문제점과 새로운 해결책이 제시되는 한 해가 될 전망이다. 농산물 소비의 새로운 고객층으로 떠오른 젊은 지식인층에 의한 소비문화의 분화와 영원한 숙제인 기후변화도 주목해야 할 키워드이다.

• The Science & Technology
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• v.33 no.10 s.377
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• pp.20-21
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• 2000

머리 빗어든 인형이든 또는 당구채이든 필요한 것은 무엇이든지 복사할 수 있고 인터넷을 통해 내려받을 수 있는 이른바 '3차원 팩스기계'가 등장하여 우리의 소비문화를 완전히 바꿀 새로운 시대를 예고하고 있다.

• The Journal of the Korea Contents Association
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• v.20 no.1
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• pp.378-391
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• 2020

This paper tries to critically examine how development of digital technology affects on the processes of production, consumption and intermediation of popular culture. We focus on the case of BTS to find changes after new media environment. In production part, artist produces diverse contents through multiple platforms to be a 'total package', and in consumption part, fans vote and promote online to support their artist, and their roles have expanded to the cultural intermediary at some part, so on the part of intermediation, inequalities from the power relations have changed in a part.