• Proceedings of the Acoustical Society of Korea Conference
• /
• spring
• /
• pp.329-332
• /
• 2004

본 연구에서는 한국의 오랜 역사 속에 한국인에게 사랑 받아오고 있는 사물놀이 연주악기, 즉 꽹과리, 징, 장구, 북에 대해서 고유 특성 주파수를 찾아내고, 이들 고유 주파수와 인간의 목소리와 비교하여, 우리인간의 정신적, 신체적 감각특성에 영향을 미치는 그 정체성을 찾아내어 과학적으로 규명하고, 한국전통문화의 우수성을 밝히는데 그 목적이 있다.

• 프린팅코리아
• /
• s.21
• /
• pp.92-105
• /
• 2004

인쇄업은 인쇄기를 비롯한 많은 장비를 이용하는 업종이다. 당연히 고장 등의 여러 가지 문제가 발생할 소지가 많다. 문제 발생 시 사용자측은 작업중단과 함께 서비스요금 및 부품비 등으로 막대한 경비까지 지출된다. 공급업체들도 사용자의 불편을 최소화하려고 나름대로 최선을 다하지만 여러 가지 불만의 소리를 들을 수밖에 없다. 그러나 이러한 문제가 발생되기 전에, 아니면 문제가 발생되더라도 최소화할 수 있는 것이 일상 점검이다. 즉 유지.보수(메인테넌스)가 필요한 것이다. 이에 본지에서는 국내 대표적인 장비 공급 및 서비스업체(프레스 및 프리프레스) 11개사를 중심으로 일상적인 유지.보수 및 사후관리에 대해 알아보는 한편 일본의 경우도 살펴본다.

• (The) Research of the performance art and culture
• /
• no.38
• /
• pp.143-191
• /
• 2019

This research argues that Pansori had patrons in its development. Patrons are commonly discussed aspect of history of any art form. Pansori is no exception. While Pansori originally began as the art of the common people, Yangban class became the primary audience. This paper examines the role of royal family of Choson dynasty in development of Pansori. Heungseon Daewongun (흥선대원군) in particular was a Pansori aficionado. The record around Daewongun's involvement to Pansori proves that heavy monetary investment was made. He hosted Pansori competitions and sponsored creation of Pansori tradition, Boseong Sori (보성소리) and Gangsanje (강산제). Also the aspect of Pansori patronage lies not just in Yangban class, but also in Jung'in class, which is roughly analoguous to European bourgeois in that they were not of Yangban class, but had gained monetary status, and had aesthetics of both Yangban and commoner class. I argue that Heungseon Daewongun's ties to the Jung'in class is reflected in his actions towards Pansori artists. The traditions he had sponsored have important characteristics, including sophisticated lyrics heavily utilizing Classical Chinese poetry, highly artistic musical composition, and conservative Confucian ethics. Those characteristics indicate that the Pansori traditions sponsored by the royal patrons have changed to cater to their artistic taste and philosophy. This paper conducts a textual comparative analysis between Gangsanje Pansori Jeokbyeokga (강산제 판소리 적벽가), Dongpyeonje's Pansori Jeokbyeokga (동편제 판소리 적벽가), and Seopyeonje Pansori Jeokbyeokga, who share the same plot yet offers a stark differences in tone, philosophy, and sense of humor. Daewongun was a primary sponsor of Pansori, which proves that Yangban class and the royal family have played important role as patrons of Pansori.

• Korean Journal of Social Welfare
• /
• v.65 no.2
• /
• pp.155-177
• /
• 2013

The aim of this study was to explore and understand the communication experiences of the deaf, from their perspective. This study obtained informations through in-depth interviews with five people with deafness using sign language. The collected data was analyzed according to Giorgi's phenomenological qualitative methods. The following main themes were extracted from the practical experiences of the participants interviewed: 'being confined in the world without sound by themselves', 'learning and comprehending how to communicate', and 'looking for identity as a membership of the deaf community'. Sign language was a tool and mediator so that they could come out of their comfort zone, communicate with people, and connect to others in the deaf community. However, on the other hand, sign language had a contradictory role that restricted their activities to the deaf societies that could understand each other using sign language. As a result of this study, we can be cognizant of how much not hearing and speaking(hearing disability) is a difficulty for human beings. The implication of this study's results on policy making and actual practices are discussed focusing on the rights and well-being of the deaf.

• Journal of Digital Convergence
• /
• v.15 no.12
• /
• pp.455-460
• /
• 2017

In popular music, soul music is becoming an evaluation criteria in Korea. Blues, a songer music that was singing and lamenting Filed Holler and their suffering in a vast land of black blood and sweat, which became the mother of music to understand our enthusiastic soul music. And the only spiritual haven, church music and important musicians. Especially in the 1960s Americans social background is the most important factor to understand the soul music of birth time. Our country, which has undergone tremendous colonial rule amid numerous foreign invasions, is naturally ashamed of its aging skies. For Black-Americans soul music is an expression and anger expression anger. However, many musicians, who are flooded with floods in our country, are destined to experience the essence of life. 'Soul music' the noble choice of choice music, is known to be the ultimate reminder of the misery of the eternal disaster. As soul music has become a powerful it is understandable that it has become an exaggeration.

• Journal of Broadcast Engineering
• /
• v.26 no.5
• /
• pp.643-651
• /
• 2021

Most people acquire information visually. Screens of computers, smart phones, etc. constantly stimulate people's eyes, increasing fatigue. In this social phenomenon, the realistic and rich sound of the 21st century's state-of-art sound system can affect people's bodies and minds in various ways. Through sound, human beings are given space to calm and observe themselves. The purpose of this paper is to introduce immersive yoga training based on 3D sound conducted together by ALgruppe & Rory's PranaLab and to promote the understanding of immersive audio system. As a result, people, experienced immersive yoga, not only enjoy the effect of sound, but also receive a powerful energy that gives them a sense of inner self-awareness. This is a response to multidisciplinary exchange required by the knowledge of modern society, and at the same time, informs the possibility of new cultural contents.

• (The) Research of the performance art and culture
• /
• no.33
• /
• pp.59-95
• /
• 2016

The purpose of this study was to examine the text and musical characteristic of , a changgeuk (a Korean traditional opera), by the National Theater of Korea, which was performed overseas with the title of and recognized its artistic values home and abroad alike, focusing on the process of its rebirth from a lost pansori. A changgeuk was dramatized from a lost pansori into a Korean traditional opera. In the process of rebirth of , the content of latter half, which is the performance of a funeral service for the deceased Byeongangsoe, was deleted, and the contents of Ongnyeo's fight against jangseungs in order to take back Byeongangsoe was newly inserted, thus creating textual changes. In addition, as the title presents, Ongnyeo is no longer a conventional lewd woman, but a subjective and independent female who is fighting against fate, different from its original perspective in which the leading character is Byeongangsoe. All the sounds of a changgeuk were made by the creative technique of traditional Korean songs through various attempts, such as inserting chords between performers in order to present most appropriate songs for the opera, namely proper sounds for the hidden side of the opera. In addition, according to the change of mind of performers or characters, the tone and vocal sound of the song were different. In particular, a changgeuk attempted a variety of techniques in the accompaniment of music, and used many sound buks or diverse genres such as popular music, waltz, classic and folk songs of every province, thus presenting challenging attempts. These attempts made the opera more abundant and helped it to be expressed realistically and dramatically. As above, the contents of a changgeuk were borrowed from classical narrations, but its musical aspects got off the technique of traditional changgeuk, thus attempting various changes and techniques. In this vein, it presented a novel modality of changgeuk equiping with the characteristic of 'reviewing the old and learning the new,' thus proposing the directivity and possibility of changgeuk in the present society.

• KIEAE Journal
• /
• v.8 no.5
• /
• pp.35-41
• /
• 2008

The aim of this study is to find out directions for development of soundscape design for creating a unique sound culture in a region, and to search for the practical strategies toward a soundscape design movement in Korea. For these specific aims, several components in soundscape through considering from original conception and ideology of soundscape, such as the concept of soundscape, the meaning of soundscape design, the categories of soundscape researh : keynote sounds, sound signals, and soundmarks, and the primary problems and strategies in the world soundscape project(WSP) are investigated. The result shows that it is necessary to practice several ways in our housing life, that is, the recovery of our coenesthesia, development of the residential environments considering the soundscape, revitalization of community consciousness, rehabilitation of the sensibility, and identity excavation of sound culture, and it is very important to spread out a plan for integrating the following four categories of strategies : conceptual, educational, political, and social.

• Journal of The Geomorphological Association of Korea
• /
• v.23 no.2
• /
• pp.61-70
• /
• 2016

This study intended to analyze the spatial distribution of two types of weeding song (Short Bang-a and Sangsa ryu) and how geomorphic elements influence the propagation of the songs in Chungcheongbuk-do area. The distribution of the two types of song was mapped as point data. According to the result, both types showed similar distribution pattern. In order to figure out the reason of this similarity, the distribution pattern of songs was analyzed at various scales based on geomorphic elements including river, mountain and lineament. The result showed that most of distribution pattern of songs followed the lineament direction. Also, the spatial continuity among mountain that was formed by large and small lineament in various directions could be the path of the cultural diffusion. If the lineament with same direction does not intersect other lineament that have different direction, spatial continuity would be blocked. Consequently it was confirmed that propagation of songs has not spread smoothly.

• Journal of the Korean Institute of Landscape Architecture
• /
• v.37 no.5
• /
• pp.24-30
• /
• 2009

The Sin-Wol filtration plant was an urban infrastructure and off-limits to the public. It is recreated as a representative experiential theme park in the southwest area. It has not only provided places to relax, but has made a new model of urban park by reusing advantages. The current lack of easy access into the park area almost isolates it like a green island. The neighborhood surrounding the park does not have many physical connections to the park to be able to use it. By connecting the surrounding communities with numerous access points into the park and linking the hiking trails and bike paths, the city's need for open space and recreation would be far better satisfied than before. This would allow for the use of the valuable assets of the existing forest and open space.