• 한국실내디자인학회논문집
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• 제21호
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• pp.139-146
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• 1999

Small art museums are important objects in the point of view that they are museums to speak for the general architectural culture of current Korea and immediate factors to have an effect on urban street view and urban people's life. In small art museums, form has had plural transfigurational process when we analyze the external component elements or form types, we will find various aspects. In past, composition of form was expressed by simple partition of surface and columv. Now a days, it is expressed with unnumerable formal vocabularies. Although these forms being looked plural, form principle of composition that prescribe it can be rather simple. This study aims to grasp the characteristics and the composition technique of form in small art museums by analyzing compositional elements of it.

• 한국실내디자인학회논문집
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• 제29호
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• pp.120-127
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• 2001

The study aims at finding out the spatial configuration of a small art museums through the analysis of visual Perception in spatial layouts. In so doing to analyze the characteristics of spatial perception in visual layouts and identity of space to evaluate the spatial construction with relation to the role of small art museums. Purpose of this study is to offer basic data to contribute effectiveness of the architectural planning of a small art museums by understanding of visual element of design and ultimately to make efficient use of space.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2002년도 가을학술발표대회 디자인학 연구
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• pp.98-99
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• 2002

• 한국실내디자인학회논문집
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• 제19호
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• pp.128-135
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• 1999

In 1990s, the necessity of the Korean contemporary medium/small scale gallery as a place of experience rather than that of simple viewing has increased to meet from the requirements of the pluralistic and popularized society. The gallery makes efforts to form a collective street to cope with the influential of the power large scale cultural space as well as finding a novel direction in order to derive the regional sympathy in connection with the culture space of the neighborgood. In this paper, we study the 1990s Korean medium/small scale gallery in two aspects: First, the architectural techniques and elements which are introduces the audience to both interior and exterior spaces constructed by the 1990s gallery architecture, are investigated. The conventional architecture shows the blocking of the neighborhood and the trend of severance when viewing from both the architectural and the civil points. Secondly, we present the design characteristics from the several points of view such as conceptual, spacial, visual angles. The various trends of works in exhibition of the fine arts can provide a means for producing a great deal of variation in recent gallery architecture when viewing from a stage standpoint of exhibition space.

• 한국실내디자인학회논문집
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• 제23권3호
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• pp.212-221
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• 2014

This study aims to analyze and explore phenomenological elements that appear in small-scall art museums with spatial concepts, such as top and bottom, depth, movement, and experienced space on the basis of Merleau-Ponty $Ph\acute{e}nom\acute{e}nologie$ de la perception.' Therefore, small-scale art museums may be regarded as an ideal space that can be analyzed with Merleau-Ponty's phenomenological theory since they should provide viewers with various spatial experiences in a limited space, breaking away from spatial limitations beyond appreciation of artworks. As research subjects, the range of art museums was limited to ones whose designs architectures or interior designers participated in out of all the small-scale art museums constructed after the 1990s, when the concepts and directing methods of spatial experience elements started being applied to art museums. Small-scale art museums chosen as cases were analyzed with Merleau-Ponty's spatial concepts explained earlier, and this study drew conclusions for each one. The significance of this study is that the results of this study can be used as efficient materials to reflect phenomenological elements on planning future small-scale art museums through further studies on various small-scale art museums.

• 한국실내디자인학회논문집
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• 제29호
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• pp.181-187
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• 2001

The art museum plays a role as a cultural space that can solve the cultural desire of people and see a good art works. It is in exhibition space that they personally exchange the feeling between an art work and a viewer in art museum. The types and works - a fiber, a photo, an establishment that needs many places, devices, a video art, and an action art called "performance", cultural art - are shown in small art museum. Moreover, exhibition spaces are modified into the space of another art activities like dancing, music concerts in small art museum because it has no profit space for diverse art activities. And the exhibition the characters of the exhibition space in small art museum. So, it needs to change the characters of the exhibition space in small art museum. Under these background, this stud\ulcorner surveys and analyzes the exhibits, the organization methods, the modified conditions, and the scale of the existing exhibitional space in small art museum. Therefore, the goal of this study is to suggest the composition of the exhibition space unit considering the function and the multifunction in minimum art museum and small art museum.

• 한국실내디자인학회논문집
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• 제24권3호
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• pp.59-68
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• 2015

As the economical and cultural levels become higher, the public have more various and new cultural desires, leading to an increase in the number and kinds of cultural facilities. Out of all the cultural facilities built in such a trend, art museums are the yardstick for a certain nation's cultural level, and the number of art museums is gradually increasing every year in Korea, as a cultural space where the public can make cultural exchanges with artists. On the contrary to the increasing number of art museums, however, the number of art museum visitors is decreasing every year, so various attempts are made to activate art museums in Korea. Thus, this study aims to seek a plan to activate the space of an art museum by improving the physical movement of art museum visitors, especially targeting small-sized ones out of all the art museums in Korea. For accurate analyses and verifications, this study used the visibility-ERAM program. As a result of analyses, this study found out and reconsidered several problems related to the space of art museums, and based on the results, the researcher could verify the related hypotheses, further comprehending possible errors of the proposed solution to those problems and supplement in a short period of time. Since such an analysis method and process has objective accuracy, it is expected that the results of this study will be used as basic data for future plans to activate the space of art museums.

• 스마트미디어저널
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• 제13권4호
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• pp.114-123
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• 2024

본 논문은 착용형 증강현실(Augmented Reality, AR) 기반 체험형 콘텐츠인 AR 돌탑 콘텐츠를 제안한다. 착용할 수 있는 형태의 증강현실이 주목받고 있음에도 불구하고 기술 수용은 산업현장 등 특수한 목적으로의 응용이 집중적으로 개발되고 있는 현황이다. 반면 제안한 AR 돌탑 콘텐츠는 일반 사용자들이 공감하고 쉽게 참여할 수 있도록 '돌탑' 소재를 바탕으로 하고 있으며, 이동 환경에서 공간을 활용하고 자연스러운 손 제스처를 바탕으로 돌을 찾고 쌓을 수 있도록 구성하였다. 제안한 AR 돌탑 콘텐츠는 HoloLens 2 환경에서 구현되었으며 소규모 미술관에서 파일럿 전시를 통해 일반 사용자를 대상으로 평가를 수행하였다. 평가 결과 콘텐츠에 대한 전반적인 만족도는 평균 3.85로 나타났으며, 돌탑 소재에 대한 콘텐츠 적절성은 4.15로 매우 높게 나타났다. 특히, 그중에서도 콘텐츠 이해도와 사운드에 대한 만족도는 높게 나타났으나, 객체인지와 신체 적응도 및 객체 컨트롤에서 다소 낮은 만족도를 보였다. 위와 같은 사용자 평가를 통해 소재에 대한 공감대와 긍정적인 반응을 확인하고, 착용형 AR 환경에서의 체험과 상호작용에서의 일반 사용자의 어려움을 확인하였다.