• Journal of Convergence for Information Technology
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• v.8 no.5
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• pp.159-171
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• 2018

The purpose of this study is to introduce the programs implemented by Baekseok University in order to activate Christian studies, and to look for ways of developing the programs. To do this, programs such as the Faith and Learning seminars and the Christian studies small groups were introduced, and discussed limitations and suggestions to improve it. The suggestions are as follows. First, participants are expanded from full-time professors to lecturers. Second, the present way of simply completing the seminar should be changed to evaluate the results of the Christian studies. Third, the Christian studies small groups are to be expanded to wider group of professors. In addition, to spread the culture of Christian studies, Baekseok University should provide support for each stage of the growth of Christian studies. This study will be presented as a model to Christian universities in Korea and abroad, which is in pursuit to maintain the identity of Christian college through the activation of Christian studies.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.21 no.2
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• pp.69-80
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• 2010

This study analyzed the Harris's philosophical ideas, American library classification in the Harris's era, and relationship to Bacon, Hegel, DDC based on the Harris's classification system. As is generally known so far, Harris himself described to have derived his classification from inverted Baconian arrangement. It is nowhere to be found that Harris reflected on Hegel's philosophical ideas in his scheme. But on this study, Harris was a Hegelian and a leading American exponent of ideas of Hegel at that time. So we can analogize being reflected on Hegelian philosophy in the Harris's scheme and actually the Hegelian basis can be founded for much of Harris's scheme. Also we can find that Harris's scheme springs directly from Bacon and indirectly Johnston's scheme.

• 한국HCI학회:학술대회논문집
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• 2008.02b
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• pp.121-125
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• 2008

Media art is developing the art of 'interaction' that get meaning through communicating an audience. Now, media art got the title named interactive media art, but its concept is not clear In this study we divided into two classes - passive and active interactive art. Passive interactive art had the interaction 'participation of communication' and had flat and limited features. Active interactive art meant that an audience played with works actively and found significances between artworks and themselves. Through analysis of case study, we verified a propriety about own interactive art's division. Especially, the active interactive art was very important. The western classical metaphysics seemed to be not perfect in analysis of active interactive art. We tried to analyze active interactive art more perfectly by using the oriental philosophy.

• Korean Journal of Social Welfare
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• v.66 no.2
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• pp.231-253
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• 2014

This paper aims to investigate epistemic principles and practical virtue items in Confucism about formation of social capital in a community. First, I have reviewed the basic perspective of Confucism utilizing holistic point of view, which is based on the theory of Yum-Yang, and human relationship in terms of role harmony, which is based on the theory of Si-Wi. I have then explored several items, some of which are Jung and Hwa as an internal value criterion, Ui and Ye as an external one. Analyzing other items such as In and Deok as directional items, Chung-Seo and Hyeol-ku-ji-do as epistemic items and Hyo and Ye as practical ones, I have found out that all of them, mentioned above functioned as factors of social capital in a community. Therefore, we emphasize that Confucian epistemic principles and practical virtue items can not only function as components of social capital in modern communities but have useful and practical implications for policy in modern community welfare.

• The Journal of the Korea Contents Association
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• v.13 no.11
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• pp.587-596
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• 2013

Film is all about people. Characters in films represent the worldviews and perspectives on "people" of film directors. Lee Chang-Dong, Lim Sang-Soo, These are the directors who concentrate on "persona" in their films, but in turn, they see it at unique and distinctive angles. Director Lee Chang-Dong seeks for innocence as the core of humanity and hopes to recover it in his films. On the other hand, director Lim Sang-Soo keeps his sarcastic and nihilistic stances towards human nature, claiming that we are just mere beings who "happen to" be living and staying at our time in history. This paper examines the contrasting views on 'human nature' of the two directors, which are uniquely explored in the films , of Lee Chang-dong and , , of Lim Sang-soo respectively. What is the true human nature that each of these two directors wants to imbue his films with and how different are their perspectives?

• The Journal of the Korea Contents Association
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• v.13 no.2
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• pp.137-146
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• 2013

The vague anxiety or disbelief about new media undermines the confidence of old media about controlling the future. The negative response of old media makes the vicious circle. In spite of the development of new media and IT industry, the conservative view regards computer game as taboo. The absolute taboo provokes the absolute fear. Then the absolute taboo is 'computer game' in today's Korean society. Computer game as play in the digital era is burdened by the critique on the non-productivity and the deviation. And what's more, the digital technology of computer game intensifies the image of 'virtuality'. It cause the fear about computer game. This article starts on the understanding about computer game and inspects the mass image about computer game which is caused by the various aspects of cultural or technological facts in computer game. From this inspection, the article explains the mechanism of gamephobia and suggests the view to catch the cultural value of computer game beyond the fear.

• Journal of Navigation and Port Research
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• v.28 no.1
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• pp.105-111
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• 2004

This study is aiming at examining the possibilities to develop eco-friendly waterfront, and discusses characteristics of the organic worldview which has been emerged as new development or eco-friendly paradigm in recent science against the mechanical worldview of modem times. The orientation of waterfront development is characterized as unity, diversity, dynamics and mutuality. In addition, I examined the factors for waterfront design according to the locational, decorativeand visual properties of urban$.$architecture to find out concrete factors of its design. This study suggests the factors for waterfront design making use of organic properties, by examining the orientation for organic development of eco-friendly waterside environment and showing correlation between the factors of specific design, and their examples.

• The Journal of the Korea Contents Association
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• v.7 no.6
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• pp.135-143
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• 2007

Dir.Guilermo del Toro, born in Mexico and started his career as a special make up artist, has been valued as one of most creative directors over the world since he went through hardship to adjust himself in Hollywood system. Del Toro as director has had interesting development in the boundary between Hollywood system' demand and creator(auteur)'s self-consciousness from the his first film to currently . His works reflect his Catholic view of the world. Del Toro like to have the variation of convention on his works from the classics to modern films in order to approach audience easily. He adopts plots and symbols from Bible, mythology and ancient tragedy as same reason. After then, Del Toro constructs his creativity on it. Thus, his works are consist of combination between universality and creativity. This is the reason why His works are making success both criticism and box office hit.

• Cartoon and Animation Studies
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• s.35
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• pp.89-106
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• 2014

According to Norman McLaren, a Canadian animator, "Animation is not art of moving pictures but art of drawn motions". As he puts it, animation performs the role of magic that turns static to dynamic. Particularly, the space of animation, which is generated through merger of several layers, creates distinctive space that is not to be found in other art genres. Also, the motion of animation, which, unlike live action in film, can be limitlessly created according to a director's subjective domain, has a more autonomous existence. In this paper, I study the space and motion in animation grounded in a director's subjective domain, based on the works by Tabaimo, the Japanese animator director and modern artist. She made an independent use of color sense and perspective that maximized a flat surface, which contributed to creating a new world that doesn't exist in reality. Motion created in such a space is more relative than universal. Therefore, Tabaimo's animation has made aggressive use of a device that gives more originality to the director's themed world, while audience can participate in the strange but new world.

• Environmental and Resource Economics Review
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• v.16 no.3
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• pp.701-721
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• 2007

A key issue in the development and application of stated preference nonmarket valuation is the incorporation of unobserved heterogeneity in utility models. Two approaches to this task have dominated. The first is to include individual-specific characteristics into the estimated indirect utility functions. These characteristics are usually socioeconomic or demographic variables. The second employs generalized models such as random parameter logit or probit models to allow model parameters to vary across individuals. This paper examines a third approach: the inclusion of psychological or 'latent' variables such as general attitudes and behaviour-specific attitudes to account for heterogeneity in models of stated preferences. Attitudinal indicators are used as explanatory variables and as segmentation criteria in a choice modelling application. Results show that both the model significance and parameter estimates are influenced by the inclusion of the latent variables, and that attitudinal variables are significant factors for WTP estimates.